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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 84 191 it is the complementary color RGB 177 171 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 84 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 84 191: RGB 83 84 186, RGB 100 102 205, RGB 117 120 224, RGB 134 138 243 and RGB 151 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 84 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 84 191: RGB 78 84 191, RGB 61 66 172, RGB 44 48 153, RGB 27 30 134 and RGB 10 12 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

Complementary color

CMYK 0 / 3 / 64 / 31

HEX #B1AB40

RGB 177 171 64

HSL 56.81, 0.47%, 0.47%

LAB 68.64, -11.21, 53.99

 

CMYK 55 / 55 / 0 / 27

HEX #5354BA

RGB 83 84 186

HSL 239.42, 0.43%, 0.53%

LAB 40.78, 29.04, -54.22

 

CMYK 51 / 50 / 0 / 20

HEX #6466CD

RGB 100 102 205

HSL 238.86, 0.51%, 0.6%

LAB 47.78, 27.49, -53.88

 

CMYK 48 / 46 / 0 / 12

HEX #7578E0

RGB 117 120 224

HSL 238.32, 0.63%, 0.67%

LAB 54.65, 26.18, -53.57

 

CMYK 45 / 43 / 0 / 5

HEX #868AF3

RGB 134 138 243

HSL 237.8, 0.82%, 0.74%

LAB 61.41, 25.06, -53.31

 

CMYK 41 / 39 / 0 / 0

HEX #979CFF

RGB 151 156 255

HSL 237.12, 1%, 0.8%

LAB 67.71, 22.14, -49.83

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 65 / 62 / 0 / 33

HEX #3D42AC

RGB 61 66 172

HSL 237.3, 0.48%, 0.46%

LAB 33.7, 31.75, -57.48

 

CMYK 71 / 69 / 0 / 40

HEX #2C3099

RGB 44 48 153

HSL 237.8, 0.55%, 0.39%

LAB 26.59, 34.13, -57.69

 

CMYK 80 / 78 / 0 / 47

HEX #1B1E86

RGB 27 30 134

HSL 238.32, 0.66%, 0.32%

LAB 19.57, 36.74, -57.5

 

CMYK 91 / 90 / 0 / 55

HEX #0A0C73

RGB 10 12 115

HSL 238.86, 0.84%, 0.25%

LAB 13.02, 38.88, -56.26

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 53 / 59 / 0 / 25

HEX #5A4EBF

RGB 90 78 191

HSL 246.37, 0.47%, 0.53%

LAB 40.22, 35.72, -58.01

 

CMYK 43 / 59 / 0 / 25

HEX #6C4EBF

RGB 108 78 191

HSL 255.93, 0.47%, 0.53%

LAB 41.84, 39.46, -55.31

 

CMYK 34 / 59 / 0 / 25

HEX #7F4EBF

RGB 127 78 191

HSL 266.02, 0.47%, 0.53%

LAB 43.83, 43.8, -52

 

CMYK 24 / 59 / 0 / 25

HEX #924EBF

RGB 146 78 191

HSL 276.11, 0.47%, 0.53%

LAB 46.07, 48.4, -48.29

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 59 / 56 / 0 / 5

HEX #636AF2

RGB 99 106 242

HSL 237.06, 0.85%, 0.67%

LAB 51.12, 36.62, -69.41

 

CMYK 58 / 55 / 0 / 85

HEX #101126

RGB 16 17 38

HSL 237.27, 0.41%, 0.11%

LAB 5.88, 5.95, -14.32

 

CMYK 60 / 56 / 0 / 65

HEX #242759

RGB 36 39 89

HSL 236.6, 0.42%, 0.25%

LAB 18.13, 15.27, -30.69

 

CMYK 59 / 56 / 0 / 45

HEX #393E8C

RGB 57 62 140

HSL 236.39, 0.42%, 0.39%

LAB 29.93, 22.44, -44.21

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 0 / 59 / 8 / 25

HEX #BF4EB0

RGB 191 78 176

HSL 307.96, 0.47%, 0.53%

LAB 51.45, 57.27, -30.65

 

CMYK 31 / 0 / 59 / 25

HEX #83BF4E

RGB 131 191 78

HSL 91.86, 0.47%, 0.53%

LAB 71.31, -38.31, 49.85

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 0 / 59 / 55 / 25

HEX #BF4E56

RGB 191 78 86

HSL 355.75, 0.47%, 0.53%

LAB 48.51, 46.07, 18.76

 

CMYK 55 / 0 / 59 / 25

HEX #56BF4E

RGB 86 191 78

HSL 115.75, 0.47%, 0.53%

LAB 69.32, -52.42, 47.05

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 0 / 59 / 8 / 25

HEX #BF4EB0

RGB 191 78 176

HSL 307.96, 0.47%, 0.53%

LAB 51.45, 57.27, -30.65

 

CMYK 0 / 4 / 59 / 25

HEX #BFB74E

RGB 191 183 78

HSL 55.75, 0.47%, 0.53%

LAB 73.22, -10.5, 53.14

 

CMYK 59 / 0 / 51 / 25

HEX #4EBF5D

RGB 78 191 93

HSL 127.96, 0.47%, 0.53%

LAB 69.23, -52.47, 39.77

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 0 / 59 / 26 / 25

HEX #BF4E8E

RGB 191 78 142

HSL 326.02, 0.47%, 0.53%

LAB 50.07, 52.18, -12.7

 

CMYK 0 / 4 / 59 / 25

HEX #BFB74E

RGB 191 183 78

HSL 55.75, 0.47%, 0.53%

LAB 73.22, -10.5, 53.14

 

CMYK 59 / 0 / 34 / 25

HEX #4EBF7F

RGB 78 191 127

HSL 146.02, 0.47%, 0.53%

LAB 69.76, -46.75, 22.95

 

Description

Color code: RGB 78 84 191 | qconv.com Color code: RGB 78 84 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 84 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 84 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 56 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 56% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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