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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 218 46 it is the complementary color RGB 174 37 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 218 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 218 46: RGB 86 218 41, RGB 103 236 60, RGB 120 254 79, RGB 137 255 98 and RGB 154 255 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 218 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 218 46: RGB 81 218 46, RGB 64 200 27, RGB 47 182 8, RGB 30 164 0 and RGB 13 146 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

Complementary color

CMYK 17 / 82 / 0 / 18

HEX #AE25D1

RGB 174 37 209

HSL 287.79, 0.7%, 0.48%

LAB 45.53, 73.79, -59.36

 

CMYK 61 / 0 / 81 / 15

HEX #56DA29

RGB 86 218 41

HSL 104.75, 0.71%, 0.51%

LAB 77.45, -65, 68.99

 

CMYK 56 / 0 / 75 / 7

HEX #67EC3C

RGB 103 236 60

HSL 105.34, 0.82%, 0.58%

LAB 83.55, -65.97, 69.37

 

CMYK 53 / 0 / 69 / 0

HEX #78FE4F

RGB 120 254 79

HSL 105.94, 0.99%, 0.65%

LAB 89.6, -66.63, 69.13

 

CMYK 46 / 0 / 62 / 0

HEX #89FF62

RGB 137 255 98

HSL 105.1, 1%, 0.69%

LAB 90.65, -60.76, 63.05

 

CMYK 40 / 0 / 54 / 0

HEX #9AFF75

RGB 154 255 117

HSL 103.91, 1%, 0.73%

LAB 91.54, -53.81, 56.07

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 68 / 0 / 87 / 22

HEX #40C81B

RGB 64 200 27

HSL 107.17, 0.76%, 0.45%

LAB 71.2, -64.43, 66.49

 

CMYK 74 / 0 / 96 / 29

HEX #2FB608

RGB 47 182 8

HSL 106.55, 0.92%, 0.37%

LAB 65.02, -62.41, 64.18

 

CMYK 82 / 0 / 100 / 36

HEX #1EA400

RGB 30 164 0

HSL 109.02, 1%, 0.32%

LAB 58.81, -59.61, 60.1

 

CMYK 91 / 0 / 100 / 43

HEX #0D9200

RGB 13 146 0

HSL 114.66, 1%, 0.29%

LAB 52.56, -56.01, 55.01

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 75 / 0 / 79 / 15

HEX #37DA2E

RGB 55 218 46

HSL 116.86, 0.7%, 0.52%

LAB 76.77, -70.62, 66.72

 

CMYK 79 / 0 / 70 / 15

HEX #2EDA42

RGB 46 218 66

HSL 126.98, 0.7%, 0.52%

LAB 76.75, -70.37, 59.97

 

CMYK 79 / 0 / 56 / 15

HEX #2EDA5F

RGB 46 218 95

HSL 137.09, 0.7%, 0.52%

LAB 77.01, -67.18, 48.04

 

CMYK 79 / 0 / 43 / 15

HEX #2EDA7C

RGB 46 218 124

HSL 147.21, 0.7%, 0.52%

LAB 77.39, -62.72, 34.49

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 64 / 0 / 79 / 95

HEX #050E03

RGB 5 14 3

HSL 109.09, 0.65%, 0.03%

LAB 3.19, -4.07, 3.47

 

CMYK 63 / 0 / 78 / 75

HEX #18410E

RGB 24 65 14

HSL 108.24, 0.65%, 0.15%

LAB 23.69, -25.51, 25.66

 

CMYK 63 / 0 / 79 / 55

HEX #2B7418

RGB 43 116 24

HSL 107.61, 0.66%, 0.27%

LAB 42.87, -40.18, 41.11

 

CMYK 63 / 0 / 79 / 35

HEX #3EA723

RGB 62 167 35

HSL 107.73, 0.65%, 0.4%

LAB 60.59, -53.43, 54.71

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 79 / 0 / 1 / 15

HEX #2EDAD7

RGB 46 218 215

HSL 178.95, 0.7%, 0.52%

LAB 79.4, -41.38, -10.56

 

CMYK 0 / 79 / 30 / 15

HEX #DA2E98

RGB 218 46 152

HSL 323.02, 0.7%, 0.52%

LAB 50.83, 72.2, -17.08

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 79 / 61 / 0 / 15

HEX #2E54DA

RGB 46 84 218

HSL 226.74, 0.7%, 0.52%

LAB 41.19, 34.94, -72.14

 

CMYK 0 / 79 / 61 / 15

HEX #DA2E54

RGB 218 46 84

HSL 346.74, 0.7%, 0.52%

LAB 48.88, 66.31, 21.32

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 79 / 0 / 1 / 15

HEX #2EDAD7

RGB 46 218 215

HSL 178.95, 0.7%, 0.52%

LAB 79.4, -41.38, -10.56

 

CMYK 17 / 79 / 0 / 15

HEX #B52EDA

RGB 181 46 218

HSL 287.09, 0.7%, 0.52%

LAB 48.06, 74.2, -60.39

 

CMYK 0 / 79 / 78 / 15

HEX #DA2E31

RGB 218 46 49

HSL 358.95, 0.7%, 0.52%

LAB 48.36, 64.68, 41.32

 

CMYK 63 / 0 / 79 / 15

HEX #51DA2E

RGB 81 218 46

HSL 107.79, 0.7%, 0.52%

LAB 77.33, -65.86, 67.46

 

CMYK 79 / 22 / 0 / 15

HEX #2EA9DA

RGB 46 169 218

HSL 197.09, 0.7%, 0.52%

LAB 64.98, -16.47, -34.16

 

CMYK 17 / 79 / 0 / 15

HEX #B52EDA

RGB 181 46 218

HSL 287.09, 0.7%, 0.52%

LAB 48.06, 74.2, -60.39

 

CMYK 0 / 56 / 79 / 15

HEX #DA5F2E

RGB 218 95 46

HSL 17.09, 0.7%, 0.52%

LAB 55.37, 45.57, 49.96

 

Description

Color code: RGB 81 218 46 | qconv.com Color code: RGB 81 218 46 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 218 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 218 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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