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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 169 224 it is the complementary color RGB 174 86 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 169 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 169 224: RGB 86 169 219, RGB 103 187 238, RGB 120 205 255, RGB 137 223 255 and RGB 154 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 169 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 169 224: RGB 81 169 224, RGB 64 151 205, RGB 47 133 186, RGB 30 115 167 and RGB 13 97 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

Complementary color

CMYK 0 / 51 / 82 / 32

HEX #AE561F

RGB 174 86 31

HSL 23.08, 0.7%, 0.4%

LAB 46.65, 32.38, 46.11

 

CMYK 61 / 23 / 0 / 14

HEX #56A9DB

RGB 86 169 219

HSL 202.56, 0.65%, 0.6%

LAB 66.11, -10.46, -32.86

 

CMYK 57 / 21 / 0 / 7

HEX #67BBEE

RGB 103 187 238

HSL 202.67, 0.8%, 0.67%

LAB 72.63, -11.11, -33.11

 

CMYK 53 / 20 / 0 / 0

HEX #78CDFF

RGB 120 205 255

HSL 202.22, 1%, 0.74%

LAB 78.97, -12.21, -32.39

 

CMYK 46 / 13 / 0 / 0

HEX #89DFFF

RGB 137 223 255

HSL 196.27, 1%, 0.77%

LAB 84.65, -17.78, -23.65

 

CMYK 40 / 5 / 0 / 0

HEX #9AF1FF

RGB 154 241 255

HSL 188.32, 1%, 0.8%

LAB 90.32, -22.72, -15

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 69 / 26 / 0 / 20

HEX #4097CD

RGB 64 151 205

HSL 202.98, 0.59%, 0.53%

LAB 59.55, -8.76, -35.34

 

CMYK 75 / 28 / 0 / 27

HEX #2F85BA

RGB 47 133 186

HSL 202.88, 0.6%, 0.46%

LAB 52.87, -7.48, -35.07

 

CMYK 82 / 31 / 0 / 35

HEX #1E73A7

RGB 30 115 167

HSL 202.77, 0.7%, 0.39%

LAB 46.08, -5.8, -34.76

 

CMYK 91 / 34 / 0 / 42

HEX #0D6194

RGB 13 97 148

HSL 202.67, 0.84%, 0.32%

LAB 39.2, -3.57, -34.37

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 64 / 35 / 0 / 12

HEX #5191E0

RGB 81 145 224

HSL 213.15, 0.7%, 0.6%

LAB 59.33, 3.89, -46.27

 

CMYK 64 / 46 / 0 / 12

HEX #517AE0

RGB 81 122 224

HSL 222.8, 0.7%, 0.6%

LAB 53, 17.75, -56.34

 

CMYK 64 / 56 / 0 / 12

HEX #5162E0

RGB 81 98 224

HSL 232.87, 0.7%, 0.6%

LAB 46.8, 32.62, -66.34

 

CMYK 61 / 64 / 0 / 12

HEX #5851E0

RGB 88 81 224

HSL 242.94, 0.7%, 0.6%

LAB 43.27, 43.98, -72.06

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 65 / 25 / 0 / 92

HEX #070F14

RGB 7 15 20

HSL 203.08, 0.48%, 0.05%

LAB 3.95, -1.27, -3.57

 

CMYK 63 / 24 / 0 / 72

HEX #1A3647

RGB 26 54 71

HSL 202.67, 0.46%, 0.19%

LAB 21.26, -4.66, -13.73

 

CMYK 64 / 25 / 0 / 52

HEX #2C5C7A

RGB 44 92 122

HSL 203.08, 0.47%, 0.33%

LAB 37.11, -6.38, -21.79

 

CMYK 64 / 24 / 0 / 32

HEX #3F83AD

RGB 63 131 173

HSL 202.91, 0.47%, 0.46%

LAB 52.18, -8.31, -28.63

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 27 / 64 / 0 / 12

HEX #A451E0

RGB 164 81 224

HSL 274.83, 0.7%, 0.6%

LAB 50.87, 58.52, -59.39

 

CMYK 0 / 1 / 64 / 12

HEX #E0DE51

RGB 224 222 81

HSL 59.16, 0.7%, 0.6%

LAB 86.35, -16.21, 66.76

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 0 / 64 / 25 / 12

HEX #E051A9

RGB 224 81 169

HSL 323.08, 0.7%, 0.6%

LAB 56.68, 64.04, -18.08

 

CMYK 25 / 0 / 64 / 12

HEX #A9E051

RGB 169 224 81

HSL 83.08, 0.7%, 0.6%

LAB 83.09, -38.87, 62.17

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 27 / 64 / 0 / 12

HEX #A451E0

RGB 164 81 224

HSL 274.83, 0.7%, 0.6%

LAB 50.87, 58.52, -59.39

 

CMYK 0 / 39 / 64 / 12

HEX #E08851

RGB 224 136 81

HSL 23.08, 0.7%, 0.6%

LAB 65, 28.74, 43.25

 

CMYK 37 / 0 / 64 / 12

HEX #8DE051

RGB 141 224 81

HSL 94.83, 0.7%, 0.6%

LAB 81.6, -48.76, 60.12

 

CMYK 64 / 25 / 0 / 12

HEX #51A9E0

RGB 81 169 224

HSL 203.08, 0.7%, 0.6%

LAB 66.14, -9.75, -35.58

 

CMYK 8 / 64 / 0 / 12

HEX #CF51E0

RGB 207 81 224

HSL 292.87, 0.7%, 0.6%

LAB 56.62, 68.23, -49.87

 

CMYK 0 / 39 / 64 / 12

HEX #E08851

RGB 224 136 81

HSL 23.08, 0.7%, 0.6%

LAB 65, 28.74, 43.25

 

CMYK 56 / 0 / 64 / 12

HEX #62E051

RGB 98 224 81

HSL 112.87, 0.7%, 0.6%

LAB 79.9, -61.3, 57.77

 

Description

Color code: RGB 81 169 224 | qconv.com Color code: RGB 81 169 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 169 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 169 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 25 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 25% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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