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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 127 115 it is the complementary color RGB 176 128 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 127 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 79 127 115: RGB 84 127 110, RGB 101 145 129, RGB 118 163 148, RGB 135 181 167 and RGB 152 199 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 127 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 79 127 115: RGB 79 127 115, RGB 62 109 96, RGB 45 91 77, RGB 28 73 58 and RGB 11 55 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

Complementary color

CMYK 0 / 27 / 20 / 31

HEX #B0808C

RGB 176 128 140

HSL 345, 0.23%, 0.6%

LAB 58.57, 20.37, 0.87

 

CMYK 34 / 0 / 13 / 50

HEX #547F6E

RGB 84 127 110

HSL 156.28, 0.2%, 0.41%

LAB 49.72, -18.86, 4.53

 

CMYK 30 / 0 / 11 / 43

HEX #659181

RGB 101 145 129

HSL 158.18, 0.18%, 0.48%

LAB 56.69, -18.63, 3.69

 

CMYK 28 / 0 / 9 / 36

HEX #76A394

RGB 118 163 148

HSL 160, 0.2%, 0.55%

LAB 63.49, -18.43, 2.9

 

CMYK 25 / 0 / 8 / 29

HEX #87B5A7

RGB 135 181 167

HSL 161.74, 0.24%, 0.62%

LAB 70.17, -18.26, 2.17

 

CMYK 24 / 0 / 7 / 22

HEX #98C7BA

RGB 152 199 186

HSL 163.4, 0.3%, 0.69%

LAB 76.72, -18.11, 1.47

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 43 / 0 / 12 / 57

HEX #3E6D60

RGB 62 109 96

HSL 163.4, 0.27%, 0.34%

LAB 42.47, -19.44, 2.24

 

CMYK 51 / 0 / 15 / 64

HEX #2D5B4D

RGB 45 91 77

HSL 161.74, 0.34%, 0.27%

LAB 35.15, -19.62, 3.22

 

CMYK 62 / 0 / 21 / 71

HEX #1C493A

RGB 28 73 58

HSL 160, 0.45%, 0.2%

LAB 27.62, -19.71, 4.37

 

CMYK 80 / 0 / 29 / 78

HEX #0B3727

RGB 11 55 39

HSL 158.18, 0.67%, 0.13%

LAB 19.84, -19.5, 5.8

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 38 / 0 / 3 / 51

HEX #4E7D79

RGB 78 125 121

HSL 174.89, 0.23%, 0.4%

LAB 49.09, -16.96, -2.9

 

CMYK 38 / 3 / 0 / 51

HEX #4E797D

RGB 78 121 125

HSL 185.11, 0.23%, 0.4%

LAB 47.98, -13.72, -6.91

 

CMYK 38 / 10 / 0 / 51

HEX #4E717D

RGB 78 113 125

HSL 195.32, 0.23%, 0.4%

LAB 45.51, -9.19, -10.6

 

CMYK 38 / 16 / 0 / 51

HEX #4E697D

RGB 78 105 125

HSL 205.53, 0.23%, 0.4%

LAB 43.07, -4.5, -14.3

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 38 / 0 / 10 / 30

HEX #6FB2A1

RGB 111 178 161

HSL 164.78, 0.3%, 0.57%

LAB 67.87, -25.25, 1.97

 

CMYK 38 / 0 / 10 / 10

HEX #8EE5CF

RGB 142 229 207

HSL 164.83, 0.63%, 0.73%

LAB 85.15, -31.18, 2.46

 

CMYK 36 / 0 / 8 / 90

HEX #101917

RGB 16 25 23

HSL 166.67, 0.22%, 0.08%

LAB 7.83, -4.44, 0.06

 

CMYK 38 / 0 / 9 / 70

HEX #2F4C45

RGB 47 76 69

HSL 165.52, 0.24%, 0.24%

LAB 29.92, -12.71, 0.71

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 38 / 36 / 0 / 51

HEX #4E507D

RGB 78 80 125

HSL 237.45, 0.23%, 0.4%

LAB 35.67, 11.04, -25.72

 

CMYK 0 / 25 / 38 / 51

HEX #7D5E4E

RGB 125 94 78

HSL 20.43, 0.23%, 0.4%

LAB 42.64, 10.28, 14.07

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 10 / 38 / 0 / 51

HEX #714E7D

RGB 113 78 125

HSL 284.68, 0.23%, 0.4%

LAB 38.62, 23.73, -20.86

 

CMYK 0 / 10 / 38 / 51

HEX #7D714E

RGB 125 113 78

HSL 44.68, 0.23%, 0.4%

LAB 47.91, -0.9, 21.15

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 38 / 36 / 0 / 51

HEX #4E507D

RGB 78 80 125

HSL 237.45, 0.23%, 0.4%

LAB 35.67, 11.04, -25.72

 

CMYK 0 / 38 / 28 / 51

HEX #7D4E5A

RGB 125 78 90

HSL 344.68, 0.23%, 0.4%

LAB 38.81, 21.56, 1.28

 

CMYK 0 / 2 / 38 / 51

HEX #7D7B4E

RGB 125 123 78

HSL 57.45, 0.23%, 0.4%

LAB 50.78, -6.58, 24.9

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 28 / 38 / 0 / 51

HEX #5A4E7D

RGB 90 78 125

HSL 255.32, 0.23%, 0.4%

LAB 36.18, 16.07, -24.84

 

CMYK 0 / 38 / 28 / 51

HEX #7D4E5A

RGB 125 78 90

HSL 344.68, 0.23%, 0.4%

LAB 38.81, 21.56, 1.28

 

CMYK 10 / 0 / 38 / 51

HEX #717D4E

RGB 113 125 78

HSL 75.32, 0.23%, 0.4%

LAB 50.37, -12.79, 24.18

 

Description

Color code: RGB 79 127 115 | qconv.com Color code: RGB 79 127 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 127 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 127 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 9 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 9% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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