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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 86 132 it is the complementary color RGB 177 169 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 86 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 86 132: RGB 83 86 127, RGB 100 104 146, RGB 117 122 165, RGB 134 140 184 and RGB 151 158 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 86 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 86 132: RGB 78 86 132, RGB 61 68 113, RGB 44 50 94, RGB 27 32 75 and RGB 10 14 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

 

Complementary color

CMYK 0 / 5 / 31 / 31

HEX #B1A97B

RGB 177 169 123

HSL 51.11, 0.26%, 0.59%

LAB 68.86, -4.37, 24.83

 

CMYK 35 / 32 / 0 / 50

HEX #53567F

RGB 83 86 127

HSL 235.91, 0.21%, 0.41%

LAB 37.89, 9.33, -23.46

 

CMYK 32 / 29 / 0 / 43

HEX #646892

RGB 100 104 146

HSL 234.78, 0.19%, 0.48%

LAB 45.2, 8.75, -23.48

 

CMYK 29 / 26 / 0 / 35

HEX #757AA5

RGB 117 122 165

HSL 233.75, 0.21%, 0.55%

LAB 52.31, 8.27, -23.57

 

CMYK 27 / 24 / 0 / 28

HEX #868CB8

RGB 134 140 184

HSL 232.8, 0.26%, 0.62%

LAB 59.24, 7.84, -23.7

 

CMYK 26 / 22 / 0 / 20

HEX #979ECB

RGB 151 158 203

HSL 231.92, 0.33%, 0.69%

LAB 66.02, 7.47, -23.86

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 46 / 40 / 0 / 56

HEX #3D4471

RGB 61 68 113

HSL 231.92, 0.3%, 0.34%

LAB 30.2, 10.16, -26.91

 

CMYK 53 / 47 / 0 / 63

HEX #2C325E

RGB 44 50 94

HSL 232.8, 0.36%, 0.27%

LAB 22.39, 11.29, -27.15

 

CMYK 64 / 57 / 0 / 71

HEX #1B204B

RGB 27 32 75

HSL 233.75, 0.47%, 0.2%

LAB 14.25, 12.92, -27.5

 

CMYK 82 / 75 / 0 / 78

HEX #0A0E38

RGB 10 14 56

HSL 234.78, 0.7%, 0.13%

LAB 6, 14.59, -27.53

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 40 / 41 / 0 / 49

HEX #4E4D83

RGB 78 77 131

HSL 241.11, 0.26%, 0.41%

LAB 35.14, 14.78, -30.26

 

CMYK 34 / 41 / 0 / 49

HEX #574D83

RGB 87 77 131

HSL 251.11, 0.26%, 0.41%

LAB 35.93, 17.44, -28.95

 

CMYK 27 / 41 / 0 / 49

HEX #604D83

RGB 96 77 131

HSL 261.11, 0.26%, 0.41%

LAB 36.81, 20.22, -27.52

 

CMYK 20 / 41 / 0 / 49

HEX #694D83

RGB 105 77 131

HSL 271.11, 0.26%, 0.41%

LAB 37.75, 23.1, -25.97

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 41 / 35 / 0 / 28

HEX #6C77B7

RGB 108 119 183

HSL 231.2, 0.34%, 0.57%

LAB 51.61, 12.41, -35.11

 

CMYK 41 / 35 / 0 / 8

HEX #8A98EA

RGB 138 152 234

HSL 231.25, 0.7%, 0.73%

LAB 64.8, 15.34, -42.97

 

CMYK 40 / 33 / 0 / 88

HEX #12141E

RGB 18 20 30

HSL 230, 0.25%, 0.09%

LAB 6.53, 1.93, -7.21

 

CMYK 41 / 35 / 0 / 68

HEX #303551

RGB 48 53 81

HSL 230.91, 0.26%, 0.25%

LAB 22.89, 5.95, -17.76

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 0 / 41 / 2 / 49

HEX #834D81

RGB 131 77 129

HSL 302.22, 0.26%, 0.41%

LAB 40.76, 31.27, -19.82

 

CMYK 18 / 0 / 41 / 49

HEX #6B834D

RGB 107 131 77

HSL 86.67, 0.26%, 0.41%

LAB 51.72, -18.6, 26.39

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 0 / 41 / 35 / 49

HEX #834D55

RGB 131 77 85

HSL 351.11, 0.26%, 0.41%

LAB 39.22, 23.83, 5.11

 

CMYK 35 / 0 / 41 / 49

HEX #55834D

RGB 85 131 77

HSL 111.11, 0.26%, 0.41%

LAB 50.33, -26.98, 24.33

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 0 / 41 / 2 / 49

HEX #834D81

RGB 131 77 129

HSL 302.22, 0.26%, 0.41%

LAB 40.76, 31.27, -19.82

 

CMYK 0 / 6 / 41 / 49

HEX #837B4D

RGB 131 123 77

HSL 51.11, 0.26%, 0.41%

LAB 51.3, -4.11, 26.24

 

CMYK 41 / 0 / 39 / 49

HEX #4D8350

RGB 77 131 80

HSL 123.33, 0.26%, 0.41%

LAB 49.97, -29.22, 22.1

 

CMYK 41 / 35 / 0 / 48

HEX #4E5684

RGB 78 86 132

HSL 231.11, 0.26%, 0.41%

LAB 37.74, 9.31, -26.79

NCS® S5030-R70B

CMYK 0 / 41 / 15 / 49

HEX #834D70

RGB 131 77 112

HSL 321.11, 0.26%, 0.41%

LAB 40.09, 28.08, -10.41

 

CMYK 0 / 6 / 41 / 49

HEX #837B4D

RGB 131 123 77

HSL 51.11, 0.26%, 0.41%

LAB 51.3, -4.11, 26.24

 

CMYK 41 / 0 / 27 / 49

HEX #4D8360

RGB 77 131 96

HSL 141.11, 0.26%, 0.41%

LAB 50.28, -26.19, 13.41

 

Description

Color code: RGB 78 86 132 | qconv.com Color code: RGB 78 86 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 86 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 86 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 35 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 35% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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