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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 175 165 it is the complementary color RGB 174 80 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 175 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 175 165: RGB 86 175 160, RGB 103 193 179, RGB 120 211 198, RGB 137 229 217 and RGB 154 247 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 175 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 175 165: RGB 81 175 165, RGB 64 157 146, RGB 47 139 127, RGB 30 121 108 and RGB 13 103 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

Complementary color

CMYK 0 / 54 / 48 / 32

HEX #AE505A

RGB 174 80 90

HSL 353.62, 0.37%, 0.5%

LAB 46.28, 39.35, 12.86

 

CMYK 51 / 0 / 9 / 31

HEX #56AFA0

RGB 86 175 160

HSL 169.89, 0.36%, 0.51%

LAB 65.89, -30.42, -0.49

 

CMYK 47 / 0 / 7 / 24

HEX #67C1B3

RGB 103 193 179

HSL 170.67, 0.42%, 0.58%

LAB 72.41, -30.38, -1.31

 

CMYK 43 / 0 / 6 / 17

HEX #78D3C6

RGB 120 211 198

HSL 171.43, 0.51%, 0.65%

LAB 78.84, -30.31, -2.07

 

CMYK 40 / 0 / 5 / 10

HEX #89E5D9

RGB 137 229 217

HSL 172.17, 0.64%, 0.72%

LAB 85.18, -30.21, -2.78

 

CMYK 38 / 0 / 4 / 3

HEX #9AF7EC

RGB 154 247 236

HSL 172.9, 0.85%, 0.79%

LAB 91.44, -30.09, -3.46

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 59 / 0 / 7 / 38

HEX #409D92

RGB 64 157 146

HSL 172.9, 0.42%, 0.43%

LAB 59.23, -30.09, -2.48

 

CMYK 66 / 0 / 9 / 45

HEX #2F8B7F

RGB 47 139 127

HSL 172.17, 0.49%, 0.36%

LAB 52.51, -29.77, -1.51

 

CMYK 75 / 0 / 11 / 53

HEX #1E796C

RGB 30 121 108

HSL 171.43, 0.6%, 0.3%

LAB 45.68, -29.2, -0.41

 

CMYK 87 / 0 / 14 / 60

HEX #0D6759

RGB 13 103 89

HSL 170.67, 0.78%, 0.23%

LAB 38.74, -28.17, 0.89

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 54 / 3 / 0 / 32

HEX #50A9AE

RGB 80 169 174

HSL 183.19, 0.37%, 0.5%

LAB 64.27, -25.06, -10.7

 

CMYK 54 / 11 / 0 / 32

HEX #509AAE

RGB 80 154 174

HSL 192.77, 0.37%, 0.5%

LAB 59.77, -17.29, -17.49

 

CMYK 54 / 21 / 0 / 32

HEX #508AAE

RGB 80 138 174

HSL 202.98, 0.37%, 0.5%

LAB 55.01, -8.5, -24.78

 

CMYK 54 / 30 / 0 / 32

HEX #507AAE

RGB 80 122 174

HSL 213.19, 0.37%, 0.5%

LAB 50.31, 0.82, -32.07

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 54 / 0 / 6 / 11

HEX #69E2D5

RGB 105 226 213

HSL 173.55, 0.68%, 0.65%

LAB 83.02, -37.02, -3.99

 

CMYK 55 / 0 / 5 / 91

HEX #0A1615

RGB 10 22 21

HSL 175, 0.38%, 0.06%

LAB 6.26, -4.54, -0.86

 

CMYK 53 / 0 / 5 / 71

HEX #224945

RGB 34 73 69

HSL 173.85, 0.36%, 0.21%

LAB 28.21, -14.96, -1.87

 

CMYK 54 / 0 / 6 / 51

HEX #397C75

RGB 57 124 117

HSL 173.73, 0.37%, 0.35%

LAB 47.71, -23.06, -2.67

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 49 / 54 / 0 / 32

HEX #5850AE

RGB 88 80 174

HSL 245.11, 0.37%, 0.5%

LAB 39.36, 28.76, -49.42

 

CMYK 0 / 28 / 54 / 32

HEX #AE7D50

RGB 174 125 80

HSL 28.72, 0.37%, 0.5%

LAB 56.33, 13.78, 31.88

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 6 / 54 / 0 / 32

HEX #A350AE

RGB 163 80 174

HSL 292.98, 0.37%, 0.5%

LAB 47.73, 48.27, -35.59

 

CMYK 0 / 6 / 54 / 32

HEX #AEA350

RGB 174 163 80

HSL 52.98, 0.37%, 0.5%

LAB 66.35, -7.1, 43.98

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 49 / 54 / 0 / 32

HEX #5850AE

RGB 88 80 174

HSL 245.11, 0.37%, 0.5%

LAB 39.36, 28.76, -49.42

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 5 / 0 / 54 / 32

HEX #A6AE50

RGB 166 174 80

HSL 65.11, 0.37%, 0.5%

LAB 68.72, -16.22, 46.57

 

CMYK 54 / 0 / 6 / 31

HEX #51AFA5

RGB 81 175 165

HSL 173.62, 0.37%, 0.5%

LAB 65.85, -30.24, -3.35

 

CMYK 33 / 54 / 0 / 32

HEX #7450AE

RGB 116 80 174

HSL 262.98, 0.37%, 0.5%

LAB 42.01, 35.55, -45.02

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 21 / 0 / 54 / 32

HEX #8AAE50

RGB 138 174 80

HSL 82.98, 0.37%, 0.5%

LAB 66.71, -27.58, 43.72

 

Description

Color code: RGB 81 175 165 | qconv.com Color code: RGB 81 175 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 175 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 175 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 6 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 6% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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