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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 111 194 it is the complementary color RGB 174 144 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 111 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 111 194: RGB 86 111 189, RGB 103 129 208, RGB 120 147 227, RGB 137 165 246 and RGB 154 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 111 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 111 194: RGB 81 111 194, RGB 64 93 175, RGB 47 75 156, RGB 30 57 137 and RGB 13 39 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

Complementary color

CMYK 0 / 17 / 65 / 32

HEX #AE903D

RGB 174 144 61

HSL 44.07, 0.48%, 0.46%

LAB 61.03, 1.74, 47.08

 

CMYK 54 / 41 / 0 / 26

HEX #566FBD

RGB 86 111 189

HSL 225.44, 0.44%, 0.54%

LAB 48.29, 13.75, -43.92

 

CMYK 50 / 38 / 0 / 18

HEX #6781D0

RGB 103 129 208

HSL 225.14, 0.53%, 0.61%

LAB 55.21, 12.67, -43.73

 

CMYK 47 / 35 / 0 / 11

HEX #7893E3

RGB 120 147 227

HSL 224.86, 0.66%, 0.68%

LAB 62, 11.78, -43.58

 

CMYK 44 / 33 / 0 / 4

HEX #89A5F6

RGB 137 165 246

HSL 224.59, 0.86%, 0.75%

LAB 68.67, 11.02, -43.49

 

CMYK 40 / 28 / 0 / 0

HEX #9AB7FF

RGB 154 183 255

HSL 222.77, 1%, 0.8%

LAB 74.8, 7.66, -38.71

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 63 / 47 / 0 / 31

HEX #405DAF

RGB 64 93 175

HSL 224.32, 0.46%, 0.47%

LAB 41.24, 15.87, -47.08

 

CMYK 70 / 52 / 0 / 39

HEX #2F4B9C

RGB 47 75 156

HSL 224.59, 0.54%, 0.4%

LAB 34.06, 17.8, -47.34

 

CMYK 78 / 58 / 0 / 46

HEX #1E3989

RGB 30 57 137

HSL 224.86, 0.64%, 0.33%

LAB 26.76, 20.31, -47.58

 

CMYK 89 / 67 / 0 / 54

HEX #0D2776

RGB 13 39 118

HSL 225.14, 0.8%, 0.26%

LAB 19.41, 23.6, -47.62

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 58 / 53 / 0 / 24

HEX #515CC2

RGB 81 92 194

HSL 234.16, 0.48%, 0.54%

LAB 43.21, 26.27, -54.96

 

CMYK 55 / 58 / 0 / 24

HEX #5851C2

RGB 88 81 194

HSL 243.72, 0.48%, 0.54%

LAB 40.98, 34.45, -58.53

 

CMYK 45 / 58 / 0 / 24

HEX #6B51C2

RGB 107 81 194

HSL 253.81, 0.48%, 0.54%

LAB 42.62, 38.36, -55.8

 

CMYK 35 / 58 / 0 / 24

HEX #7E51C2

RGB 126 81 194

HSL 263.89, 0.48%, 0.54%

LAB 44.54, 42.68, -52.61

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 58 / 43 / 0 / 4

HEX #668CF5

RGB 102 140 245

HSL 224.06, 0.88%, 0.68%

LAB 60.05, 17.64, -56.7

 

CMYK 59 / 44 / 0 / 84

HEX #111729

RGB 17 23 41

HSL 225, 0.41%, 0.11%

LAB 8.06, 3.54, -13.16

 

CMYK 59 / 42 / 0 / 64

HEX #26355C

RGB 38 53 92

HSL 223.33, 0.42%, 0.25%

LAB 22.76, 6.9, -25.27

 

CMYK 58 / 43 / 0 / 44

HEX #3C528F

RGB 60 82 143

HSL 224.1, 0.41%, 0.4%

LAB 35.94, 10.88, -36.41

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 4 / 58 / 0 / 24

HEX #BA51C2

RGB 186 81 194

HSL 295.75, 0.48%, 0.54%

LAB 52.08, 57.71, -40.14

 

CMYK 20 / 0 / 58 / 24

HEX #9CC251

RGB 156 194 81

HSL 80.18, 0.48%, 0.54%

LAB 73.7, -30.03, 51.62

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 0 / 58 / 43 / 24

HEX #C2516F

RGB 194 81 111

HSL 344.07, 0.48%, 0.54%

LAB 50.1, 48.02, 5.99

 

CMYK 43 / 0 / 58 / 24

HEX #6FC251

RGB 111 194 81

HSL 104.07, 0.48%, 0.54%

LAB 71.25, -46.06, 48.17

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 4 / 58 / 0 / 24

HEX #BA51C2

RGB 186 81 194

HSL 295.75, 0.48%, 0.54%

LAB 52.08, 57.71, -40.14

 

CMYK 0 / 16 / 58 / 24

HEX #C2A351

RGB 194 163 81

HSL 43.54, 0.48%, 0.54%

LAB 68.21, 1.55, 46.14

 

CMYK 55 / 0 / 58 / 24

HEX #58C251

RGB 88 194 81

HSL 116.28, 0.48%, 0.54%

LAB 70.35, -52.7, 46.89

 

CMYK 58 / 43 / 0 / 24

HEX #516FC2

RGB 81 111 194

HSL 224.07, 0.48%, 0.54%

LAB 48.28, 14.35, -46.83

 

CMYK 0 / 58 / 14 / 24

HEX #C251A7

RGB 194 81 167

HSL 314.34, 0.48%, 0.54%

LAB 52, 55.33, -24.49

 

CMYK 0 / 16 / 58 / 24

HEX #C2A351

RGB 194 163 81

HSL 43.54, 0.48%, 0.54%

LAB 68.21, 1.55, 46.14

 

CMYK 58 / 0 / 45 / 24

HEX #51C26B

RGB 81 194 107

HSL 133.81, 0.48%, 0.54%

LAB 70.45, -50.83, 34.31

 

Description

Color code: RGB 81 111 194 | qconv.com Color code: RGB 81 111 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 111 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 111 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 43 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 43% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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