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Color name
RGB 81 179 59

Information

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 179 59 it is the complementary color RGB 174 76 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 179 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 179 59: RGB 86 179 54, RGB 103 197 73, RGB 120 215 92, RGB 137 233 111 and RGB 154 251 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGB 81 179 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 179 59: RGB 81 179 59, RGB 64 161 40, RGB 47 143 21, RGB 30 125 2 and RGB 13 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

Complementary color

CMYK 11 / 61 / 0 / 23

HSL 289, 0.5%, 0.53%

LAB 49.68, 57.34, -45.21

Lighter colors

CMYK 52 / 0 / 70 / 30

HSL 104.64, 0.54%, 0.46%

LAB 65.35, -50.17, 52.94

CMYK 48 / 0 / 63 / 23

HSL 105.48, 0.52%, 0.53%

LAB 71.76, -50.54, 52.19

CMYK 44 / 0 / 57 / 16

HSL 106.34, 0.61%, 0.6%

LAB 78.09, -50.71, 51.18

CMYK 41 / 0 / 52 / 9

RGB 137 233 111

HSL 107.21, 0.73%, 0.67%

LAB 84.35, -50.73, 50.06

CMYK 39 / 0 / 48 / 2

RGB 154 251 130

HSL 108.1, 0.94%, 0.75%

LAB 90.54, -50.67, 48.89

Darker colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 60 / 0 / 75 / 37

HSL 108.1, 0.6%, 0.39%

LAB 58.73, -50.45, 51.22

CMYK 67 / 0 / 85 / 44

HSL 107.21, 0.74%, 0.32%

LAB 52.18, -49.25, 50.83

CMYK 76 / 0 / 98 / 51

HSL 106.34, 0.97%, 0.25%

LAB 45.56, -47.33, 49.09

CMYK 88 / 0 / 100 / 58

HSL 112.71, 1%, 0.21%

LAB 38.9, -44.14, 44.08

Analogue colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 66 / 0 / 67 / 30

HSL 119, 0.5%, 0.47%

LAB 64.6, -55.92, 49.89

CMYK 67 / 0 / 57 / 30

HSL 129, 0.5%, 0.47%

LAB 64.73, -54.27, 41.95

CMYK 67 / 0 / 46 / 30

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

CMYK 67 / 0 / 35 / 30

HSL 149, 0.5%, 0.47%

LAB 65.32, -47.61, 22.2

Monochromatic colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 55 / 0 / 67 / 10

HSL 109.09, 0.75%, 0.6%

LAB 81.87, -62.42, 61.97

CMYK 54 / 0 / 65 / 90

HSL 109.41, 0.49%, 0.07%

LAB 7.56, -9.21, 7.45

CMYK 55 / 0 / 68 / 70

HSL 108.46, 0.51%, 0.2%

LAB 28.73, -26.12, 25.8

CMYK 55 / 0 / 67 / 50

HSL 108.84, 0.51%, 0.33%

LAB 47.63, -39.16, 38.78

Partial complementary colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 67 / 1 / 0 / 30

HSL 181, 0.5%, 0.47%

LAB 66.24, -31.3, -10.61

CMYK 0 / 67 / 28 / 30

HSL 325, 0.5%, 0.47%

LAB 44.66, 55.1, -13.24

Triadic colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 67 / 55 / 0 / 30

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

CMYK 0 / 67 / 55 / 30

HSL 349, 0.5%, 0.47%

LAB 43.22, 50.05, 14.3

Rectangular (tetradic) colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 67 / 1 / 0 / 30

HSL 181, 0.5%, 0.47%

LAB 66.24, -31.3, -10.61

CMYK 12 / 67 / 0 / 30

HSL 289, 0.5%, 0.47%

LAB 43.58, 57.47, -45.16

CMYK 0 / 66 / 67 / 30

HSL 1, 0.5%, 0.47%

LAB 43.12, 47.68, 27.62

Square colors

CMYK 55 / 0 / 67 / 30

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

CMYK 67 / 21 / 0 / 30

HSL 199, 0.5%, 0.47%

LAB 55.31, -12.66, -27.23

CMYK 12 / 67 / 0 / 30

HSL 289, 0.5%, 0.47%

LAB 43.58, 57.47, -45.16

CMYK 0 / 46 / 67 / 30

HSL 19, 0.5%, 0.47%

LAB 50.04, 29.87, 35.88

Description

Color code: RGB 81 179 59 | qconv.com

Color code: RGB 81 179 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 179 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 67 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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