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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82.5 147 160 it is the complementary color RGB 172.5 108 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82.5 147 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82.5 147 160 shade: RGB 87.5 147 155, RGB 104.5 165 174, RGB 121.5 183 193, RGB 138.5 201 212 and RGB 155.5 219 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82.5 147 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82.5 147 160 shade: RGB 82.5 147 160, RGB 65.5 129 141, RGB 48.5 111 122, RGB 31.5 93 103 and RGB 14.5 75 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82.5 147 160 shade: RGB 83 148 162, RGB 83 127 162, RGB 83 106 162, RGB 83 85 162 and RGB 103 83 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82.5 147 160 shade: RGB 83 148 162, RGB 83 127 162, RGB 83 106 162, RGB 83 85 162 and RGB 83 83 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82.5 147 160 shade matches the following richer shades: RGB 83 148 162, RGB 63 162 181, RGB 44 175 201, RGB 24 188 221 and RGB 4 201 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82.5 147 160 shade: RGB 83 148 162, RGB 103 135 142, RGB 123 122 122, RGB 143 109 102 and RGB 162 96 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82.5 147 160 shade: RGB 83 162 133, RGB 83 162 154, RGB 83 149 162, RGB 83 128 162 and RGB 83 107 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82.5 147 160 shade: RGB 55 98 107, RGB 69 123 134, RGB 83 148 162, RGB 107 167 179 and RGB 134 183 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82.5 147 160 shade: RGB 82.5 147 160, RGB 112 83 162 and RGB 162 143 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82.5 147 160 shade: RGB 82.5 147 160, RGB 162 83 149 and RGB 149 162 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82.5 147 160 shade: RGB 82.5 147 160, RGB 112 83 162, RGB 162 96 83 and RGB 133 162 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82.5 147 160 shade: RGB 82.5 147 160, RGB 135 83 162, RGB 162 96 83 and RGB 109 162 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 8 / 0 / 37

HEX #5293A0

RGB 82.5 147 160

HSL 190.06, 0.32%, 0.48%

LAB 57.29, -17.02, -13.27

 

Complementary color

CMYK 0 / 37 / 45 / 32

HEX #AC6C5F

RGB 172.5 108 95

HSL 10.06, 0.32%, 0.52%

LAB 52.26, 24.2, 18.05

 

CMYK 44 / 5 / 0 / 39

HEX #57939B

RGB 87.5 147 155

HSL 187.11, 0.28%, 0.48%

LAB 57.35, -17.16, -10.3

 

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

CMYK 37 / 5 / 0 / 24

HEX #79B7C1

RGB 121.5 183 193

HSL 188.39, 0.37%, 0.62%

LAB 70.75, -17.19, -11.35

 

CMYK 35 / 5 / 0 / 17

HEX #8AC9D4

RGB 138.5 201 212

HSL 188.98, 0.46%, 0.69%

LAB 77.26, -17.17, -11.84

 

CMYK 33 / 5 / 0 / 9

HEX #9BDBE7

RGB 155.5 219 231

HSL 189.54, 0.61%, 0.76%

LAB 83.68, -17.15, -12.32

 

CMYK 48 / 8 / 0 / 37

HEX #5293A0

RGB 82.5 147 160

HSL 190.06, 0.32%, 0.48%

LAB 57.29, -17.02, -13.27

 

CMYK 54 / 9 / 0 / 45

HEX #41818D

RGB 65.5 129 141

HSL 189.54, 0.37%, 0.4%

LAB 50.41, -16.83, -12.74

 

CMYK 60 / 9 / 0 / 52

HEX #306F7A

RGB 48.5 111 122

HSL 188.98, 0.43%, 0.33%

LAB 43.38, -16.5, -12.16

 

CMYK 69 / 10 / 0 / 60

HEX #1F5D67

RGB 31.5 93 103

HSL 188.39, 0.53%, 0.26%

LAB 36.19, -15.94, -11.5

 

CMYK 83 / 11 / 0 / 67

HEX #0E4B54

RGB 14.5 75 84

HSL 187.77, 0.71%, 0.19%

LAB 28.82, -14.97, -10.72

 

CMYK 49 / 9 / 0 / 36

HEX #5394A2

RGB 83 148 162

HSL 190.63, 0.32%, 0.48%

LAB 57.68, -16.87, -13.82

 

CMYK 49 / 22 / 0 / 36

HEX #537FA2

RGB 83 127 162

HSL 206.58, 0.32%, 0.48%

LAB 51.41, -5.16, -23.39

 

CMYK 49 / 35 / 0 / 36

HEX #536AA2

RGB 83 106 162

HSL 222.53, 0.32%, 0.48%

LAB 45.3, 7.44, -32.9

 

CMYK 49 / 48 / 0 / 36

HEX #5355A2

RGB 83 85 162

HSL 238.48, 0.32%, 0.48%

LAB 39.49, 20.66, -42.1

 

CMYK 36 / 49 / 0 / 36

HEX #6753A2

RGB 103 83 162

HSL 255.19, 0.32%, 0.48%

LAB 40.7, 27.05, -40.07

 

CMYK 49 / 9 / 0 / 36

HEX #5394A2

RGB 83 148 162

HSL 190.63, 0.32%, 0.48%

LAB 57.68, -16.87, -13.82

 

CMYK 49 / 22 / 0 / 36

HEX #537FA2

RGB 83 127 162

HSL 206.58, 0.32%, 0.48%

LAB 51.41, -5.16, -23.39

 

CMYK 49 / 35 / 0 / 36

HEX #536AA2

RGB 83 106 162

HSL 222.53, 0.32%, 0.48%

LAB 45.3, 7.44, -32.9

 

CMYK 49 / 48 / 0 / 36

HEX #5355A2

RGB 83 85 162

HSL 238.48, 0.32%, 0.48%

LAB 39.49, 20.66, -42.1

 

CMYK 49 / 49 / 0 / 36

HEX #5353A2

RGB 83 83 162

HSL 240, 0.32%, 0.48%

LAB 38.96, 21.93, -42.95

 

CMYK 49 / 9 / 0 / 36

HEX #5394A2

RGB 83 148 162

HSL 190.63, 0.32%, 0.48%

LAB 57.68, -16.87, -13.82

 

CMYK 65 / 10 / 0 / 29

HEX #3FA2B5

RGB 63 162 181

HSL 189.66, 0.48%, 0.48%

LAB 61.86, -22.61, -18.32

 

CMYK 78 / 13 / 0 / 21

HEX #2CAFC9

RGB 44 175 201

HSL 189.94, 0.64%, 0.48%

LAB 66.07, -25.42, -23.08

 

CMYK 89 / 15 / 0 / 13

HEX #18BCDD

RGB 24 188 221

HSL 190.05, 0.8%, 0.48%

LAB 70.44, -26.91, -27.39

 

CMYK 98 / 17 / 0 / 5

HEX #04C9F1

RGB 4 201 241

HSL 190.13, 0.97%, 0.48%

LAB 74.92, -27.42, -31.34

 

CMYK 49 / 9 / 0 / 36

HEX #5394A2

RGB 83 148 162

HSL 190.63, 0.32%, 0.48%

LAB 57.68, -16.87, -13.82

 

CMYK 27 / 5 / 0 / 44

HEX #67878E

RGB 103 135 142

HSL 190.77, 0.16%, 0.48%

LAB 54.2, -9.52, -7.44

 

CMYK 0 / 1 / 1 / 52

HEX #7B7A7A

RGB 123 122 122

HSL 0, 0%, 0.48%

LAB 51.31, 0.38, 0.13

 

CMYK 0 / 24 / 29 / 44

HEX #8F6D66

RGB 143 109 102

HSL 10.24, 0.17%, 0.48%

LAB 49.17, 12.42, 9.12

 

CMYK 0 / 41 / 49 / 36

HEX #A26052

RGB 162 96 82

HSL 10.5, 0.33%, 0.48%

LAB 47.82, 25.27, 19.47

 

CMYK 49 / 0 / 18 / 36

HEX #53A285

RGB 83 162 133

HSL 157.97, 0.32%, 0.48%

LAB 61.11, -31.44, 7.66

 

CMYK 49 / 0 / 5 / 36

HEX #53A29A

RGB 83 162 154

HSL 173.92, 0.32%, 0.48%

LAB 61.67, -26.29, -3.34

 

CMYK 49 / 8 / 0 / 36

HEX #5395A2

RGB 83 149 162

HSL 189.87, 0.32%, 0.48%

LAB 57.98, -17.41, -13.37

 

CMYK 49 / 21 / 0 / 36

HEX #5380A2

RGB 83 128 162

HSL 205.82, 0.32%, 0.48%

LAB 51.71, -5.74, -22.93

 

CMYK 49 / 34 / 0 / 36

HEX #536BA2

RGB 83 107 162

HSL 221.77, 0.32%, 0.48%

LAB 45.58, 6.82, -32.45

 

CMYK 49 / 8 / 0 / 58

HEX #37626B

RGB 55 98 107

HSL 190.38, 0.32%, 0.32%

LAB 38.91, -12.26, -9.76

 

CMYK 49 / 8 / 0 / 47

HEX #457B86

RGB 69 123 134

HSL 190.15, 0.32%, 0.4%

LAB 48.45, -14.76, -11.57

 

CMYK 49 / 9 / 0 / 36

HEX #5394A2

RGB 83 148 162

HSL 190.63, 0.32%, 0.48%

LAB 57.68, -16.87, -13.82

 

CMYK 40 / 7 / 0 / 30

HEX #6BA7B3

RGB 107 167 179

HSL 190, 0.32%, 0.56%

LAB 64.98, -16.27, -12.32

 

CMYK 31 / 5 / 0 / 24

HEX #86B7C1

RGB 134 183 193

HSL 190.17, 0.32%, 0.64%

LAB 71.41, -13.7, -10.29

 

CMYK 48 / 8 / 0 / 37

HEX #5293A0

RGB 82.5 147 160

HSL 190.06, 0.32%, 0.48%

LAB 57.29, -17.02, -13.27

 

CMYK 31 / 49 / 0 / 36

HEX #7053A2

RGB 112 83 162

HSL 262.03, 0.32%, 0.48%

LAB 41.59, 29.52, -38.59

 

CMYK 0 / 12 / 49 / 36

HEX #A28F53

RGB 162 143 83

HSL 45.57, 0.32%, 0.48%

LAB 59.84, -1.16, 34.36

 

CMYK 48 / 8 / 0 / 37

HEX #5293A0

RGB 82.5 147 160

HSL 190.06, 0.32%, 0.48%

LAB 57.29, -17.02, -13.27

 

CMYK 0 / 49 / 8 / 36

HEX #A25395

RGB 162 83 149

HSL 309.87, 0.32%, 0.48%

LAB 47.02, 41.8, -21.91

 

CMYK 8 / 0 / 49 / 36

HEX #95A253

RGB 149 162 83

HSL 69.87, 0.32%, 0.48%

LAB 64.04, -16.83, 39.25

 

CMYK 48 / 8 / 0 / 37

HEX #5293A0

RGB 82.5 147 160

HSL 190.06, 0.32%, 0.48%

LAB 57.29, -17.02, -13.27

 

CMYK 31 / 49 / 0 / 36

HEX #7053A2

RGB 112 83 162

HSL 262.03, 0.32%, 0.48%

LAB 41.59, 29.52, -38.59

 

CMYK 0 / 41 / 49 / 36

HEX #A26053

RGB 162 96 83

HSL 9.87, 0.32%, 0.48%

LAB 47.84, 25.37, 18.91

 

CMYK 18 / 0 / 49 / 36

HEX #85A253

RGB 133 162 83

HSL 82.03, 0.32%, 0.48%

LAB 62.89, -23.32, 37.58

 

CMYK 48 / 8 / 0 / 37

HEX #5293A0

RGB 82.5 147 160

HSL 190.06, 0.32%, 0.48%

LAB 57.29, -17.02, -13.27

 

CMYK 17 / 49 / 0 / 36

HEX #8753A2

RGB 135 83 162

HSL 279.49, 0.32%, 0.48%

LAB 44.16, 36.14, -34.38

 

CMYK 0 / 41 / 49 / 36

HEX #A26053

RGB 162 96 83

HSL 9.87, 0.32%, 0.48%

LAB 47.84, 25.37, 18.91

 

CMYK 33 / 0 / 49 / 36

HEX #6DA253

RGB 109 162 83

HSL 100.25, 0.32%, 0.48%

LAB 61.41, -32.41, 35.43

 

Description

Color code: RGB 82.5 147 160 | qconv.com Color code: RGB 82.5 147 160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82.5 red, 147 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82.5 147 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 8 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 8% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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