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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 101 214 it is the complementary color RGB 172 154 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 101 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 83 101 214: RGB 88 101 209, RGB 105 119 228, RGB 122 137 247, RGB 139 155 255 and RGB 156 173 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 101 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 83 101 214: RGB 83 101 214, RGB 66 83 195, RGB 49 65 176, RGB 32 47 157 and RGB 15 29 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

Complementary color

CMYK 0 / 10 / 76 / 33

HEX #AC9A29

RGB 172 154 41

HSL 51.76, 0.62%, 0.42%

LAB 63.38, -5.66, 57.68

 

CMYK 58 / 52 / 0 / 18

HEX #5865D1

RGB 88 101 209

HSL 233.55, 0.57%, 0.58%

LAB 46.96, 26.96, -57.53

 

CMYK 54 / 48 / 0 / 11

HEX #6977E4

RGB 105 119 228

HSL 233.17, 0.69%, 0.65%

LAB 53.81, 25.42, -57.21

 

CMYK 51 / 45 / 0 / 3

HEX #7A89F7

RGB 122 137 247

HSL 232.8, 0.89%, 0.72%

LAB 60.56, 24.12, -56.92

 

CMYK 45 / 39 / 0 / 0

HEX #8B9BFF

RGB 139 155 255

HSL 231.72, 1%, 0.77%

LAB 66.64, 19.81, -51.58

 

CMYK 39 / 32 / 0 / 0

HEX #9CADFF

RGB 156 173 255

HSL 229.7, 1%, 0.81%

LAB 72.35, 13.76, -42.52

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 66 / 57 / 0 / 24

HEX #4253C3

RGB 66 83 195

HSL 232.09, 0.52%, 0.51%

LAB 40.06, 29.72, -60.69

 

CMYK 72 / 63 / 0 / 31

HEX #3141B0

RGB 49 65 176

HSL 232.44, 0.56%, 0.44%

LAB 33.07, 32.12, -60.94

 

CMYK 80 / 70 / 0 / 38

HEX #202F9D

RGB 32 47 157

HSL 232.8, 0.66%, 0.37%

LAB 26.08, 34.94, -60.99

 

CMYK 89 / 79 / 0 / 46

HEX #0F1D8A

RGB 15 29 138

HSL 233.17, 0.8%, 0.3%

LAB 19.29, 38, -60.49

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 61 / 62 / 0 / 16

HEX #5351D6

RGB 83 81 214

HSL 240.9, 0.62%, 0.58%

LAB 42.12, 40.01, -68.25

 

CMYK 51 / 62 / 0 / 16

HEX #6951D6

RGB 105 81 214

HSL 250.83, 0.62%, 0.58%

LAB 43.86, 43.79, -65.34

 

CMYK 41 / 62 / 0 / 16

HEX #7F51D6

RGB 127 81 214

HSL 260.75, 0.62%, 0.58%

LAB 45.98, 48.15, -61.81

 

CMYK 30 / 62 / 0 / 16

HEX #9651D6

RGB 150 81 214

HSL 271.13, 0.62%, 0.58%

LAB 48.54, 53.14, -57.54

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 60 / 50 / 0 / 96

HEX #04050A

RGB 4 5 10

HSL 230, 0.43%, 0.03%

LAB 1.41, 0.43, -1.99

 

CMYK 61 / 52 / 0 / 76

HEX #181D3D

RGB 24 29 61

HSL 231.89, 0.44%, 0.17%

LAB 12.02, 8.89, -21.34

 

CMYK 62 / 53 / 0 / 56

HEX #2B3570

RGB 43 53 112

HSL 231.3, 0.45%, 0.3%

LAB 24.42, 15.53, -35.57

 

CMYK 61 / 53 / 0 / 36

HEX #3F4DA3

RGB 63 77 163

HSL 231.6, 0.44%, 0.44%

LAB 36, 21.82, -48.37

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 0 / 62 / 3 / 16

HEX #D651CF

RGB 214 81 207

HSL 303.16, 0.62%, 0.58%

LAB 56.77, 66.99, -39.94

 

CMYK 28 / 0 / 62 / 16

HEX #9AD651

RGB 154 214 81

HSL 87.07, 0.62%, 0.58%

LAB 79.36, -39.94, 57.87

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 0 / 62 / 53 / 16

HEX #D65165

RGB 214 81 101

HSL 350.98, 0.62%, 0.58%

LAB 53.08, 53.74, 16.63

 

CMYK 53 / 0 / 62 / 16

HEX #65D651

RGB 101 214 81

HSL 110.98, 0.62%, 0.58%

LAB 76.95, -56.86, 54.53

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 0 / 62 / 3 / 16

HEX #D651CF

RGB 214 81 207

HSL 303.16, 0.62%, 0.58%

LAB 56.77, 66.99, -39.94

 

CMYK 0 / 9 / 62 / 16

HEX #D6C251

RGB 214 194 81

HSL 50.98, 0.62%, 0.58%

LAB 78.15, -6.26, 57.79

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 61 / 53 / 0 / 16

HEX #5365D6

RGB 83 101 214

HSL 231.76, 0.62%, 0.58%

LAB 46.98, 27.71, -60.37

 

CMYK 0 / 62 / 22 / 16

HEX #D651A7

RGB 214 81 167

HSL 321.2, 0.62%, 0.58%

LAB 55.04, 60.99, -19.56

 

CMYK 0 / 9 / 62 / 16

HEX #D6C251

RGB 214 194 81

HSL 50.98, 0.62%, 0.58%

LAB 78.15, -6.26, 57.79

 

CMYK 62 / 0 / 41 / 16

HEX #51D67F

RGB 81 214 127

HSL 140.75, 0.62%, 0.58%

LAB 76.91, -55.28, 32.48

 

Description

Color code: RGB 83 101 214 | qconv.com Color code: RGB 83 101 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 101 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 101 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 53 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 53% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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