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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 159 51 it is the complementary color RGB 174 96 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 159 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 159 51: RGB 86 159 46, RGB 103 177 65, RGB 120 195 84, RGB 137 213 103 and RGB 154 231 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 159 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 159 51: RGB 81 159 51, RGB 64 141 32, RGB 47 123 13, RGB 30 105 0 and RGB 13 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

Complementary color

CMYK 15 / 53 / 0 / 20

HEX #AE60CC

RGB 174 96 204

HSL 283.33, 0.51%, 0.59%

LAB 53.73, 49.2, -43.38

 

CMYK 46 / 0 / 71 / 38

HEX #569F2E

RGB 86 159 46

HSL 98.76, 0.55%, 0.4%

LAB 58.95, -42.85, 49.45

 

CMYK 42 / 0 / 63 / 31

HEX #67B141

RGB 103 177 65

HSL 99.64, 0.46%, 0.47%

LAB 65.52, -43.14, 48.76

 

CMYK 38 / 0 / 57 / 24

HEX #78C354

RGB 120 195 84

HSL 100.54, 0.48%, 0.55%

LAB 72, -43.25, 47.76

 

CMYK 36 / 0 / 52 / 16

HEX #89D567

RGB 137 213 103

HSL 101.45, 0.57%, 0.62%

LAB 78.4, -43.25, 46.64

 

CMYK 33 / 0 / 47 / 9

HEX #9AE77A

RGB 154 231 122

HSL 102.39, 0.69%, 0.69%

LAB 84.7, -43.17, 45.47

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 55 / 0 / 77 / 45

HEX #408D20

RGB 64 141 32

HSL 102.39, 0.63%, 0.34%

LAB 52.11, -43.45, 47.54

 

CMYK 62 / 0 / 89 / 52

HEX #2F7B0D

RGB 47 123 13

HSL 101.45, 0.81%, 0.27%

LAB 45.36, -42.4, 46.77

 

CMYK 71 / 0 / 100 / 59

HEX #1E6900

RGB 30 105 0

HSL 102.86, 1%, 0.21%

LAB 38.51, -40.57, 43.92

 

CMYK 85 / 0 / 100 / 66

HEX #0D5700

RGB 13 87 0

HSL 111.03, 1%, 0.17%

LAB 31.58, -37.58, 38.24

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 60 / 0 / 68 / 38

HEX #3F9D33

RGB 63 157 51

HSL 113.21, 0.51%, 0.41%

LAB 57.47, -48.28, 45.57

 

CMYK 68 / 0 / 64 / 38

HEX #339D38

RGB 51 157 56

HSL 122.83, 0.51%, 0.41%

LAB 57.18, -50.5, 42.95

 

CMYK 68 / 0 / 53 / 38

HEX #339D4A

RGB 51 157 74

HSL 133.02, 0.51%, 0.41%

LAB 57.38, -48.15, 34.53

 

CMYK 68 / 0 / 41 / 38

HEX #339D5C

RGB 51 157 92

HSL 143.21, 0.51%, 0.41%

LAB 57.65, -45.13, 25.42

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 49 / 0 / 68 / 18

HEX #6BD243

RGB 107 210 67

HSL 103.22, 0.61%, 0.54%

LAB 75.84, -54.96, 59.11

 

CMYK 50 / 0 / 67 / 98

HEX #030602

RGB 3 6 2

HSL 105, 0.5%, 0.02%

LAB 1.39, -1.34, 1.24

 

CMYK 49 / 0 / 68 / 78

HEX #1D3912

RGB 29 57 18

HSL 103.08, 0.52%, 0.15%

LAB 20.95, -19.42, 20.65

 

CMYK 49 / 0 / 68 / 58

HEX #376C23

RGB 55 108 35

HSL 103.56, 0.51%, 0.28%

LAB 40.67, -32.29, 34.36

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 68 / 0 / 6 / 38

HEX #339D94

RGB 51 157 148

HSL 174.91, 0.51%, 0.41%

LAB 58.93, -31.83, -4.1

 

CMYK 0 / 68 / 21 / 38

HEX #9D337C

RGB 157 51 124

HSL 318.68, 0.51%, 0.41%

LAB 39.57, 51.44, -18.27

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 68 / 48 / 0 / 38

HEX #33519D

RGB 51 81 157

HSL 223.02, 0.51%, 0.41%

LAB 36.03, 14.84, -44.76

 

CMYK 0 / 68 / 48 / 38

HEX #9D3351

RGB 157 51 81

HSL 343.02, 0.51%, 0.41%

LAB 38.07, 46.26, 6.54

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 68 / 0 / 6 / 38

HEX #339D94

RGB 51 157 148

HSL 174.91, 0.51%, 0.41%

LAB 58.93, -31.83, -4.1

 

CMYK 19 / 68 / 0 / 38

HEX #7F339D

RGB 127 51 157

HSL 283.02, 0.51%, 0.41%

LAB 36.58, 49.56, -43.48

 

CMYK 0 / 68 / 62 / 38

HEX #9D333C

RGB 157 51 60

HSL 354.91, 0.51%, 0.41%

LAB 37.59, 44.52, 19.19

 

CMYK 49 / 0 / 68 / 38

HEX #519F33

RGB 81 159 51

HSL 103.33, 0.51%, 0.41%

LAB 58.77, -44.01, 47.16

 

CMYK 68 / 15 / 0 / 38

HEX #33869D

RGB 51 134 157

HSL 193.02, 0.51%, 0.41%

LAB 52.05, -17.38, -19.62

 

CMYK 19 / 68 / 0 / 38

HEX #7F339D

RGB 127 51 157

HSL 283.02, 0.51%, 0.41%

LAB 36.58, 49.56, -43.48

 

CMYK 0 / 53 / 68 / 38

HEX #9D4A33

RGB 157 74 51

HSL 13.02, 0.51%, 0.41%

LAB 41.7, 32.75, 29.75

 

Description

Color code: RGB 81 159 51 | qconv.com Color code: RGB 81 159 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 159 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 159 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 68 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 68% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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