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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104.5 165 174 it is the complementary color RGB 150.5 90 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104.5 165 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104.5 165 174 shade: RGB 109.5 165 169, RGB 126.5 183 188, RGB 143.5 201 207, RGB 160.5 219 226 and RGB 177.5 237 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104.5 165 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104.5 165 174 shade: RGB 104.5 165 174, RGB 87.5 147 155, RGB 70.5 129 136, RGB 53.5 111 117 and RGB 36.5 93 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104.5 165 174 shade: RGB 106 166 175, RGB 106 147 175, RGB 106 129 175, RGB 106 110 175 and RGB 120 106 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104.5 165 174 shade: RGB 106 166 175, RGB 106 147 175, RGB 106 129 175, RGB 106 110 175 and RGB 106 106 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104.5 165 174 shade matches the following richer shades: RGB 106 166 175, RGB 87 180 193, RGB 69 193 212, RGB 50 207 230 and RGB 32 221 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104.5 165 174 shade: RGB 106 166 175, RGB 124 152 156, RGB 143 138 138, RGB 162 124 119 and RGB 180 111 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104.5 165 174 shade: RGB 106 175 146, RGB 106 175 164, RGB 106 167 175, RGB 106 148 175 and RGB 106 130 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104.5 165 174 shade: RGB 69 121 129, RGB 84 146 156, RGB 106 166 175, RGB 133 182 189 and RGB 159 198 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104.5 165 174 shade: RGB 104.5 165 174, RGB 128 106 175 and RGB 175 155 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104.5 165 174 shade: RGB 104.5 165 174, RGB 175 106 167 and RGB 167 175 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104.5 165 174 shade: RGB 104.5 165 174, RGB 128 106 175, RGB 175 114 106 and RGB 153 175 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104.5 165 174 shade: RGB 104.5 165 174, RGB 148 106 175, RGB 175 114 106 and RGB 132 175 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

Complementary color

CMYK 0 / 40 / 46 / 41

HEX #965A51

RGB 150.5 90 81

HSL 7.77, 0.3%, 0.45%

LAB 44.85, 23.82, 15.81

 

CMYK 35 / 2 / 0 / 34

HEX #6DA5A9

RGB 109.5 165 169

HSL 184.03, 0.26%, 0.55%

LAB 64.21, -17.1, -7.87

 

CMYK 33 / 3 / 0 / 26

HEX #7EB7BC

RGB 126.5 183 188

HSL 184.88, 0.31%, 0.62%

LAB 70.85, -17.04, -8.42

 

CMYK 31 / 3 / 0 / 19

HEX #8FC9CF

RGB 143.5 201 207

HSL 185.67, 0.4%, 0.69%

LAB 77.38, -16.98, -8.95

 

CMYK 29 / 3 / 0 / 11

HEX #A0DBE2

RGB 160.5 219 226

HSL 186.41, 0.53%, 0.76%

LAB 83.8, -16.93, -9.46

 

CMYK 28 / 3 / 0 / 4

HEX #B1EDF5

RGB 177.5 237 245

HSL 187.11, 0.77%, 0.83%

LAB 90.12, -16.88, -9.96

 

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

CMYK 44 / 5 / 0 / 39

HEX #57939B

RGB 87.5 147 155

HSL 187.11, 0.28%, 0.48%

LAB 57.35, -17.16, -10.3

 

CMYK 48 / 5 / 0 / 47

HEX #468188

RGB 70.5 129 136

HSL 186.41, 0.32%, 0.4%

LAB 50.45, -17.09, -9.73

 

CMYK 54 / 5 / 0 / 54

HEX #356F75

RGB 53.5 111 117

HSL 185.67, 0.37%, 0.33%

LAB 43.39, -16.94, -9.11

 

CMYK 63 / 5 / 0 / 62

HEX #245D62

RGB 36.5 93 98

HSL 184.88, 0.46%, 0.26%

LAB 36.17, -16.64, -8.41

 

CMYK 39 / 5 / 0 / 31

HEX #6AA6AF

RGB 106 166 175

HSL 187.83, 0.3%, 0.55%

LAB 64.51, -17.05, -10.79

 

CMYK 39 / 16 / 0 / 31

HEX #6A93AF

RGB 106 147 175

HSL 204.35, 0.3%, 0.55%

LAB 59, -6.74, -19.12

 

CMYK 39 / 26 / 0 / 31

HEX #6A81AF

RGB 106 129 175

HSL 220, 0.3%, 0.55%

LAB 53.88, 3.6, -26.98

 

CMYK 39 / 37 / 0 / 31

HEX #6A6EAF

RGB 106 110 175

HSL 236.52, 0.3%, 0.55%

LAB 48.65, 15.01, -35.14

 

CMYK 31 / 39 / 0 / 31

HEX #786AAF

RGB 120 106 175

HSL 252.17, 0.3%, 0.55%

LAB 48.76, 21.4, -34.89

 

CMYK 39 / 5 / 0 / 31

HEX #6AA6AF

RGB 106 166 175

HSL 187.83, 0.3%, 0.55%

LAB 64.51, -17.05, -10.79

 

CMYK 39 / 16 / 0 / 31

HEX #6A93AF

RGB 106 147 175

HSL 204.35, 0.3%, 0.55%

LAB 59, -6.74, -19.12

 

CMYK 39 / 26 / 0 / 31

HEX #6A81AF

RGB 106 129 175

HSL 220, 0.3%, 0.55%

LAB 53.88, 3.6, -26.98

 

CMYK 39 / 37 / 0 / 31

HEX #6A6EAF

RGB 106 110 175

HSL 236.52, 0.3%, 0.55%

LAB 48.65, 15.01, -35.14

 

CMYK 39 / 39 / 0 / 31

HEX #6A6AAF

RGB 106 106 175

HSL 240, 0.3%, 0.55%

LAB 47.58, 17.45, -36.82

 

CMYK 39 / 5 / 0 / 31

HEX #6AA6AF

RGB 106 166 175

HSL 187.83, 0.3%, 0.55%

LAB 64.51, -17.05, -10.79

 

CMYK 55 / 7 / 0 / 24

HEX #57B4C1

RGB 87 180 193

HSL 187.36, 0.46%, 0.55%

LAB 68.4, -23.83, -15.02

 

CMYK 67 / 9 / 0 / 17

HEX #45C1D4

RGB 69 193 212

HSL 187.97, 0.62%, 0.55%

LAB 72.33, -27.89, -19.53

 

CMYK 78 / 10 / 0 / 10

HEX #32CFE6

RGB 50 207 230

HSL 187.67, 0.78%, 0.55%

LAB 76.69, -31.47, -22.68

 

CMYK 87 / 11 / 0 / 2

HEX #20DDF9

RGB 32 221 249

HSL 187.74, 0.95%, 0.55%

LAB 81.21, -33.56, -25.94

 

CMYK 39 / 5 / 0 / 31

HEX #6AA6AF

RGB 106 166 175

HSL 187.83, 0.3%, 0.55%

LAB 64.51, -17.05, -10.79

 

CMYK 21 / 3 / 0 / 39

HEX #7C989C

RGB 124 152 156

HSL 187.5, 0.14%, 0.55%

LAB 60.91, -8.84, -5.35

 

CMYK 0 / 3 / 3 / 44

HEX #8F8A8A

RGB 143 138 138

HSL 0, 0.02%, 0.55%

LAB 57.9, 1.86, 0.65

 

CMYK 0 / 23 / 27 / 36

HEX #A27C77

RGB 162 124 119

HSL 6.98, 0.19%, 0.55%

LAB 55.51, 13.98, 8.42

 

CMYK 0 / 38 / 44 / 29

HEX #B46F64

RGB 180 111 100

HSL 8.25, 0.35%, 0.55%

LAB 54.02, 26.09, 17.68

 

CMYK 39 / 0 / 17 / 31

HEX #6AAF92

RGB 106 175 146

HSL 154.78, 0.3%, 0.55%

LAB 66.37, -28.54, 8.06

 

CMYK 39 / 0 / 6 / 31

HEX #6AAFA4

RGB 106 175 164

HSL 170.43, 0.3%, 0.55%

LAB 66.83, -24.42, -1.23

 

CMYK 39 / 5 / 0 / 31

HEX #6AA7AF

RGB 106 167 175

HSL 186.96, 0.3%, 0.55%

LAB 64.8, -17.58, -10.36

 

CMYK 39 / 15 / 0 / 31

HEX #6A94AF

RGB 106 148 175

HSL 203.48, 0.3%, 0.55%

LAB 59.29, -7.3, -18.68

 

CMYK 39 / 26 / 0 / 31

HEX #6A82AF

RGB 106 130 175

HSL 219.13, 0.3%, 0.55%

LAB 54.16, 3.02, -26.55

 

CMYK 47 / 6 / 0 / 49

HEX #457981

RGB 69 121 129

HSL 188, 0.3%, 0.39%

LAB 47.66, -15.1, -9.81

 

CMYK 46 / 6 / 0 / 39

HEX #54929C

RGB 84 146 156

HSL 188.33, 0.3%, 0.47%

LAB 56.92, -17.24, -11.53

 

CMYK 39 / 5 / 0 / 31

HEX #6AA6AF

RGB 106 166 175

HSL 187.83, 0.3%, 0.55%

LAB 64.51, -17.05, -10.79

 

CMYK 30 / 4 / 0 / 26

HEX #85B6BD

RGB 133 182 189

HSL 187.5, 0.3%, 0.63%

LAB 70.95, -14.42, -8.78

 

CMYK 22 / 3 / 0 / 20

HEX #9FC6CC

RGB 159 198 204

HSL 188, 0.31%, 0.71%

LAB 77.35, -11.55, -7.27

 

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

CMYK 27 / 39 / 0 / 31

HEX #806AAF

RGB 128 106 175

HSL 259.13, 0.3%, 0.55%

LAB 49.49, 23.76, -33.69

 

CMYK 0 / 11 / 39 / 31

HEX #AF9B6A

RGB 175 155 106

HSL 42.61, 0.3%, 0.55%

LAB 64.64, 0.25, 28.4

 

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

CMYK 0 / 39 / 5 / 31

HEX #AF6AA7

RGB 175 106 167

HSL 306.96, 0.3%, 0.55%

LAB 54.25, 36.9, -21.25

 

CMYK 5 / 0 / 39 / 31

HEX #A7AF6A

RGB 167 175 106

HSL 66.96, 0.3%, 0.55%

LAB 69.41, -13.67, 34.42

 

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

CMYK 27 / 39 / 0 / 31

HEX #806AAF

RGB 128 106 175

HSL 259.13, 0.3%, 0.55%

LAB 49.49, 23.76, -33.69

 

CMYK 0 / 35 / 39 / 31

HEX #AF726A

RGB 175 114 106

HSL 6.96, 0.3%, 0.55%

LAB 54.23, 23.11, 14.38

 

CMYK 13 / 0 / 39 / 31

HEX #99AF6A

RGB 153 175 106

HSL 79.13, 0.3%, 0.55%

LAB 68.37, -19.23, 32.87

 

CMYK 40 / 5 / 0 / 32

HEX #68A5AE

RGB 104.5 165 174

HSL 187.77, 0.3%, 0.55%

LAB 64.11, -17.19, -10.84

 

CMYK 15 / 39 / 0 / 31

HEX #946AAF

RGB 148 106 175

HSL 276.52, 0.3%, 0.55%

LAB 51.5, 29.88, -30.41

 

CMYK 0 / 35 / 39 / 31

HEX #AF726A

RGB 175 114 106

HSL 6.96, 0.3%, 0.55%

LAB 54.23, 23.11, 14.38

 

CMYK 25 / 0 / 39 / 31

HEX #84AF6A

RGB 132 175 106

HSL 97.39, 0.3%, 0.55%

LAB 66.98, -27.19, 30.81

 

Description

Color code: RGB 104.5 165 174 | qconv.com Color code: RGB 104.5 165 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104.5 red, 165 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104.5 165 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 5 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 5% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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