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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 76 52 it is the complementary color RGB 175 179 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 76 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 76 52: RGB 85 76 47, RGB 102 94 66, RGB 119 112 85, RGB 136 130 104 and RGB 153 148 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 76 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 76 52: RGB 80 76 52, RGB 63 58 33, RGB 46 40 14, RGB 29 22 0 and RGB 12 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

Complementary color

CMYK 14 / 12 / 0 / 20

HEX #AFB3CB

RGB 175 179 203

HSL 231.43, 0.21%, 0.74%

LAB 73.33, 3.44, -12.61

 

CMYK 0 / 11 / 45 / 67

HEX #554C2F

RGB 85 76 47

HSL 45.79, 0.29%, 0.26%

LAB 32.49, -1.01, 18.6

 

CMYK 0 / 8 / 35 / 60

HEX #665E42

RGB 102 94 66

HSL 46.67, 0.21%, 0.33%

LAB 39.95, -1.53, 17.24

 

CMYK 0 / 6 / 29 / 53

HEX #777055

RGB 119 112 85

HSL 47.65, 0.17%, 0.4%

LAB 47.19, -1.93, 16.02

 

CMYK 0 / 4 / 24 / 47

HEX #888268

RGB 136 130 104

HSL 48.75, 0.13%, 0.47%

LAB 54.24, -2.24, 14.92

 

CMYK 0 / 3 / 20 / 40

HEX #99947B

RGB 153 148 123

HSL 50, 0.13%, 0.54%

LAB 61.12, -2.5, 13.9

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 0 / 8 / 48 / 75

HEX #3F3A21

RGB 63 58 33

HSL 50, 0.31%, 0.19%

LAB 24.3, -2.17, 16.31

 

CMYK 0 / 13 / 70 / 82

HEX #2E280E

RGB 46 40 14

HSL 48.75, 0.53%, 0.12%

LAB 16.16, -1.38, 17.51

 

CMYK 0 / 24 / 100 / 89

HEX #1D1600

RGB 29 22 0

HSL 45.52, 1%, 0.06%

LAB 7.54, -0, 11.3

 

CMYK 0 / 67 / 100 / 95

HEX #0C0400

RGB 12 4 0

HSL 20, 1%, 0.02%

LAB 1.49, 1.57, 2.26

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 1 / 0 / 35 / 69

HEX #4F5034

RGB 79 80 52

HSL 62.14, 0.21%, 0.26%

LAB 33.24, -5.55, 16.41

 

CMYK 6 / 0 / 35 / 69

HEX #4B5034

RGB 75 80 52

HSL 70.71, 0.21%, 0.26%

LAB 32.88, -7.37, 15.87

 

CMYK 13 / 0 / 35 / 69

HEX #465034

RGB 70 80 52

HSL 81.43, 0.21%, 0.26%

LAB 32.45, -9.6, 15.23

 

CMYK 19 / 0 / 35 / 69

HEX #415034

RGB 65 80 52

HSL 92.14, 0.21%, 0.26%

LAB 32.05, -11.78, 14.63

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 0 / 5 / 35 / 49

HEX #837C55

RGB 131 124 85

HSL 50.87, 0.21%, 0.42%

LAB 51.72, -3.67, 22.29

 

CMYK 0 / 5 / 35 / 29

HEX #B6AD76

RGB 182 173 118

HSL 51.56, 0.3%, 0.59%

LAB 70.27, -5.13, 29.46

 

CMYK 0 / 5 / 35 / 9

HEX #E9DD97

RGB 233 221 151

HSL 51.22, 0.65%, 0.75%

LAB 87.62, -6, 35.88

 

CMYK 0 / 3 / 34 / 89

HEX #1D1C13

RGB 29 28 19

HSL 54, 0.21%, 0.09%

LAB 10.1, -1.5, 6.24

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 35 / 0 / 34 / 69

HEX #345035

RGB 52 80 53

HSL 122.14, 0.21%, 0.26%

LAB 31.17, -16.89, 12.66

 

CMYK 20 / 35 / 0 / 69

HEX #403450

RGB 64 52 80

HSL 265.71, 0.21%, 0.26%

LAB 24.08, 11.93, -15.12

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 35 / 0 / 5 / 69

HEX #34504C

RGB 52 80 76

HSL 171.43, 0.21%, 0.26%

LAB 31.78, -11.52, -1

 

CMYK 5 / 35 / 0 / 69

HEX #4C3450

RGB 76 52 80

HSL 291.43, 0.21%, 0.26%

LAB 25.48, 16.43, -12.86

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 35 / 0 / 34 / 69

HEX #345035

RGB 52 80 53

HSL 122.14, 0.21%, 0.26%

LAB 31.17, -16.89, 12.66

 

CMYK 35 / 30 / 0 / 69

HEX #343850

RGB 52 56 80

HSL 231.43, 0.21%, 0.26%

LAB 24.12, 4.93, -15.16

 

CMYK 0 / 35 / 2 / 69

HEX #50344E

RGB 80 52 78

HSL 304.29, 0.21%, 0.26%

LAB 25.9, 17.51, -10.85

 

CMYK 0 / 5 / 35 / 69

HEX #504C34

RGB 80 76 52

HSL 51.43, 0.21%, 0.26%

LAB 32.08, -2.66, 14.9

 

CMYK 35 / 0 / 23 / 69

HEX #34503E

RGB 52 80 62

HSL 141.43, 0.21%, 0.26%

LAB 31.38, -14.98, 7.31

 

CMYK 35 / 30 / 0 / 69

HEX #343850

RGB 52 56 80

HSL 231.43, 0.21%, 0.26%

LAB 24.12, 4.93, -15.16

 

CMYK 0 / 35 / 13 / 69

HEX #503446

RGB 80 52 70

HSL 321.43, 0.21%, 0.26%

LAB 25.57, 15.84, -6.02

 

Description

Color code: RGB 80 76 52 | qconv.com Color code: RGB 80 76 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 76 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 76 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 35 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 35% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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