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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 14 152 it is the complementary color RGB 175 241 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 14 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 14 152: RGB 85 14 147, RGB 102 32 166, RGB 119 50 185, RGB 136 68 204 and RGB 153 86 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 14 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 14 152: RGB 80 14 152, RGB 63 0 133, RGB 46 0 114, RGB 29 0 95 and RGB 12 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

Complementary color

CMYK 27 / 0 / 57 / 5

HEX #AFF167

RGB 175 241 103

HSL 88.7, 0.83%, 0.67%

LAB 88.45, -42.37, 58.93

 

CMYK 42 / 90 / 0 / 42

HEX #550E93

RGB 85 14 147

HSL 272.03, 0.83%, 0.32%

LAB 24.8, 53.45, -56.77

 

CMYK 39 / 81 / 0 / 35

HEX #6620A6

RGB 102 32 166

HSL 271.34, 0.68%, 0.39%

LAB 30.9, 54.64, -58.28

 

CMYK 36 / 73 / 0 / 27

HEX #7732B9

RGB 119 50 185

HSL 270.67, 0.57%, 0.46%

LAB 37.31, 54.7, -59.08

 

CMYK 33 / 67 / 0 / 20

HEX #8844CC

RGB 136 68 204

HSL 270, 0.57%, 0.53%

LAB 43.84, 54.18, -59.47

 

CMYK 31 / 61 / 0 / 13

HEX #9956DF

RGB 153 86 223

HSL 269.34, 0.68%, 0.61%

LAB 50.4, 53.41, -59.65

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 53 / 100 / 0 / 48

HEX #3F0085

RGB 63 0 133

HSL 268.42, 1%, 0.26%

LAB 19.01, 51.25, -57.68

 

CMYK 60 / 100 / 0 / 55

HEX #2E0072

RGB 46 0 114

HSL 264.21, 1%, 0.22%

LAB 14.38, 45.33, -53.27

 

CMYK 69 / 100 / 0 / 63

HEX #1D005F

RGB 29 0 95

HSL 258.32, 1%, 0.19%

LAB 9.7, 39.34, -48.56

 

CMYK 84 / 100 / 0 / 70

HEX #0C004C

RGB 12 0 76

HSL 249.47, 1%, 0.15%

LAB 5.42, 31.86, -42.72

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 33 / 91 / 0 / 40

HEX #660E99

RGB 102 14 153

HSL 277.99, 0.83%, 0.33%

LAB 27.95, 57.04, -55.21

 

CMYK 18 / 91 / 0 / 40

HEX #7E0E99

RGB 126 14 153

HSL 288.35, 0.83%, 0.33%

LAB 31.92, 60.68, -48.57

 

CMYK 3 / 91 / 0 / 40

HEX #950E99

RGB 149 14 153

HSL 298.27, 0.83%, 0.33%

LAB 35.99, 64.63, -41.81

 

CMYK 0 / 91 / 12 / 40

HEX #990E87

RGB 153 14 135

HSL 307.77, 0.83%, 0.33%

LAB 35.67, 62.65, -31.22

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 47 / 91 / 0 / 20

HEX #6B13CB

RGB 107 19 203

HSL 268.7, 0.83%, 0.44%

LAB 33.78, 67.56, -75.48

 

CMYK 47 / 91 / 0 / 0

HEX #8617FE

RGB 134 23 254

HSL 268.83, 0.99%, 0.54%

LAB 42.52, 80.57, -90.06

 

CMYK 48 / 90 / 0 / 80

HEX #1A0532

RGB 26 5 50

HSL 268, 0.82%, 0.11%

LAB 5.04, 20.86, -24.59

 

CMYK 48 / 91 / 0 / 60

HEX #350965

RGB 53 9 101

HSL 268.7, 0.84%, 0.22%

LAB 14.91, 39.45, -43.84

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 0 / 91 / 61 / 40

HEX #990E3C

RGB 153 14 60

HSL 340.14, 0.83%, 0.33%

LAB 32.73, 54.71, 12.58

 

CMYK 91 / 0 / 85 / 40

HEX #0E9917

RGB 14 153 23

HSL 123.88, 0.83%, 0.33%

LAB 55.01, -57.15, 52.67

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 0 / 48 / 91 / 40

HEX #994F0E

RGB 153 79 14

HSL 28.06, 0.83%, 0.33%

LAB 41.84, 26.84, 47.27

 

CMYK 91 / 0 / 48 / 40

HEX #0E994F

RGB 14 153 79

HSL 148.06, 0.83%, 0.33%

LAB 55.52, -50.78, 29.5

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 0 / 91 / 61 / 40

HEX #990E3C

RGB 153 14 60

HSL 340.14, 0.83%, 0.33%

LAB 32.73, 54.71, 12.58

 

CMYK 42 / 0 / 91 / 40

HEX #58990E

RGB 88 153 14

HSL 88.06, 0.83%, 0.33%

LAB 56.97, -41.37, 57.16

 

CMYK 91 / 0 / 30 / 40

HEX #0E996B

RGB 14 153 107

HSL 160.14, 0.83%, 0.33%

LAB 56.03, -44.98, 14.86

 

CMYK 47 / 91 / 0 / 40

HEX #500E98

RGB 80 14 152

HSL 268.7, 0.83%, 0.33%

LAB 24.6, 54.03, -60.22

 

CMYK 0 / 91 / 88 / 40

HEX #990E12

RGB 153 14 18

HSL 358.27, 0.83%, 0.33%

LAB 32.1, 52.92, 37.91

 

CMYK 42 / 0 / 91 / 40

HEX #58990E

RGB 88 153 14

HSL 88.06, 0.83%, 0.33%

LAB 56.97, -41.37, 57.16

 

CMYK 91 / 0 / 3 / 40

HEX #0E9995

RGB 14 153 149

HSL 178.27, 0.83%, 0.33%

LAB 57.12, -33.48, -7.42

 

Description

Color code: RGB 80 14 152 | qconv.com Color code: RGB 80 14 152 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 14 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 14 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 91 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 91% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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