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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 20.2 72.6 it is the complementary color RGB 175 234.8 182.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 20.2 72.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 20.2 72.6 shade: RGB 85 20.2 67.6, RGB 102 38.2 86.6, RGB 119 56.2 105.6, RGB 136 74.2 124.6 and RGB 153 92.2 143.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 20.2 72.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 20.2 72.6 shade: RGB 80 20.2 72.6, RGB 63 2.2 53.6, RGB 46 0 34.6, RGB 29 0 15.6 and RGB 12 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 20.2 72.6 shade: RGB 82 20 74, RGB 82 20 58, RGB 82 20 41, RGB 82 20 25 and RGB 82 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 20.2 72.6 shade: RGB 82 20 74, RGB 73 20 82, RGB 56 20 82, RGB 40 20 82 and RGB 23 20 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 20.2 72.6 shade matches the following richer shades: RGB 82 20 74, RGB 90 12 80 and RGB 98 4 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 20.2 72.6 shade: RGB 82 20 74, RGB 73 29 68, RGB 65 37 62, RGB 57 45 55 and RGB 49 53 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 20.2 72.6 shade: RGB 56 20 82, RGB 72 20 82, RGB 82 20 74, RGB 82 20 58 and RGB 82 20 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 20.2 72.6 shade: RGB 16 4 14, RGB 49 12 44, RGB 82 20 74, RGB 115 29 104 and RGB 148 37 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 20.2 72.6 shade: RGB 80 20.2 72.6, RGB 82 40 20 and RGB 20 82 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 20.2 72.6 shade: RGB 80 20.2 72.6, RGB 74 82 20 and RGB 20 74 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 20.2 72.6 shade: RGB 80 20.2 72.6, RGB 82 40 20, RGB 20 82 28 and RGB 20 62 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 20.2 72.6 shade: RGB 80 20.2 72.6, RGB 82 58 20, RGB 20 82 28 and RGB 20 44 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 9 / 69

HEX #501448

RGB 80 20.2 72.6

HSL 307.42, 0.6%, 0.2%

LAB 18.75, 34.4, -18.26

 

Complementary color

CMYK 25 / 0 / 22 / 8

HEX #AFEAB6

RGB 175 234.8 182.4

HSL 127.42, 0.6%, 0.8%

LAB 87.88, -29.04, 19.44

 

CMYK 0 / 76 / 20 / 67

HEX #551443

RGB 85 20.2 67.6

HSL 316.11, 0.62%, 0.21%

LAB 19.44, 34.99, -13.67

 

CMYK 0 / 63 / 15 / 60

HEX #662656

RGB 102 38.2 86.6

HSL 314.48, 0.46%, 0.27%

LAB 26.46, 35.02, -15.38

 

CMYK 0 / 53 / 11 / 53

HEX #773869

RGB 119 56.2 105.6

HSL 312.8, 0.36%, 0.34%

LAB 33.57, 34.45, -16.49

 

CMYK 0 / 45 / 8 / 47

HEX #884A7C

RGB 136 74.2 124.6

HSL 311.07, 0.29%, 0.41%

LAB 40.62, 33.69, -17.29

 

CMYK 0 / 40 / 6 / 40

HEX #995C8F

RGB 153 92.2 143.6

HSL 309.28, 0.25%, 0.48%

LAB 47.58, 32.89, -17.94

 

CMYK 0 / 75 / 9 / 69

HEX #501448

RGB 80 20.2 72.6

HSL 307.42, 0.6%, 0.2%

LAB 18.75, 34.4, -18.26

 

CMYK 0 / 97 / 15 / 75

HEX #3F0235

RGB 63 2.2 53.6

HSL 309.28, 0.93%, 0.13%

LAB 11.74, 33.57, -16.14

 

CMYK 0 / 100 / 25 / 82

HEX #2E0022

RGB 46 0 34.6

HSL 314.87, 1%, 0.09%

LAB 6.32, 27.05, -10.7

 

CMYK 0 / 100 / 46 / 89

HEX #1D000F

RGB 29 0 15.6

HSL 327.72, 1%, 0.06%

LAB 2.69, 12.89, -2.53

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 76 / 10 / 68

HEX #52144A

RGB 82 20 74

HSL 307.74, 0.61%, 0.2%

LAB 19.18, 35.3, -18.53

 

CMYK 0 / 76 / 29 / 68

HEX #52143A

RGB 82 20 58

HSL 323.23, 0.61%, 0.2%

LAB 18.36, 32.68, -8.69

 

CMYK 0 / 76 / 50 / 68

HEX #521429

RGB 82 20 41

HSL 339.68, 0.61%, 0.2%

LAB 17.71, 30.48, 2.41

 

CMYK 0 / 76 / 70 / 68

HEX #521419

RGB 82 20 25

HSL 355.16, 0.61%, 0.2%

LAB 17.29, 29.03, 13.27

 

CMYK 0 / 76 / 76 / 68

HEX #521414

RGB 82 20 20

HSL 0, 0.61%, 0.2%

LAB 17.2, 28.7, 16.62

 

CMYK 0 / 76 / 10 / 68

HEX #52144A

RGB 82 20 74

HSL 307.74, 0.61%, 0.2%

LAB 19.18, 35.3, -18.53

 

CMYK 11 / 76 / 0 / 68

HEX #491452

RGB 73 20 82

HSL 291.29, 0.61%, 0.2%

LAB 18.04, 34.45, -25.89

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 51 / 76 / 0 / 68

HEX #281452

RGB 40 20 82

HSL 259.35, 0.61%, 0.2%

LAB 12.99, 26.63, -34.29

 

CMYK 72 / 76 / 0 / 68

HEX #171452

RGB 23 20 82

HSL 242.9, 0.61%, 0.2%

LAB 11.22, 23.57, -37.26

 

CMYK 0 / 76 / 10 / 68

HEX #52144A

RGB 82 20 74

HSL 307.74, 0.61%, 0.2%

LAB 19.18, 35.3, -18.53

 

CMYK 0 / 87 / 11 / 65

HEX #5A0C50

RGB 90 12 80

HSL 307.69, 0.76%, 0.2%

LAB 20.11, 41.17, -21.04

 

CMYK 0 / 96 / 12 / 62

HEX #620456

RGB 98 4 86

HSL 307.66, 0.92%, 0.2%

LAB 21.41, 45.89, -22.92

 

CMYK 0 / 76 / 10 / 68

HEX #52144A

RGB 82 20 74

HSL 307.74, 0.61%, 0.2%

LAB 19.18, 35.3, -18.53

 

CMYK 0 / 60 / 7 / 71

HEX #491D44

RGB 73 29 68

HSL 306.82, 0.43%, 0.2%

LAB 18.85, 26.96, -15.03

 

CMYK 0 / 43 / 5 / 75

HEX #41253E

RGB 65 37 62

HSL 306.43, 0.27%, 0.2%

LAB 19.2, 17.89, -10.45

 

CMYK 0 / 21 / 4 / 78

HEX #392D37

RGB 57 45 55

HSL 310, 0.12%, 0.2%

LAB 20.13, 7.62, -4.31

 

CMYK 8 / 0 / 8 / 79

HEX #313531

RGB 49 53 49

HSL 120, 0.04%, 0.2%

LAB 21.66, -2.66, 1.93

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 12 / 76 / 0 / 68

HEX #481452

RGB 72 20 82

HSL 290.32, 0.61%, 0.2%

LAB 17.86, 34.2, -26.18

 

CMYK 0 / 76 / 10 / 68

HEX #52144A

RGB 82 20 74

HSL 307.74, 0.61%, 0.2%

LAB 19.18, 35.3, -18.53

 

CMYK 0 / 76 / 29 / 68

HEX #52143A

RGB 82 20 58

HSL 323.23, 0.61%, 0.2%

LAB 18.36, 32.68, -8.69

 

CMYK 0 / 76 / 49 / 68

HEX #52142A

RGB 82 20 42

HSL 338.71, 0.61%, 0.2%

LAB 17.74, 30.59, 1.74

 

CMYK 0 / 75 / 13 / 94

HEX #10040E

RGB 16 4 14

HSL 310, 0.6%, 0.04%

LAB 2.07, 4.87, -2.76

 

CMYK 0 / 76 / 10 / 81

HEX #310C2C

RGB 49 12 44

HSL 308.11, 0.61%, 0.12%

LAB 9.78, 23.44, -12.37

 

CMYK 0 / 76 / 10 / 68

HEX #52144A

RGB 82 20 74

HSL 307.74, 0.61%, 0.2%

LAB 19.18, 35.3, -18.53

 

CMYK 0 / 75 / 10 / 55

HEX #731D68

RGB 115 29 104

HSL 307.67, 0.6%, 0.28%

LAB 28.18, 45.7, -23.9

 

CMYK 0 / 75 / 9 / 42

HEX #942586

RGB 148 37 134

HSL 307.57, 0.6%, 0.36%

LAB 36.63, 55.83, -29.14

 

CMYK 0 / 75 / 9 / 69

HEX #501448

RGB 80 20.2 72.6

HSL 307.42, 0.6%, 0.2%

LAB 18.75, 34.4, -18.26

 

CMYK 0 / 51 / 76 / 68

HEX #522814

RGB 82 40 20

HSL 19.35, 0.61%, 0.2%

LAB 21.44, 17.68, 21.57

 

CMYK 76 / 0 / 22 / 68

HEX #145240

RGB 20 82 64

HSL 162.58, 0.61%, 0.2%

LAB 30.77, -24.38, 4.98

 

CMYK 0 / 75 / 9 / 69

HEX #501448

RGB 80 20.2 72.6

HSL 307.42, 0.6%, 0.2%

LAB 18.75, 34.4, -18.26

 

CMYK 10 / 0 / 76 / 68

HEX #4A5214

RGB 74 82 20

HSL 67.74, 0.61%, 0.2%

LAB 33.01, -12.51, 33.52

 

CMYK 76 / 10 / 0 / 68

HEX #144A52

RGB 20 74 82

HSL 187.74, 0.61%, 0.2%

LAB 28.53, -14.31, -9.86

 

CMYK 0 / 75 / 9 / 69

HEX #501448

RGB 80 20.2 72.6

HSL 307.42, 0.6%, 0.2%

LAB 18.75, 34.4, -18.26

 

CMYK 0 / 51 / 76 / 68

HEX #522814

RGB 82 40 20

HSL 19.35, 0.61%, 0.2%

LAB 21.44, 17.68, 21.57

 

CMYK 76 / 0 / 66 / 68

HEX #14521C

RGB 20 82 28

HSL 127.74, 0.61%, 0.2%

LAB 30.08, -32.02, 25.61

 

CMYK 76 / 24 / 0 / 68

HEX #143E52

RGB 20 62 82

HSL 199.35, 0.61%, 0.2%

LAB 24.33, -6.96, -16.3

 

CMYK 0 / 75 / 9 / 69

HEX #501448

RGB 80 20.2 72.6

HSL 307.42, 0.6%, 0.2%

LAB 18.75, 34.4, -18.26

 

CMYK 0 / 29 / 76 / 68

HEX #523A14

RGB 82 58 20

HSL 36.77, 0.61%, 0.2%

LAB 26.36, 6.22, 26.95

 

CMYK 76 / 0 / 66 / 68

HEX #14521C

RGB 20 82 28

HSL 127.74, 0.61%, 0.2%

LAB 30.08, -32.02, 25.61

 

CMYK 76 / 46 / 0 / 68

HEX #142C52

RGB 20 44 82

HSL 216.77, 0.61%, 0.2%

LAB 18.18, 5.44, -25.98

 

Description

Color code: RGB 80 20.2 72.6 | qconv.com Color code: RGB 80 20.2 72.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 20.2 green and 72.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 20.2 72.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 9 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 9% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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