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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 184 218 it is the complementary color RGB 176 71 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 184 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 79 184 218: RGB 84 184 213, RGB 101 202 232, RGB 118 220 251, RGB 135 238 255 and RGB 152 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 184 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 79 184 218: RGB 79 184 218, RGB 62 166 199, RGB 45 148 180, RGB 28 130 161 and RGB 11 112 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

Complementary color

CMYK 0 / 60 / 79 / 31

HEX #B04725

RGB 176 71 37

HSL 14.68, 0.65%, 0.42%

LAB 44.05, 40.99, 40.87

 

CMYK 61 / 14 / 0 / 16

HEX #54B8D5

RGB 84 184 213

HSL 193.49, 0.61%, 0.58%

LAB 70.15, -20.62, -23.35

 

CMYK 56 / 13 / 0 / 9

HEX #65CAE8

RGB 101 202 232

HSL 193.74, 0.74%, 0.65%

LAB 76.58, -21.09, -23.81

 

CMYK 53 / 12 / 0 / 2

HEX #76DCFB

RGB 118 220 251

HSL 193.98, 0.94%, 0.72%

LAB 82.92, -21.45, -24.23

 

CMYK 47 / 7 / 0 / 0

HEX #87EEFF

RGB 135 238 255

HSL 188.5, 1%, 0.76%

LAB 88.7, -25.68, -17.53

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 69 / 17 / 0 / 22

HEX #3EA6C7

RGB 62 166 199

HSL 194.45, 0.55%, 0.51%

LAB 63.69, -19.2, -25.59

 

CMYK 75 / 18 / 0 / 29

HEX #2D94B4

RGB 45 148 180

HSL 194.22, 0.6%, 0.44%

LAB 57.11, -18.17, -25.06

 

CMYK 83 / 19 / 0 / 37

HEX #1C82A1

RGB 28 130 161

HSL 193.98, 0.7%, 0.37%

LAB 50.44, -16.79, -24.47

 

CMYK 92 / 21 / 0 / 44

HEX #0B708E

RGB 11 112 142

HSL 193.74, 0.86%, 0.3%

LAB 43.67, -14.92, -23.77

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 64 / 26 / 0 / 15

HEX #4EA1D9

RGB 78 161 217

HSL 204.17, 0.65%, 0.58%

LAB 63.44, -8.11, -35.93

 

CMYK 64 / 36 / 0 / 15

HEX #4E8AD9

RGB 78 138 217

HSL 214.1, 0.65%, 0.58%

LAB 56.89, 5.14, -46.23

 

CMYK 64 / 47 / 0 / 15

HEX #4E73D9

RGB 78 115 217

HSL 224.03, 0.65%, 0.58%

LAB 50.56, 19.15, -56.32

 

CMYK 64 / 58 / 0 / 15

HEX #4E5CD9

RGB 78 92 217

HSL 233.96, 0.65%, 0.58%

LAB 44.64, 33.5, -65.88

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 64 / 14 / 0 / 95

HEX #050C0E

RGB 5 12 14

HSL 193.33, 0.47%, 0.04%

LAB 2.95, -1.53, -1.55

 

CMYK 63 / 15 / 0 / 75

HEX #183741

RGB 24 55 65

HSL 194.63, 0.46%, 0.17%

LAB 21.24, -8, -9.72

 

CMYK 64 / 16 / 0 / 55

HEX #2A6274

RGB 42 98 116

HSL 194.59, 0.47%, 0.31%

LAB 38.71, -12.42, -15.65

 

CMYK 63 / 16 / 0 / 35

HEX #3D8DA7

RGB 61 141 167

HSL 194.72, 0.46%, 0.45%

LAB 54.9, -16.23, -20.99

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 36 / 64 / 0 / 15

HEX #8A4ED9

RGB 138 78 217

HSL 265.9, 0.65%, 0.58%

LAB 46.79, 52.79, -62.15

 

CMYK 0 / 11 / 64 / 15

HEX #D9C24E

RGB 217 194 78

HSL 50.07, 0.65%, 0.58%

LAB 78.39, -5.19, 59.43

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 0 / 64 / 15 / 15

HEX #D94EB9

RGB 217 78 185

HSL 313.81, 0.65%, 0.58%

LAB 55.79, 65.56, -28.82

 

CMYK 15 / 0 / 64 / 15

HEX #B9D94E

RGB 185 217 78

HSL 73.81, 0.65%, 0.58%

LAB 82.1, -29.74, 62.63

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 36 / 64 / 0 / 15

HEX #8A4ED9

RGB 138 78 217

HSL 265.9, 0.65%, 0.58%

LAB 46.79, 52.79, -62.15

 

CMYK 0 / 49 / 64 / 15

HEX #D96E4E

RGB 217 110 78

HSL 13.81, 0.65%, 0.58%

LAB 58.47, 39.33, 36.85

 

CMYK 28 / 0 / 64 / 15

HEX #9DD94E

RGB 157 217 78

HSL 85.9, 0.65%, 0.58%

LAB 80.37, -40.42, 60.26

 

CMYK 64 / 16 / 0 / 15

HEX #4FB8DA

RGB 79 184 218

HSL 194.68, 0.65%, 0.58%

LAB 70.18, -19.97, -26.06

 

CMYK 17 / 64 / 0 / 15

HEX #B44ED9

RGB 180 78 217

HSL 284.03, 0.65%, 0.58%

LAB 52.02, 62, -53.46

 

CMYK 0 / 49 / 64 / 15

HEX #D96E4E

RGB 217 110 78

HSL 13.81, 0.65%, 0.58%

LAB 58.47, 39.33, 36.85

 

CMYK 47 / 0 / 64 / 15

HEX #73D94E

RGB 115 217 78

HSL 104.03, 0.65%, 0.58%

LAB 78.36, -54.38, 57.49

 

Description

Color code: RGB 79 184 218 | qconv.com Color code: RGB 79 184 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 184 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 184 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 16 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 16% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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