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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 138 134 it is the complementary color RGB 173 117 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 138 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 82 138 134: RGB 87 138 129, RGB 104 156 148, RGB 121 174 167, RGB 138 192 186 and RGB 155 210 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 138 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 82 138 134: RGB 82 138 134, RGB 65 120 115, RGB 48 102 96, RGB 31 84 77 and RGB 14 66 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

Complementary color

CMYK 0 / 32 / 30 / 32

HEX #AD7579

RGB 173 117 121

HSL 355.71, 0.25%, 0.57%

LAB 55.06, 22.58, 6.78

 

CMYK 37 / 0 / 7 / 46

HEX #578A81

RGB 87 138 129

HSL 169.41, 0.23%, 0.44%

LAB 53.8, -19.26, -0.6

 

CMYK 33 / 0 / 5 / 39

HEX #689C94

RGB 104 156 148

HSL 170.77, 0.21%, 0.51%

LAB 60.66, -19.1, -1.33

 

CMYK 30 / 0 / 4 / 32

HEX #79AEA7

RGB 121 174 167

HSL 172.08, 0.25%, 0.58%

LAB 67.37, -18.94, -2.01

 

CMYK 28 / 0 / 3 / 25

HEX #8AC0BA

RGB 138 192 186

HSL 173.33, 0.3%, 0.65%

LAB 73.96, -18.81, -2.66

 

CMYK 26 / 0 / 2 / 18

HEX #9BD2CD

RGB 155 210 205

HSL 174.55, 0.38%, 0.72%

LAB 80.44, -18.68, -3.27

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 46 / 0 / 4 / 53

HEX #417873

RGB 65 120 115

HSL 174.55, 0.3%, 0.36%

LAB 46.7, -19.51, -2.93

 

CMYK 53 / 0 / 6 / 60

HEX #306660

RGB 48 102 96

HSL 173.33, 0.36%, 0.29%

LAB 39.54, -19.53, -2.11

 

CMYK 63 / 0 / 8 / 67

HEX #1F544D

RGB 31 84 77

HSL 172.08, 0.46%, 0.23%

LAB 32.19, -19.42, -1.16

 

CMYK 79 / 0 / 12 / 74

HEX #0E423A

RGB 14 66 58

HSL 170.77, 0.65%, 0.16%

LAB 24.62, -18.99, -0.01

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 40 / 4 / 0 / 46

HEX #528489

RGB 82 132 137

HSL 185.45, 0.25%, 0.43%

LAB 51.95, -15.41, -8.01

 

CMYK 40 / 10 / 0 / 46

HEX #527B89

RGB 82 123 137

HSL 195.27, 0.25%, 0.43%

LAB 49.21, -10.41, -12.12

 

CMYK 40 / 17 / 0 / 46

HEX #527289

RGB 82 114 137

HSL 205.09, 0.25%, 0.43%

LAB 46.49, -5.22, -16.25

 

CMYK 40 / 23 / 0 / 46

HEX #526989

RGB 82 105 137

HSL 214.91, 0.25%, 0.43%

LAB 43.8, 0.15, -20.37

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 41 / 0 / 3 / 26

HEX #70BDB8

RGB 112 189 184

HSL 176.1, 0.37%, 0.59%

LAB 71.76, -24.97, -4.96

 

CMYK 40 / 0 / 3 / 6

HEX #8FF0E9

RGB 143 240 233

HSL 175.67, 0.76%, 0.75%

LAB 88.94, -30.21, -5.62

 

CMYK 42 / 0 / 3 / 86

HEX #152423

RGB 21 36 35

HSL 176, 0.26%, 0.11%

LAB 12.88, -6.65, -1.37

 

CMYK 40 / 0 / 3 / 66

HEX #345754

RGB 52 87 84

HSL 174.86, 0.25%, 0.27%

LAB 34.37, -13.43, -2.26

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 36 / 40 / 0 / 46

HEX #585289

RGB 88 82 137

HSL 246.55, 0.25%, 0.43%

LAB 37.69, 16.29, -29.85

 

CMYK 0 / 20 / 40 / 46

HEX #896E52

RGB 137 110 82

HSL 30.55, 0.25%, 0.43%

LAB 48.36, 6.58, 19.66

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 4 / 40 / 0 / 46

HEX #845289

RGB 132 82 137

HSL 294.55, 0.25%, 0.43%

LAB 42.38, 30.35, -22.19

 

CMYK 0 / 4 / 40 / 46

HEX #898452

RGB 137 132 82

HSL 54.55, 0.25%, 0.43%

LAB 54.48, -5.95, 27.66

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 36 / 40 / 0 / 46

HEX #585289

RGB 88 82 137

HSL 246.55, 0.25%, 0.43%

LAB 37.69, 16.29, -29.85

 

CMYK 0 / 40 / 37 / 46

HEX #895256

RGB 137 82 86

HSL 355.64, 0.25%, 0.43%

LAB 41.26, 23.49, 7.49

 

CMYK 5 / 0 / 40 / 46

HEX #828952

RGB 130 137 82

HSL 67.64, 0.25%, 0.43%

LAB 55.33, -11.66, 28.62

 

CMYK 41 / 0 / 3 / 46

HEX #528A86

RGB 82 138 134

HSL 175.71, 0.25%, 0.43%

LAB 53.7, -19.43, -3.67

 

CMYK 23 / 40 / 0 / 46

HEX #695289

RGB 105 82 137

HSL 265.09, 0.25%, 0.43%

LAB 39.32, 21.53, -27.19

 

CMYK 0 / 40 / 37 / 46

HEX #895256

RGB 137 82 86

HSL 355.64, 0.25%, 0.43%

LAB 41.26, 23.49, 7.49

 

CMYK 17 / 0 / 40 / 46

HEX #728952

RGB 114 137 82

HSL 85.09, 0.25%, 0.43%

LAB 54.11, -18.25, 26.82

 

Description

Color code: RGB 82 138 134 | qconv.com Color code: RGB 82 138 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 138 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 138 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 3 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 3% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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