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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #381452 it is the complementary color #C7EBAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #381452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #381452 shade: #3D144D, #4E2660, #5F3873, #704A86 and #815C99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #381452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #381452 shade: #381452, #27023F, #16002C, #050019 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #381452 shade: #381452, #491452, #52144B, #52143A and #521429

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #381452 shade: #381452, #271452, #161452 and #141452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #381452 shade matches the following richer shades: #381452, #390C5A and #3B0363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #381452 shade: #381452, #371C4A, #352442, #342D39 and #333531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #381452 shade: #161452, #271452, #371452, #481452 and #52144C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #381452 shade: #0B0410, #210C31, #381452, #4F1C73 and #652495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #381452 shade: #381452, #521422 and #14521E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #381452 shade: #381452, #523714 and #145237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #381452 shade: #381452, #521422, #2F5214 and #145244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #381452 shade: #381452, #521814, #2F5214 and #144E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

Complementary color

CMYK 15 / 0 / 26 / 8

HEX #C7EBAD

RGB 199 235 173

HSL 94.84, 0.61%, 0.8%

LAB 89.19, -22.6, 26.33

 

CMYK 21 / 74 / 0 / 70

HEX #3D144D

RGB 61 20 77

HSL 283.16, 0.59%, 0.19%

LAB 15.63, 30.21, -26.44

 

CMYK 19 / 60 / 0 / 62

HEX #4E2660

RGB 78 38 96

HSL 281.38, 0.43%, 0.26%

LAB 23.17, 29.65, -26.99

 

CMYK 17 / 51 / 0 / 55

HEX #5F3873

RGB 95 56 115

HSL 279.66, 0.35%, 0.34%

LAB 30.64, 28.78, -27.26

 

CMYK 16 / 45 / 0 / 47

HEX #704A86

RGB 112 74 134

HSL 278, 0.29%, 0.41%

LAB 37.96, 27.88, -27.43

 

CMYK 16 / 40 / 0 / 40

HEX #815C99

RGB 129 92 153

HSL 276.39, 0.25%, 0.48%

LAB 45.11, 27.03, -27.58

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 38 / 97 / 0 / 75

HEX #27023F

RGB 39 2 63

HSL 276.39, 0.94%, 0.13%

LAB 7.53, 30.75, -29.94

 

CMYK 50 / 100 / 0 / 83

HEX #16002C

RGB 22 0 44

HSL 270, 1%, 0.09%

LAB 3.18, 18.46, -23.08

 

CMYK 80 / 100 / 0 / 90

HEX #050019

RGB 5 0 25

HSL 252, 1%, 0.05%

LAB 0.93, 5.76, -11.66

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 11 / 76 / 0 / 68

HEX #491452

RGB 73 20 82

HSL 291.29, 0.61%, 0.2%

LAB 18.04, 34.45, -25.89

 

CMYK 0 / 76 / 9 / 68

HEX #52144B

RGB 82 20 75

HSL 306.77, 0.61%, 0.2%

LAB 19.23, 35.48, -19.12

 

CMYK 0 / 76 / 29 / 68

HEX #52143A

RGB 82 20 58

HSL 323.23, 0.61%, 0.2%

LAB 18.36, 32.68, -8.69

 

CMYK 0 / 76 / 50 / 68

HEX #521429

RGB 82 20 41

HSL 339.68, 0.61%, 0.2%

LAB 17.71, 30.48, 2.41

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 52 / 76 / 0 / 68

HEX #271452

RGB 39 20 82

HSL 258.39, 0.61%, 0.2%

LAB 12.87, 26.42, -34.49

 

CMYK 73 / 76 / 0 / 68

HEX #161452

RGB 22 20 82

HSL 241.94, 0.61%, 0.2%

LAB 11.14, 23.43, -37.39

 

CMYK 76 / 76 / 0 / 68

HEX #141452

RGB 20 20 82

HSL 240, 0.61%, 0.2%

LAB 10.98, 23.15, -37.66

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 37 / 87 / 0 / 65

HEX #390C5A

RGB 57 12 90

HSL 274.62, 0.76%, 0.2%

LAB 14.8, 36.17, -36.66

 

CMYK 40 / 97 / 0 / 61

HEX #3B0363

RGB 59 3 99

HSL 275, 0.94%, 0.2%

LAB 14.93, 41.87, -42.44

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 26 / 62 / 0 / 71

HEX #371C4A

RGB 55 28 74

HSL 275.22, 0.45%, 0.2%

LAB 16.19, 23.15, -23.54

 

CMYK 20 / 45 / 0 / 74

HEX #352442

RGB 53 36 66

HSL 274, 0.29%, 0.2%

LAB 17.52, 14.98, -15.95

 

CMYK 9 / 21 / 0 / 78

HEX #342D39

RGB 52 45 57

HSL 275, 0.12%, 0.2%

LAB 19.65, 5.98, -6.48

 

CMYK 4 / 0 / 8 / 79

HEX #333531

RGB 51 53 49

HSL 90, 0.04%, 0.2%

LAB 21.84, -1.78, 2.22

 

CMYK 73 / 76 / 0 / 68

HEX #161452

RGB 22 20 82

HSL 241.94, 0.61%, 0.2%

LAB 11.14, 23.43, -37.39

 

CMYK 52 / 76 / 0 / 68

HEX #271452

RGB 39 20 82

HSL 258.39, 0.61%, 0.2%

LAB 12.87, 26.42, -34.49

 

CMYK 33 / 76 / 0 / 68

HEX #371452

RGB 55 20 82

HSL 273.87, 0.61%, 0.2%

LAB 15.07, 29.99, -30.81

 

CMYK 12 / 76 / 0 / 68

HEX #481452

RGB 72 20 82

HSL 290.32, 0.61%, 0.2%

LAB 17.86, 34.2, -26.18

 

CMYK 0 / 76 / 7 / 68

HEX #52144C

RGB 82 20 76

HSL 305.81, 0.61%, 0.2%

LAB 19.29, 35.66, -19.71

 

CMYK 31 / 75 / 0 / 94

HEX #0B0410

RGB 11 4 16

HSL 275, 0.6%, 0.04%

LAB 1.76, 3.66, -4.3

 

CMYK 33 / 76 / 0 / 81

HEX #210C31

RGB 33 12 49

HSL 274.05, 0.61%, 0.12%

LAB 7.3, 19.55, -20.19

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 31 / 76 / 0 / 55

HEX #4F1C73

RGB 79 28 115

HSL 275.17, 0.61%, 0.28%

LAB 22.76, 39.83, -39.98

 

CMYK 32 / 76 / 0 / 42

HEX #652495

RGB 101 36 149

HSL 274.51, 0.61%, 0.36%

LAB 29.91, 48.87, -49.57

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 0 / 76 / 59 / 68

HEX #521422

RGB 82 20 34

HSL 346.45, 0.61%, 0.2%

LAB 17.5, 29.77, 7.13

 

CMYK 76 / 0 / 63 / 68

HEX #14521E

RGB 20 82 30

HSL 129.68, 0.61%, 0.2%

LAB 30.1, -31.73, 24.57

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 0 / 33 / 76 / 68

HEX #523714

RGB 82 55 20

HSL 33.87, 0.61%, 0.2%

LAB 25.49, 8.15, 26.03

 

CMYK 76 / 0 / 33 / 68

HEX #145237

RGB 20 82 55

HSL 153.87, 0.61%, 0.2%

LAB 30.54, -26.76, 10.33

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 0 / 76 / 59 / 68

HEX #521422

RGB 82 20 34

HSL 346.45, 0.61%, 0.2%

LAB 17.5, 29.77, 7.13

 

CMYK 43 / 0 / 76 / 68

HEX #2F5214

RGB 47 82 20

HSL 93.87, 0.61%, 0.2%

LAB 31.09, -24.59, 30.95

 

CMYK 76 / 0 / 17 / 68

HEX #145244

RGB 20 82 68

HSL 166.45, 0.61%, 0.2%

LAB 30.88, -23.23, 2.61

 

CMYK 32 / 76 / 0 / 68

HEX #381452

RGB 56 20 82

HSL 274.84, 0.61%, 0.2%

LAB 15.22, 30.23, -30.55

 

CMYK 0 / 71 / 76 / 68

HEX #521814

RGB 82 24 20

HSL 3.87, 0.61%, 0.2%

LAB 17.91, 26.78, 17.48

 

CMYK 43 / 0 / 76 / 68

HEX #2F5214

RGB 47 82 20

HSL 93.87, 0.61%, 0.2%

LAB 31.09, -24.59, 30.95

 

CMYK 76 / 5 / 0 / 68

HEX #144E52

RGB 20 78 82

HSL 183.87, 0.61%, 0.2%

LAB 29.93, -16.6, -7.75

 

Description

Color code: HEX #381452 | qconv.com Color code: HEX #381452 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 20 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 20 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 76 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 76% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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