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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 109 159 it is the complementary color RGB 172 146 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 109 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 83 109 159: RGB 88 109 154, RGB 105 127 173, RGB 122 145 192, RGB 139 163 211 and RGB 156 181 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 109 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 83 109 159: RGB 83 109 159, RGB 66 91 140, RGB 49 73 121, RGB 32 55 102 and RGB 15 37 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

Complementary color

CMYK 0 / 15 / 44 / 33

HEX #AC9260

RGB 172 146 96

HSL 39.47, 0.31%, 0.53%

LAB 61.8, 2.8, 30.07

 

CMYK 43 / 29 / 0 / 40

HEX #586D9A

RGB 88 109 154

HSL 220.91, 0.27%, 0.47%

LAB 46.1, 4.46, -26.9

 

CMYK 39 / 27 / 0 / 32

HEX #697FAD

RGB 105 127 173

HSL 220.59, 0.29%, 0.55%

LAB 53.17, 3.94, -26.94

 

CMYK 36 / 24 / 0 / 25

HEX #7A91C0

RGB 122 145 192

HSL 220.29, 0.36%, 0.62%

LAB 60.06, 3.5, -27.02

 

CMYK 34 / 23 / 0 / 17

HEX #8BA3D3

RGB 139 163 211

HSL 220, 0.45%, 0.69%

LAB 66.81, 3.13, -27.14

 

CMYK 32 / 21 / 0 / 10

HEX #9CB5E6

RGB 156 181 230

HSL 219.73, 0.6%, 0.76%

LAB 73.43, 2.81, -27.29

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 53 / 35 / 0 / 45

HEX #425B8C

RGB 66 91 140

HSL 219.73, 0.36%, 0.4%

LAB 38.78, 5.45, -30.07

 

CMYK 60 / 40 / 0 / 53

HEX #314979

RGB 49 73 121

HSL 220, 0.42%, 0.33%

LAB 31.34, 6.51, -30.19

 

CMYK 69 / 46 / 0 / 60

HEX #203766

RGB 32 55 102

HSL 220.29, 0.52%, 0.26%

LAB 23.67, 8.01, -30.37

 

CMYK 82 / 55 / 0 / 67

HEX #0F2553

RGB 15 37 83

HSL 220.59, 0.69%, 0.19%

LAB 15.74, 10.27, -30.58

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 48 / 39 / 0 / 38

HEX #52609D

RGB 82 96 157

HSL 228.8, 0.31%, 0.47%

LAB 42.14, 11.84, -34.91

 

CMYK 48 / 47 / 0 / 38

HEX #52539D

RGB 82 83 157

HSL 239.2, 0.31%, 0.47%

LAB 38.58, 20.1, -40.57

 

CMYK 41 / 48 / 0 / 38

HEX #5D529D

RGB 93 82 157

HSL 248.8, 0.31%, 0.47%

LAB 39.23, 23.55, -39.47

 

CMYK 32 / 48 / 0 / 38

HEX #6A529D

RGB 106 82 157

HSL 259.2, 0.31%, 0.47%

LAB 40.46, 27.1, -37.44

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 48 / 31 / 0 / 18

HEX #6E90D2

RGB 110 144 210

HSL 219.6, 0.53%, 0.63%

LAB 59.81, 6.06, -37.59

 

CMYK 50 / 33 / 0 / 98

HEX #030406

RGB 3 4 6

HSL 220, 0.33%, 0.02%

LAB 1.08, 0.02, -0.85

 

CMYK 47 / 32 / 0 / 78

HEX #1E2739

RGB 30 39 57

HSL 220, 0.31%, 0.17%

LAB 15.6, 1.8, -12.85

 

CMYK 48 / 31 / 0 / 58

HEX #384A6C

RGB 56 74 108

HSL 219.23, 0.32%, 0.32%

LAB 31.4, 3.14, -21.91

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 8 / 48 / 0 / 38

HEX #91529D

RGB 145 82 157

HSL 290.4, 0.31%, 0.47%

LAB 44.93, 38.6, -30.11

 

CMYK 12 / 0 / 48 / 38

HEX #8A9D52

RGB 138 157 82

HSL 75.2, 0.31%, 0.47%

LAB 61.76, -18.89, 36.8

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 0 / 48 / 31 / 38

HEX #9D526C

RGB 157 82 108

HSL 339.2, 0.31%, 0.47%

LAB 44.64, 34.17, -0.79

 

CMYK 31 / 0 / 48 / 38

HEX #6C9D52

RGB 108 157 82

HSL 99.2, 0.31%, 0.47%

LAB 59.81, -30.54, 33.95

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 8 / 48 / 0 / 38

HEX #91529D

RGB 145 82 157

HSL 290.4, 0.31%, 0.47%

LAB 44.93, 38.6, -30.11

 

CMYK 0 / 17 / 48 / 38

HEX #9D8252

RGB 157 130 82

HSL 38.4, 0.31%, 0.47%

LAB 55.83, 3.81, 29.77

 

CMYK 41 / 0 / 48 / 38

HEX #5D9D52

RGB 93 157 82

HSL 111.2, 0.31%, 0.47%

LAB 59.02, -35.73, 32.8

 

CMYK 48 / 31 / 0 / 38

HEX #536D9F

RGB 83 109 159

HSL 219.47, 0.31%, 0.47%

LAB 46.01, 4.65, -30.01

 

CMYK 0 / 48 / 8 / 38

HEX #9D5291

RGB 157 82 145

HSL 309.6, 0.31%, 0.47%

LAB 45.97, 40.03, -21.19

 

CMYK 0 / 17 / 48 / 38

HEX #9D8252

RGB 157 130 82

HSL 38.4, 0.31%, 0.47%

LAB 55.83, 3.81, 29.77

 

CMYK 48 / 0 / 41 / 38

HEX #529D5D

RGB 82 157 93

HSL 128.8, 0.31%, 0.47%

LAB 58.69, -37.44, 26.45

 

Description

Color code: RGB 83 109 159 | qconv.com Color code: RGB 83 109 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 109 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 109 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 31 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 31% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - TEDATA GmbH:  HOME
Link: http://www.tedata.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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