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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 187 192 it is the complementary color RGB 174 68 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 187 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 187 192: RGB 86 187 187, RGB 103 205 206, RGB 120 223 225, RGB 137 241 244 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 187 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 187 192: RGB 81 187 192, RGB 64 169 173, RGB 47 151 154, RGB 30 133 135 and RGB 13 115 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

Complementary color

CMYK 0 / 61 / 64 / 32

HEX #AE443F

RGB 174 68 63

HSL 2.7, 0.47%, 0.46%

LAB 43.5, 43.02, 25.51

 

CMYK 54 / 0 / 0 / 27

HEX #56BBBB

RGB 86 187 187

HSL 180, 0.43%, 0.54%

LAB 70.25, -29.17, -8.95

 

CMYK 50 / 0 / 0 / 19

HEX #67CDCE

RGB 103 205 206

HSL 180.58, 0.51%, 0.61%

LAB 76.68, -29.32, -9.64

 

CMYK 47 / 1 / 0 / 12

HEX #78DFE1

RGB 120 223 225

HSL 181.14, 0.64%, 0.68%

LAB 83.02, -29.41, -10.29

 

CMYK 44 / 1 / 0 / 4

HEX #89F1F4

RGB 137 241 244

HSL 181.68, 0.83%, 0.75%

LAB 89.28, -29.45, -10.89

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 63 / 2 / 0 / 32

HEX #40A9AD

RGB 64 169 173

HSL 182.2, 0.46%, 0.46%

LAB 63.74, -28.36, -10.99

 

CMYK 69 / 2 / 0 / 40

HEX #2F979A

RGB 47 151 154

HSL 181.68, 0.53%, 0.39%

LAB 57.14, -27.76, -10.18

 

CMYK 78 / 1 / 0 / 47

HEX #1E8587

RGB 30 133 135

HSL 181.14, 0.64%, 0.32%

LAB 50.45, -26.88, -9.27

 

CMYK 89 / 1 / 0 / 55

HEX #0D7374

RGB 13 115 116

HSL 180.58, 0.8%, 0.25%

LAB 43.67, -25.55, -8.2

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 57 / 11 / 0 / 25

HEX #52AAC0

RGB 82 170 192

HSL 192, 0.47%, 0.54%

LAB 65.24, -19.99, -19.27

 

CMYK 57 / 21 / 0 / 25

HEX #5298C0

RGB 82 152 192

HSL 201.82, 0.47%, 0.54%

LAB 59.94, -10.32, -27.39

 

CMYK 57 / 30 / 0 / 25

HEX #5286C0

RGB 82 134 192

HSL 211.64, 0.47%, 0.54%

LAB 54.71, -0.04, -35.52

 

CMYK 57 / 40 / 0 / 25

HEX #5273C0

RGB 82 115 192

HSL 222, 0.47%, 0.54%

LAB 49.33, 11.41, -44.01

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 58 / 2 / 0 / 5

HEX #67EDF3

RGB 103 237 243

HSL 182.57, 0.85%, 0.68%

LAB 86.96, -34.71, -13.96

 

CMYK 59 / 3 / 0 / 85

HEX #102627

RGB 16 38 39

HSL 182.61, 0.42%, 0.11%

LAB 13.49, -8.37, -3.38

 

CMYK 58 / 2 / 0 / 65

HEX #26585A

RGB 38 88 90

HSL 182.31, 0.41%, 0.25%

LAB 34.25, -16.04, -6.28

 

CMYK 58 / 3 / 0 / 45

HEX #3B898D

RGB 59 137 141

HSL 182.93, 0.41%, 0.39%

LAB 52.67, -22.48, -9.37

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 44 / 57 / 0 / 25

HEX #6C52C0

RGB 108 82 192

HSL 254.18, 0.47%, 0.54%

LAB 42.81, 37.42, -54.33

 

CMYK 0 / 21 / 57 / 25

HEX #C09852

RGB 192 152 82

HSL 38.18, 0.47%, 0.54%

LAB 65.18, 6.73, 42.04

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 0 / 57 / 2 / 25

HEX #C052BD

RGB 192 82 189

HSL 301.64, 0.47%, 0.54%

LAB 52.86, 57.93, -35.98

 

CMYK 2 / 0 / 57 / 25

HEX #BDC052

RGB 189 192 82

HSL 61.64, 0.47%, 0.54%

LAB 75.53, -15.64, 53.87

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 44 / 57 / 0 / 25

HEX #6C52C0

RGB 108 82 192

HSL 254.18, 0.47%, 0.54%

LAB 42.81, 37.42, -54.33

 

CMYK 0 / 55 / 57 / 25

HEX #C05652

RGB 192 86 82

HSL 2.18, 0.47%, 0.54%

LAB 50.06, 42.25, 23.23

 

CMYK 13 / 0 / 57 / 25

HEX #A7C052

RGB 167 192 82

HSL 73.64, 0.47%, 0.54%

LAB 73.88, -24.64, 51.57

 

CMYK 58 / 3 / 0 / 25

HEX #51BBC0

RGB 81 187 192

HSL 182.7, 0.47%, 0.54%

LAB 70.24, -28.76, -11.72

 

CMYK 27 / 57 / 0 / 25

HEX #8D52C0

RGB 141 82 192

HSL 272.18, 0.47%, 0.54%

LAB 46.32, 45.29, -48.51

 

CMYK 0 / 55 / 57 / 25

HEX #C05652

RGB 192 86 82

HSL 2.18, 0.47%, 0.54%

LAB 50.06, 42.25, 23.23

 

CMYK 30 / 0 / 57 / 25

HEX #86C052

RGB 134 192 82

HSL 91.64, 0.47%, 0.54%

LAB 71.81, -37.29, 48.65

 

Description

Color code: RGB 81 187 192 | qconv.com Color code: RGB 81 187 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 187 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 187 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 3 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 3% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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