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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 139 254 it is the complementary color RGB 174 116 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 139 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 139 254: RGB 86 139 249, RGB 103 157 255, RGB 120 175 255, RGB 137 193 255 and RGB 154 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 139 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 139 254: RGB 81 139 254, RGB 64 121 235, RGB 47 103 216, RGB 30 85 197 and RGB 13 67 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

Complementary color

CMYK 0 / 33 / 99 / 32

HEX #AE7401

RGB 174 116 1

HSL 39.88, 0.99%, 0.34%

LAB 53.48, 15.24, 59.88

 

CMYK 65 / 44 / 0 / 2

HEX #568BF9

RGB 86 139 249

HSL 220.49, 0.93%, 0.66%

LAB 59.24, 16.78, -60.25

 

CMYK 60 / 38 / 0 / 0

HEX #679DFF

RGB 103 157 255

HSL 218.68, 1%, 0.7%

LAB 65.13, 11.04, -54.08

 

CMYK 53 / 31 / 0 / 0

HEX #78AFFF

RGB 120 175 255

HSL 215.56, 1%, 0.74%

LAB 70.78, 4.11, -45.12

 

CMYK 46 / 24 / 0 / 0

HEX #89C1FF

RGB 137 193 255

HSL 211.53, 1%, 0.77%

LAB 76.48, -2.03, -36.17

 

CMYK 40 / 17 / 0 / 0

HEX #9AD3FF

RGB 154 211 255

HSL 206.14, 1%, 0.8%

LAB 82.21, -7.48, -27.29

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 73 / 49 / 0 / 8

HEX #4079EB

RGB 64 121 235

HSL 220, 0.81%, 0.59%

LAB 52.69, 19.72, -63.05

 

CMYK 78 / 52 / 0 / 15

HEX #2F67D8

RGB 47 103 216

HSL 220.12, 0.68%, 0.52%

LAB 45.99, 22.13, -63.18

 

CMYK 85 / 57 / 0 / 23

HEX #1E55C5

RGB 30 85 197

HSL 220.24, 0.74%, 0.45%

LAB 39.25, 25.05, -63.23

 

CMYK 93 / 62 / 0 / 30

HEX #0D43B2

RGB 13 67 178

HSL 220.36, 0.86%, 0.37%

LAB 32.51, 28.57, -63.09

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 68 / 56 / 0 / 0

HEX #5271FE

RGB 82 113 254

HSL 229.19, 0.99%, 0.66%

LAB 52.69, 33.73, -73.58

 

CMYK 68 / 67 / 0 / 0

HEX #5255FE

RGB 82 85 254

HSL 238.95, 0.99%, 0.66%

LAB 46.24, 50.44, -84.1

 

CMYK 57 / 68 / 0 / 0

HEX #6C52FE

RGB 108 82 254

HSL 249.07, 0.99%, 0.66%

LAB 47.47, 55.49, -82.02

 

CMYK 46 / 68 / 0 / 0

HEX #8852FE

RGB 136 82 254

HSL 258.84, 0.99%, 0.66%

LAB 50.01, 59.88, -77.76

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 68 / 46 / 0 / 80

HEX #101B32

RGB 16 27 50

HSL 220.59, 0.52%, 0.13%

LAB 9.99, 3.81, -16.74

 

CMYK 68 / 46 / 0 / 60

HEX #203765

RGB 32 55 101

HSL 220, 0.52%, 0.26%

LAB 23.6, 7.61, -29.83

 

CMYK 68 / 45 / 0 / 40

HEX #305398

RGB 48 83 152

HSL 219.81, 0.52%, 0.39%

LAB 36.14, 11.13, -41.58

 

CMYK 68 / 45 / 0 / 20

HEX #416FCB

RGB 65 111 203

HSL 220, 0.57%, 0.53%

LAB 48.01, 14.6, -52.47

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 10 / 68 / 0 / 0

HEX #E452FE

RGB 228 82 254

HSL 290.93, 0.99%, 0.66%

LAB 61.38, 77.75, -58.83

 

CMYK 17 / 0 / 68 / 0

HEX #D3FE52

RGB 211 254 82

HSL 75, 0.99%, 0.66%

LAB 94.03, -36.41, 73.99

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 0 / 68 / 44 / 0

HEX #FE528E

RGB 254 82 142

HSL 339.07, 0.99%, 0.66%

LAB 60.83, 69.12, 4.34

 

CMYK 44 / 0 / 68 / 0

HEX #8EFE52

RGB 142 254 82

HSL 99.07, 0.99%, 0.66%

LAB 90.43, -60.26, 69.15

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 10 / 68 / 0 / 0

HEX #E452FE

RGB 228 82 254

HSL 290.93, 0.99%, 0.66%

LAB 61.38, 77.75, -58.83

 

CMYK 0 / 24 / 68 / 0

HEX #FEC252

RGB 254 194 82

HSL 39.07, 0.99%, 0.66%

LAB 81.98, 10.57, 62.6

 

CMYK 57 / 0 / 68 / 0

HEX #6CFE52

RGB 108 254 82

HSL 110.93, 0.99%, 0.66%

LAB 89.24, -69.35, 67.53

 

CMYK 68 / 45 / 0 / 0

HEX #518BFE

RGB 81 139 254

HSL 219.88, 0.99%, 0.66%

LAB 59.32, 17.73, -62.88

 

CMYK 0 / 68 / 10 / 0

HEX #FE52E4

RGB 254 82 228

HSL 309.07, 0.99%, 0.66%

LAB 63.92, 79.34, -40.13

 

CMYK 0 / 24 / 68 / 0

HEX #FEC252

RGB 254 194 82

HSL 39.07, 0.99%, 0.66%

LAB 81.98, 10.57, 62.6

 

CMYK 68 / 0 / 57 / 0

HEX #52FE6C

RGB 82 254 108

HSL 129.07, 0.99%, 0.66%

LAB 88.81, -72.05, 56.26

 

Description

Color code: RGB 81 139 254 | qconv.com Color code: RGB 81 139 254 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 139 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 139 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 45 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 45% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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