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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E64AD it is the complementary color #C19B52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E64AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3E64AD: #4364A8, #5476BB, #6588CE, #769AE1 and #87ACF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E64AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3E64AD: #3E64AD, #2D529A, #1C4087, #0B2E74 and #001C61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

Complementary color

CMYK 0 / 20 / 58 / 24

HEX #C19B52

RGB 193 155 82

HSL 39.46, 0.47%, 0.54%

LAB 66.05, 5.52, 43.09

 

CMYK 60 / 40 / 0 / 34

HEX #4364A8

RGB 67 100 168

HSL 220.4, 0.43%, 0.46%

LAB 42.97, 9.52, -40.18

 

CMYK 55 / 37 / 0 / 27

HEX #5476BB

RGB 84 118 187

HSL 220.19, 0.43%, 0.53%

LAB 50.01, 8.35, -40.03

 

CMYK 51 / 34 / 0 / 19

HEX #6588CE

RGB 101 136 206

HSL 220, 0.52%, 0.6%

LAB 56.91, 7.41, -39.93

 

CMYK 48 / 32 / 0 / 12

HEX #769AE1

RGB 118 154 225

HSL 219.81, 0.64%, 0.67%

LAB 63.67, 6.65, -39.87

 

CMYK 45 / 30 / 0 / 4

HEX #87ACF4

RGB 135 172 244

HSL 219.63, 0.83%, 0.74%

LAB 70.31, 6, -39.84

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 71 / 47 / 0 / 40

HEX #2D529A

RGB 45 82 154

HSL 219.63, 0.55%, 0.39%

LAB 35.84, 12.06, -43.27

 

CMYK 79 / 53 / 0 / 47

HEX #1C4087

RGB 28 64 135

HSL 219.81, 0.66%, 0.32%

LAB 28.55, 14.39, -43.44

 

CMYK 91 / 60 / 0 / 55

HEX #0B2E74

RGB 11 46 116

HSL 220, 0.83%, 0.25%

LAB 21.16, 17.56, -43.49

 

CMYK 100 / 71 / 0 / 62

HEX #001C61

RGB 0 28 97

HSL 222.68, 1%, 0.19%

LAB 13.79, 21.73, -43.18

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 64 / 52 / 0 / 33

HEX #3E52AC

RGB 62 82 172

HSL 229.09, 0.47%, 0.46%

LAB 37.91, 21.56, -50.66

 

CMYK 64 / 63 / 0 / 33

HEX #3E40AC

RGB 62 64 172

HSL 238.91, 0.47%, 0.46%

LAB 33.28, 33.18, -58.17

 

CMYK 55 / 64 / 0 / 33

HEX #4E3EAC

RGB 78 62 172

HSL 248.73, 0.47%, 0.46%

LAB 34.07, 37.15, -56.83

 

CMYK 44 / 64 / 0 / 33

HEX #613EAC

RGB 97 62 172

HSL 259.09, 0.47%, 0.46%

LAB 35.92, 40.9, -53.75

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 64 / 42 / 0 / 12

HEX #5081E0

RGB 80 129 224

HSL 219.58, 0.7%, 0.6%

LAB 54.85, 13.3, -53.38

 

CMYK 65 / 40 / 0 / 92

HEX #070C14

RGB 7 12 20

HSL 216.92, 0.48%, 0.05%

LAB 3.24, 0.18, -4.61

 

CMYK 65 / 42 / 0 / 72

HEX #192947

RGB 25 41 71

HSL 219.13, 0.48%, 0.19%

LAB 16.74, 4.17, -20.8

 

CMYK 64 / 42 / 0 / 52

HEX #2C477A

RGB 44 71 122

HSL 219.23, 0.47%, 0.33%

LAB 30.51, 7.13, -32.15

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 10 / 64 / 0 / 33

HEX #9B3EAC

RGB 155 62 172

HSL 290.73, 0.47%, 0.46%

LAB 43.35, 54.34, -41.41

 

CMYK 16 / 0 / 64 / 33

HEX #90AC3E

RGB 144 172 62

HSL 75.27, 0.47%, 0.46%

LAB 66.35, -25.79, 51.65

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 0 / 64 / 42 / 33

HEX #AC3E64

RGB 172 62 100

HSL 339.27, 0.47%, 0.46%

LAB 42.97, 48.27, 1.98

 

CMYK 42 / 0 / 64 / 33

HEX #64AC3E

RGB 100 172 62

HSL 99.27, 0.47%, 0.46%

LAB 63.8, -42.3, 48.14

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 10 / 64 / 0 / 33

HEX #9B3EAC

RGB 155 62 172

HSL 290.73, 0.47%, 0.46%

LAB 43.35, 54.34, -41.41

 

CMYK 0 / 23 / 64 / 33

HEX #AC853E

RGB 172 133 62

HSL 38.73, 0.47%, 0.46%

LAB 57.94, 7.01, 43.12

 

CMYK 55 / 0 / 64 / 33

HEX #4EAC3E

RGB 78 172 62

HSL 111.27, 0.47%, 0.46%

LAB 62.9, -48.97, 46.89

 

CMYK 64 / 42 / 0 / 32

HEX #3E64AD

RGB 62 100 173

HSL 219.46, 0.47%, 0.46%

LAB 43, 10.31, -43.09

 

CMYK 0 / 64 / 10 / 33

HEX #AC3E9B

RGB 172 62 155

HSL 309.27, 0.47%, 0.46%

LAB 45.06, 55.69, -28.43

 

CMYK 0 / 23 / 64 / 33

HEX #AC853E

RGB 172 133 62

HSL 38.73, 0.47%, 0.46%

LAB 57.94, 7.01, 43.12

 

CMYK 64 / 0 / 55 / 33

HEX #3EAC4E

RGB 62 172 78

HSL 128.73, 0.47%, 0.46%

LAB 62.57, -50.94, 38.92

 

Description

Color code: HEX #3E64AD | qconv.com Color code: HEX #3E64AD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 100 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 100 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 42 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 42% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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