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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 205 176 it is the complementary color RGB 174 50 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 205 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 205 176: RGB 86 205 171, RGB 103 223 190, RGB 120 241 209, RGB 137 255 228 and RGB 154 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 205 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 205 176: RGB 81 205 176, RGB 64 187 157, RGB 47 169 138, RGB 30 151 119 and RGB 13 133 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

Complementary color

CMYK 0 / 71 / 55 / 32

HEX #AE324F

RGB 174 50 79

HSL 345.97, 0.55%, 0.44%

LAB 40.97, 51.88, 12.31

 

CMYK 58 / 0 / 17 / 20

HEX #56CDAB

RGB 86 205 171

HSL 162.86, 0.54%, 0.57%

LAB 75.19, -41.57, 6.97

 

CMYK 54 / 0 / 15 / 13

HEX #67DFBE

RGB 103 223 190

HSL 163.5, 0.65%, 0.64%

LAB 81.5, -41.62, 5.97

 

CMYK 50 / 0 / 13 / 5

HEX #78F1D1

RGB 120 241 209

HSL 164.13, 0.81%, 0.71%

LAB 87.73, -41.59, 5.05

 

CMYK 46 / 0 / 11 / 0

HEX #89FFE4

RGB 137 255 228

HSL 166.27, 1%, 0.77%

LAB 92.77, -39.72, 2.55

 

CMYK 40 / 0 / 3 / 0

HEX #9AFFF7

RGB 154 255 247

HSL 175.25, 1%, 0.8%

LAB 93.93, -31.35, -5.49

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 66 / 0 / 16 / 27

HEX #40BB9D

RGB 64 187 157

HSL 165.37, 0.49%, 0.49%

LAB 68.8, -41.06, 5.31

 

CMYK 72 / 0 / 18 / 34

HEX #2FA98A

RGB 47 169 138

HSL 164.75, 0.56%, 0.42%

LAB 62.35, -40.59, 6.5

 

CMYK 80 / 0 / 21 / 41

HEX #1E9777

RGB 30 151 119

HSL 164.13, 0.67%, 0.35%

LAB 55.83, -39.81, 7.83

 

CMYK 90 / 0 / 25 / 48

HEX #0D8564

RGB 13 133 100

HSL 163.5, 0.82%, 0.29%

LAB 49.23, -38.58, 9.36

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 60 / 0 / 5 / 20

HEX #51CCC2

RGB 81 204 194

HSL 175.12, 0.55%, 0.56%

LAB 75.35, -36.29, -5.22

 

CMYK 60 / 5 / 0 / 20

HEX #51C2CC

RGB 81 194 204

HSL 184.88, 0.55%, 0.56%

LAB 72.69, -28.8, -14.61

 

CMYK 60 / 15 / 0 / 20

HEX #51ADCC

RGB 81 173 204

HSL 195.12, 0.55%, 0.56%

LAB 66.52, -18.16, -23.97

 

CMYK 60 / 25 / 0 / 20

HEX #5199CC

RGB 81 153 204

HSL 204.88, 0.55%, 0.56%

LAB 60.69, -7.29, -32.97

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 100 / 0 / 0 / 100

HEX #000101

RGB 0 1 1

HSL 180, 1%, 0%

LAB 0.22, -0.26, -0.09

 

CMYK 60 / 0 / 13 / 80

HEX #15342D

RGB 21 52 45

HSL 166.45, 0.42%, 0.14%

LAB 19.24, -13.63, 0.92

 

CMYK 60 / 0 / 15 / 60

HEX #296758

RGB 41 103 88

HSL 165.48, 0.43%, 0.28%

LAB 39.37, -23.96, 2.5

 

CMYK 60 / 0 / 14 / 40

HEX #3D9A84

RGB 61 154 132

HSL 165.81, 0.43%, 0.42%

LAB 57.82, -32.95, 3.39

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 60 / 57 / 0 / 20

HEX #5157CC

RGB 81 87 204

HSL 237.07, 0.55%, 0.56%

LAB 42.65, 32.73, -61.64

 

CMYK 0 / 39 / 60 / 20

HEX #CC7C51

RGB 204 124 81

HSL 20.98, 0.55%, 0.56%

LAB 59.75, 27.01, 36.37

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 15 / 60 / 0 / 20

HEX #AD51CC

RGB 173 81 204

HSL 284.88, 0.55%, 0.56%

LAB 50.84, 56.36, -47.98

 

CMYK 0 / 15 / 60 / 20

HEX #CCAD51

RGB 204 173 81

HSL 44.88, 0.55%, 0.56%

LAB 71.77, 0.48, 50.46

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 60 / 57 / 0 / 20

HEX #5157CC

RGB 81 87 204

HSL 237.07, 0.55%, 0.56%

LAB 42.65, 32.73, -61.64

 

CMYK 0 / 60 / 46 / 20

HEX #CC516F

RGB 204 81 111

HSL 345.37, 0.55%, 0.56%

LAB 51.69, 51.34, 8.48

 

CMYK 0 / 3 / 60 / 20

HEX #CCC651

RGB 204 198 81

HSL 57.07, 0.55%, 0.56%

LAB 78.36, -12.5, 57.77

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CC

RGB 111 81 204

HSL 254.63, 0.55%, 0.56%

LAB 43.69, 42.07, -59.85

 

CMYK 0 / 60 / 46 / 20

HEX #CC516F

RGB 204 81 111

HSL 345.37, 0.55%, 0.56%

LAB 51.69, 51.34, 8.48

 

CMYK 15 / 0 / 60 / 20

HEX #ADCC51

RGB 173 204 81

HSL 75.12, 0.55%, 0.56%

LAB 77.68, -28.11, 56.36

 

Description

Color code: RGB 81 205 176 | qconv.com Color code: RGB 81 205 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 205 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 205 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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