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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 129 224 it is the complementary color RGB 175 126 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 129 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 129 224: RGB 85 129 219, RGB 102 147 238, RGB 119 165 255, RGB 136 183 255 and RGB 153 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 129 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 129 224: RGB 80 129 224, RGB 63 111 205, RGB 46 93 186, RGB 29 75 167 and RGB 12 57 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

Complementary color

CMYK 0 / 28 / 82 / 31

HEX #AF7E1F

RGB 175 126 31

HSL 39.58, 0.7%, 0.4%

LAB 56.22, 10.7, 54.78

 

CMYK 61 / 41 / 0 / 14

HEX #5581DB

RGB 85 129 219

HSL 220.3, 0.65%, 0.6%

LAB 54.81, 12.48, -50.63

 

CMYK 57 / 38 / 0 / 7

HEX #6693EE

RGB 102 147 238

HSL 220.15, 0.8%, 0.67%

LAB 61.54, 11.23, -50.47

 

CMYK 53 / 35 / 0 / 0

HEX #77A5FF

RGB 119 165 255

HSL 219.71, 1%, 0.73%

LAB 68.06, 9.58, -49.41

 

CMYK 47 / 28 / 0 / 0

HEX #88B7FF

RGB 136 183 255

HSL 216.3, 1%, 0.77%

LAB 73.75, 3.22, -40.41

 

CMYK 40 / 21 / 0 / 0

HEX #99C9FF

RGB 153 201 255

HSL 211.76, 1%, 0.8%

LAB 79.48, -2.42, -31.47

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 69 / 46 / 0 / 20

HEX #3F6FCD

RGB 63 111 205

HSL 219.72, 0.59%, 0.53%

LAB 48.05, 15.01, -53.56

 

CMYK 75 / 50 / 0 / 27

HEX #2E5DBA

RGB 46 93 186

HSL 219.86, 0.6%, 0.45%

LAB 41.14, 17.14, -53.72

 

CMYK 83 / 55 / 0 / 35

HEX #1D4BA7

RGB 29 75 167

HSL 220, 0.7%, 0.38%

LAB 34.16, 19.84, -53.83

 

CMYK 92 / 61 / 0 / 42

HEX #0C3994

RGB 12 57 148

HSL 220.15, 0.85%, 0.31%

LAB 27.14, 23.25, -53.77

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 64 / 52 / 0 / 12

HEX #516BE0

RGB 81 107 224

HSL 229.09, 0.7%, 0.6%

LAB 49.06, 27.03, -62.67

 

CMYK 64 / 63 / 0 / 12

HEX #5153E0

RGB 81 83 224

HSL 239.16, 0.7%, 0.6%

LAB 43.24, 41.77, -72.14

 

CMYK 54 / 64 / 0 / 12

HEX #6751E0

RGB 103 81 224

HSL 249.23, 0.7%, 0.6%

LAB 44.45, 46.4, -70.1

 

CMYK 44 / 64 / 0 / 12

HEX #7E51E0

RGB 126 81 224

HSL 258.88, 0.7%, 0.6%

LAB 46.58, 50.62, -66.53

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 65 / 40 / 0 / 92

HEX #070C14

RGB 7 12 20

HSL 216.92, 0.48%, 0.05%

LAB 3.24, 0.18, -4.61

 

CMYK 65 / 42 / 0 / 72

HEX #192947

RGB 25 41 71

HSL 219.13, 0.48%, 0.19%

LAB 16.74, 4.17, -20.8

 

CMYK 64 / 43 / 0 / 52

HEX #2C467A

RGB 44 70 122

HSL 220, 0.47%, 0.33%

LAB 30.21, 7.8, -32.63

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 10 / 64 / 0 / 12

HEX #CA51E0

RGB 202 81 224

HSL 290.77, 0.7%, 0.6%

LAB 55.91, 67.08, -51.04

 

CMYK 16 / 0 / 64 / 12

HEX #BCE051

RGB 188 224 81

HSL 75.1, 0.7%, 0.6%

LAB 84.28, -31.63, 63.78

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 0 / 64 / 42 / 12

HEX #E05183

RGB 224 81 131

HSL 339.02, 0.7%, 0.6%

LAB 55.45, 59.65, 2.39

 

CMYK 42 / 0 / 64 / 12

HEX #83E051

RGB 131 224 81

HSL 99.02, 0.7%, 0.6%

LAB 81.14, -52, 59.49

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 10 / 64 / 0 / 12

HEX #CA51E0

RGB 202 81 224

HSL 290.77, 0.7%, 0.6%

LAB 55.91, 67.08, -51.04

 

CMYK 0 / 22 / 64 / 12

HEX #E0AE51

RGB 224 174 81

HSL 39.02, 0.7%, 0.6%

LAB 74.01, 8.44, 53.51

 

CMYK 54 / 0 / 64 / 12

HEX #67E051

RGB 103 224 81

HSL 110.77, 0.7%, 0.6%

LAB 80.06, -60.05, 58

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 0 / 64 / 10 / 12

HEX #E051CA

RGB 224 81 202

HSL 309.23, 0.7%, 0.6%

LAB 58.03, 68.68, -35

 

CMYK 0 / 22 / 64 / 12

HEX #E0AE51

RGB 224 174 81

HSL 39.02, 0.7%, 0.6%

LAB 74.01, 8.44, 53.51

 

CMYK 64 / 0 / 54 / 12

HEX #51E067

RGB 81 224 103

HSL 129.23, 0.7%, 0.6%

LAB 79.64, -62.6, 47.65

 

Description

Color code: RGB 80 129 224 | qconv.com Color code: RGB 80 129 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 129 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 129 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 42 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 42% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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