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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 180 120 it is the complementary color RGB 174 75 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 180 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 180 120: RGB 86 180 115, RGB 103 198 134, RGB 120 216 153, RGB 137 234 172 and RGB 154 252 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 180 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 180 120: RGB 81 180 120, RGB 64 162 101, RGB 47 144 82, RGB 30 126 63 and RGB 13 108 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

Complementary color

CMYK 0 / 57 / 22 / 32

HEX #AE4B87

RGB 174 75 135

HSL 323.64, 0.4%, 0.49%

LAB 46.68, 47.34, -13.87

 

CMYK 52 / 0 / 36 / 29

HEX #56B473

RGB 86 180 115

HSL 138.51, 0.39%, 0.52%

LAB 66.41, -42.51, 24.88

 

CMYK 48 / 0 / 32 / 22

HEX #67C686

RGB 103 198 134

HSL 139.58, 0.45%, 0.59%

LAB 72.89, -42.36, 23.62

 

CMYK 44 / 0 / 29 / 15

HEX #78D899

RGB 120 216 153

HSL 140.63, 0.55%, 0.66%

LAB 79.27, -42.15, 22.44

 

CMYK 41 / 0 / 26 / 8

HEX #89EAAC

RGB 137 234 172

HSL 141.65, 0.7%, 0.73%

LAB 85.58, -41.92, 21.34

 

CMYK 39 / 0 / 24 / 1

HEX #9AFCBF

RGB 154 252 191

HSL 142.65, 0.94%, 0.8%

LAB 91.8, -41.67, 20.31

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 60 / 0 / 38 / 36

HEX #40A265

RGB 64 162 101

HSL 142.65, 0.43%, 0.44%

LAB 59.77, -42.78, 23.42

 

CMYK 67 / 0 / 43 / 44

HEX #2F9052

RGB 47 144 82

HSL 141.65, 0.51%, 0.37%

LAB 53.12, -42.54, 24.92

 

CMYK 76 / 0 / 50 / 51

HEX #1E7E3F

RGB 30 126 63

HSL 140.63, 0.62%, 0.31%

LAB 46.39, -41.92, 26.55

 

CMYK 88 / 0 / 59 / 58

HEX #0D6C2C

RGB 13 108 44

HSL 139.58, 0.79%, 0.24%

LAB 39.57, -40.62, 28.29

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 56 / 0 / 25 / 29

HEX #50B487

RGB 80 180 135

HSL 153, 0.4%, 0.51%

LAB 66.59, -39.97, 14.28

 

CMYK 56 / 0 / 16 / 29

HEX #50B497

RGB 80 180 151

HSL 162.6, 0.4%, 0.51%

LAB 66.96, -36.32, 6.02

 

CMYK 56 / 0 / 7 / 29

HEX #50B4A8

RGB 80 180 168

HSL 172.8, 0.4%, 0.51%

LAB 67.41, -32.07, -2.72

 

CMYK 56 / 3 / 0 / 29

HEX #50AFB4

RGB 80 175 180

HSL 183, 0.4%, 0.51%

LAB 66.26, -26.39, -11.07

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 55 / 0 / 33 / 9

HEX #68E79A

RGB 104 231 154

HSL 143.62, 0.73%, 0.66%

LAB 83.14, -52.27, 27.09

 

CMYK 56 / 0 / 33 / 89

HEX #0C1B12

RGB 12 27 18

HSL 144, 0.38%, 0.08%

LAB 8.18, -8.52, 3.91

 

CMYK 55 / 0 / 33 / 69

HEX #234E34

RGB 35 78 52

HSL 143.72, 0.38%, 0.22%

LAB 29.55, -21.87, 10.93

 

CMYK 55 / 0 / 33 / 49

HEX #3A8156

RGB 58 129 86

HSL 143.66, 0.38%, 0.37%

LAB 48.6, -32.78, 16.72

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 56 / 33 / 0 / 29

HEX #5079B4

RGB 80 121 180

HSL 215.4, 0.4%, 0.51%

LAB 50.31, 3.36, -35.55

 

CMYK 0 / 56 / 55 / 29

HEX #B45051

RGB 180 80 81

HSL 359.4, 0.4%, 0.51%

LAB 47.02, 40.73, 19.46

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 34 / 56 / 0 / 29

HEX #7650B4

RGB 118 80 180

HSL 262.8, 0.4%, 0.51%

LAB 42.59, 37.64, -47.62

 

CMYK 0 / 34 / 56 / 29

HEX #B47650

RGB 180 118 80

HSL 22.8, 0.4%, 0.51%

LAB 55.32, 20.26, 30.77

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 56 / 33 / 0 / 29

HEX #5079B4

RGB 80 121 180

HSL 215.4, 0.4%, 0.51%

LAB 50.31, 3.36, -35.55

 

CMYK 0 / 56 / 22 / 29

HEX #B4508D

RGB 180 80 141

HSL 323.4, 0.4%, 0.51%

LAB 48.72, 47.69, -14.31

 

CMYK 0 / 23 / 56 / 29

HEX #B48A50

RGB 180 138 80

HSL 34.8, 0.4%, 0.51%

LAB 60.3, 9.1, 36.92

 

CMYK 55 / 0 / 33 / 29

HEX #51B478

RGB 81 180 120

HSL 143.64, 0.4%, 0.51%

LAB 66.33, -42.81, 22.06

 

CMYK 56 / 49 / 0 / 29

HEX #505BB4

RGB 80 91 180

HSL 233.4, 0.4%, 0.51%

LAB 41.97, 22.03, -48.78

 

CMYK 0 / 56 / 22 / 29

HEX #B4508D

RGB 180 80 141

HSL 323.4, 0.4%, 0.51%

LAB 48.72, 47.69, -14.31

 

CMYK 0 / 7 / 56 / 29

HEX #B4A850

RGB 180 168 80

HSL 52.8, 0.4%, 0.51%

LAB 68.23, -7.19, 46.31

 

Description

Color code: RGB 81 180 120 | qconv.com Color code: RGB 81 180 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 180 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 180 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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