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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 177 79 it is the complementary color RGB 174 78 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 177 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 177 79: RGB 86 177 74, RGB 103 195 93, RGB 120 213 112, RGB 137 231 131 and RGB 154 249 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 177 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 177 79: RGB 81 177 79, RGB 64 159 60, RGB 47 141 41, RGB 30 123 22 and RGB 13 105 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

Complementary color

CMYK 1 / 56 / 0 / 31

HEX #AE4EB0

RGB 174 78 176

HSL 298.78, 0.39%, 0.5%

LAB 48.99, 52.65, -34.68

 

CMYK 51 / 0 / 58 / 31

HEX #56B14A

RGB 86 177 74

HSL 113.01, 0.41%, 0.49%

LAB 64.9, -47.4, 43.78

 

CMYK 47 / 0 / 52 / 24

HEX #67C35D

RGB 103 195 93

HSL 114.12, 0.46%, 0.56%

LAB 71.35, -47.5, 42.56

 

CMYK 44 / 0 / 47 / 16

HEX #78D570

RGB 120 213 112

HSL 115.25, 0.55%, 0.64%

LAB 77.73, -47.45, 41.3

 

CMYK 41 / 0 / 43 / 9

HEX #89E783

RGB 137 231 131

HSL 116.4, 0.68%, 0.71%

LAB 84.02, -47.33, 40.06

 

CMYK 38 / 0 / 40 / 2

HEX #9AF996

RGB 154 249 150

HSL 117.58, 0.89%, 0.78%

LAB 90.24, -47.15, 38.86

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 60 / 0 / 62 / 38

HEX #409F3C

RGB 64 159 60

HSL 117.58, 0.45%, 0.43%

LAB 58.24, -47.84, 42.43

 

CMYK 67 / 0 / 71 / 45

HEX #2F8D29

RGB 47 141 41

HSL 116.4, 0.55%, 0.36%

LAB 51.63, -47.11, 43.4

 

CMYK 76 / 0 / 82 / 52

HEX #1E7B16

RGB 30 123 22

HSL 115.25, 0.7%, 0.28%

LAB 44.94, -45.74, 43.68

 

CMYK 88 / 0 / 97 / 59

HEX #0D6903

RGB 13 105 3

HSL 114.12, 0.94%, 0.21%

LAB 38.19, -43.36, 42.69

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 56 / 0 / 49 / 31

HEX #4DB15B

RGB 77 177 91

HSL 128.4, 0.39%, 0.5%

LAB 64.79, -47.53, 35.24

 

CMYK 56 / 0 / 40 / 31

HEX #4DB16B

RGB 77 177 107

HSL 138, 0.39%, 0.5%

LAB 65.03, -44.91, 27.24

 

CMYK 56 / 0 / 30 / 31

HEX #4DB17C

RGB 77 177 124

HSL 148.2, 0.39%, 0.5%

LAB 65.34, -41.66, 18.53

 

CMYK 56 / 0 / 21 / 31

HEX #4DB18C

RGB 77 177 140

HSL 157.8, 0.39%, 0.5%

LAB 65.68, -38.19, 10.24

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 54 / 0 / 55 / 11

HEX #68E466

RGB 104 228 102

HSL 119.05, 0.7%, 0.65%

LAB 81.51, -59.02, 50.5

 

CMYK 54 / 0 / 54 / 91

HEX #0B180B

RGB 11 24 11

HSL 120, 0.37%, 0.07%

LAB 6.76, -7.64, 5.46

 

CMYK 55 / 0 / 56 / 71

HEX #224B21

RGB 34 75 33

HSL 118.57, 0.39%, 0.21%

LAB 28.07, -24.39, 20.57

 

CMYK 54 / 0 / 56 / 51

HEX #3A7E38

RGB 58 126 56

HSL 118.29, 0.38%, 0.36%

LAB 47.11, -36.64, 31.35

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 56 / 10 / 0 / 31

HEX #4DA0B1

RGB 77 160 177

HSL 190.2, 0.39%, 0.5%

LAB 61.56, -20.2, -16.48

 

CMYK 0 / 56 / 32 / 31

HEX #B14D78

RGB 177 77 120

HSL 334.2, 0.39%, 0.5%

LAB 46.99, 45.29, -4.3

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 56 / 54 / 0 / 31

HEX #4D51B1

RGB 77 81 177

HSL 237.6, 0.39%, 0.5%

LAB 38.96, 26.77, -51.87

 

CMYK 0 / 56 / 54 / 31

HEX #B14D51

RGB 177 77 81

HSL 357.6, 0.39%, 0.5%

LAB 45.97, 41.12, 17.98

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 56 / 10 / 0 / 31

HEX #4DA0B1

RGB 77 160 177

HSL 190.2, 0.39%, 0.5%

LAB 61.56, -20.2, -16.48

 

CMYK 2 / 56 / 0 / 31

HEX #AD4DB1

RGB 173 77 177

HSL 297.6, 0.39%, 0.5%

LAB 48.72, 53.03, -35.7

 

CMYK 0 / 47 / 56 / 31

HEX #B15E4D

RGB 177 94 77

HSL 10.2, 0.39%, 0.5%

LAB 49.36, 31.98, 24.81

 

CMYK 54 / 0 / 55 / 31

HEX #51B14F

RGB 81 177 79

HSL 118.78, 0.39%, 0.5%

LAB 64.77, -48.16, 41.2

 

CMYK 56 / 27 / 0 / 31

HEX #4D82B1

RGB 77 130 177

HSL 208.2, 0.39%, 0.5%

LAB 52.64, -3.61, -30.18

 

CMYK 2 / 56 / 0 / 31

HEX #AD4DB1

RGB 173 77 177

HSL 297.6, 0.39%, 0.5%

LAB 48.72, 53.03, -35.7

 

CMYK 0 / 30 / 56 / 31

HEX #B17C4D

RGB 177 124 77

HSL 28.2, 0.39%, 0.5%

LAB 56.39, 15.37, 33.66

 

Description

Color code: RGB 81 177 79 | qconv.com Color code: RGB 81 177 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 177 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 177 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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