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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 82 147 it is the complementary color RGB 174 173 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 82 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 82 147: RGB 86 82 142, RGB 103 100 161, RGB 120 118 180, RGB 137 136 199 and RGB 154 154 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 82 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 82 147: RGB 81 82 147, RGB 64 64 128, RGB 47 46 109, RGB 30 28 90 and RGB 13 10 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

Complementary color

CMYK 0 / 1 / 38 / 32

HEX #AEAD6C

RGB 174 173 108

HSL 59.09, 0.29%, 0.55%

LAB 69.45, -9.56, 33.54

 

CMYK 39 / 42 / 0 / 44

HEX #56528E

RGB 86 82 142

HSL 244, 0.27%, 0.44%

LAB 37.78, 17.17, -32.76

 

CMYK 36 / 38 / 0 / 37

HEX #6764A1

RGB 103 100 161

HSL 242.95, 0.24%, 0.51%

LAB 45.04, 16.29, -32.61

 

CMYK 33 / 34 / 0 / 29

HEX #7876B4

RGB 120 118 180

HSL 241.94, 0.29%, 0.58%

LAB 52.11, 15.54, -32.53

 

CMYK 31 / 32 / 0 / 22

HEX #8988C7

RGB 137 136 199

HSL 240.95, 0.36%, 0.66%

LAB 59.02, 14.9, -32.5

 

CMYK 29 / 29 / 0 / 15

HEX #9A9ADA

RGB 154 154 218

HSL 240, 0.46%, 0.73%

LAB 65.78, 14.33, -32.52

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 50 / 50 / 0 / 50

HEX #404080

RGB 64 64 128

HSL 240, 0.33%, 0.38%

LAB 30.19, 18.58, -36.32

 

CMYK 57 / 58 / 0 / 57

HEX #2F2E6D

RGB 47 46 109

HSL 240.95, 0.41%, 0.3%

LAB 22.52, 20.17, -36.68

 

CMYK 67 / 69 / 0 / 65

HEX #1E1C5A

RGB 30 28 90

HSL 241.94, 0.53%, 0.23%

LAB 14.65, 22.24, -37.03

 

CMYK 82 / 86 / 0 / 72

HEX #0D0A47

RGB 13 10 71

HSL 242.95, 0.75%, 0.16%

LAB 6.84, 24.45, -36.86

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 39 / 45 / 0 / 42

HEX #5B5194

RGB 91 81 148

HSL 248.96, 0.29%, 0.45%

LAB 38.28, 20.98, -35.58

 

CMYK 31 / 45 / 0 / 42

HEX #665194

RGB 102 81 148

HSL 258.81, 0.29%, 0.45%

LAB 39.32, 24.13, -33.86

 

CMYK 24 / 45 / 0 / 42

HEX #715194

RGB 113 81 148

HSL 268.66, 0.29%, 0.45%

LAB 40.47, 27.4, -31.98

 

CMYK 16 / 45 / 0 / 42

HEX #7C5194

RGB 124 81 148

HSL 278.51, 0.29%, 0.45%

LAB 41.7, 30.77, -29.96

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 45 / 44 / 0 / 22

HEX #6D6EC6

RGB 109 110 198

HSL 239.33, 0.44%, 0.6%

LAB 50.07, 22.55, -46.16

 

CMYK 45 / 44 / 0 / 2

HEX #898BF9

RGB 137 139 249

HSL 238.93, 0.9%, 0.76%

LAB 62.19, 26.9, -55.36

 

CMYK 44 / 44 / 0 / 82

HEX #19192D

RGB 25 25 45

HSL 240, 0.29%, 0.14%

LAB 9.73, 6.23, -13.44

 

CMYK 45 / 44 / 0 / 62

HEX #353660

RGB 53 54 96

HSL 238.6, 0.29%, 0.29%

LAB 24.45, 11.73, -25.14

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 0 / 45 / 9 / 42

HEX #945187

RGB 148 81 135

HSL 311.64, 0.29%, 0.45%

LAB 44.13, 35.85, -18.1

 

CMYK 26 / 0 / 45 / 42

HEX #6D9451

RGB 109 148 81

HSL 94.93, 0.29%, 0.45%

LAB 57.1, -25.94, 31.1

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 0 / 45 / 45 / 42

HEX #945152

RGB 148 81 82

HSL 359.1, 0.29%, 0.45%

LAB 42.45, 28.01, 11.84

 

CMYK 45 / 0 / 45 / 42

HEX #529451

RGB 82 148 81

HSL 119.1, 0.29%, 0.45%

LAB 55.65, -35.35, 28.96

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 0 / 45 / 9 / 42

HEX #945187

RGB 148 81 135

HSL 311.64, 0.29%, 0.45%

LAB 44.13, 35.85, -18.1

 

CMYK 0 / 1 / 45 / 42

HEX #949251

RGB 148 146 81

HSL 58.21, 0.29%, 0.45%

LAB 59.39, -9.01, 34.57

 

CMYK 45 / 0 / 37 / 42

HEX #51945D

RGB 81 148 93

HSL 130.75, 0.29%, 0.45%

LAB 55.81, -33.67, 22.63

 

CMYK 45 / 44 / 0 / 42

HEX #515293

RGB 81 82 147

HSL 239.09, 0.29%, 0.45%

LAB 37.65, 17.33, -36.04

 

CMYK 0 / 45 / 22 / 42

HEX #945173

RGB 148 81 115

HSL 329.55, 0.29%, 0.45%

LAB 43.39, 32.47, -7.06

 

CMYK 0 / 1 / 45 / 42

HEX #949251

RGB 148 146 81

HSL 58.21, 0.29%, 0.45%

LAB 59.39, -9.01, 34.57

 

CMYK 45 / 0 / 24 / 42

HEX #519471

RGB 81 148 113

HSL 148.66, 0.29%, 0.45%

LAB 56.21, -29.73, 11.99

 

Description

Color code: RGB 81 82 147 | qconv.com Color code: RGB 81 82 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 82 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 82 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 44 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 44% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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