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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 200 51 it is the complementary color RGB 177 55 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 200 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 200 51: RGB 83 200 46, RGB 100 218 65, RGB 117 236 84, RGB 134 254 103 and RGB 151 255 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 200 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 200 51: RGB 78 200 51, RGB 61 182 32, RGB 44 164 13, RGB 27 146 0 and RGB 10 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

Complementary color

CMYK 13 / 73 / 0 / 20

HEX #B137CC

RGB 177 55 204

HSL 289.13, 0.59%, 0.51%

LAB 47.55, 68.02, -53.21

 

CMYK 59 / 0 / 77 / 22

HEX #53C82E

RGB 83 200 46

HSL 105.58, 0.63%, 0.48%

LAB 71.79, -59.26, 62.19

 

CMYK 54 / 0 / 70 / 15

HEX #64DA41

RGB 100 218 65

HSL 106.27, 0.67%, 0.55%

LAB 78.01, -60.02, 62.05

 

CMYK 50 / 0 / 64 / 7

HEX #75EC54

RGB 117 236 84

HSL 106.97, 0.8%, 0.63%

LAB 84.18, -60.48, 61.42

 

CMYK 47 / 0 / 59 / 0

HEX #86FE67

RGB 134 254 103

HSL 107.68, 0.99%, 0.7%

LAB 90.29, -60.75, 60.52

 

CMYK 41 / 0 / 52 / 0

HEX #97FF7A

RGB 151 255 122

HSL 106.92, 1%, 0.74%

LAB 91.46, -54.17, 53.69

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 66 / 0 / 82 / 29

HEX #3DB620

RGB 61 182 32

HSL 108.4, 0.7%, 0.42%

LAB 65.4, -58.95, 60.07

 

CMYK 73 / 0 / 92 / 36

HEX #2CA40D

RGB 44 164 13

HSL 107.68, 0.85%, 0.35%

LAB 59.08, -57.16, 58.52

 

CMYK 82 / 0 / 100 / 43

HEX #1B9200

RGB 27 146 0

HSL 108.9, 1%, 0.29%

LAB 52.72, -54.55, 55.21

 

CMYK 92 / 0 / 100 / 50

HEX #0A8000

RGB 10 128 0

HSL 115.31, 1%, 0.25%

LAB 46.32, -50.91, 50

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 73 / 0 / 74 / 22

HEX #35C633

RGB 53 198 51

HSL 119.18, 0.59%, 0.49%

LAB 70.44, -64.41, 58.97

 

CMYK 74 / 0 / 63 / 22

HEX #33C649

RGB 51 198 73

HSL 128.98, 0.59%, 0.49%

LAB 70.58, -62.67, 50.46

 

CMYK 74 / 0 / 51 / 22

HEX #33C661

RGB 51 198 97

HSL 138.78, 0.59%, 0.49%

LAB 70.84, -59.53, 39.64

 

CMYK 74 / 0 / 38 / 22

HEX #33C67A

RGB 51 198 122

HSL 148.98, 0.59%, 0.49%

LAB 71.21, -55.25, 27.42

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 61 / 0 / 75 / 2

HEX #62FB40

RGB 98 251 64

HSL 109.09, 0.96%, 0.62%

LAB 87.95, -71.94, 72.36

 

CMYK 62 / 0 / 74 / 82

HEX #122F0C

RGB 18 47 12

HSL 109.71, 0.59%, 0.12%

LAB 16.45, -19.29, 18.34

 

CMYK 61 / 0 / 74 / 62

HEX #266219

RGB 38 98 25

HSL 109.32, 0.59%, 0.24%

LAB 36.4, -34.33, 34.13

 

CMYK 61 / 0 / 74 / 42

HEX #3A9526

RGB 58 149 38

HSL 109.19, 0.59%, 0.37%

LAB 54.59, -47.7, 47.75

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 74 / 1 / 0 / 22

HEX #33C4C6

RGB 51 196 198

HSL 180.82, 0.59%, 0.49%

LAB 72.4, -35.77, -11.84

 

CMYK 0 / 74 / 31 / 22

HEX #C63389

RGB 198 51 137

HSL 324.9, 0.59%, 0.49%

LAB 47.21, 64.11, -13.91

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 74 / 61 / 0 / 22

HEX #334EC6

RGB 51 78 198

HSL 228.98, 0.59%, 0.49%

LAB 38.25, 31.98, -65.4

 

CMYK 0 / 74 / 61 / 22

HEX #C6334E

RGB 198 51 78

HSL 348.98, 0.59%, 0.49%

LAB 45.53, 58.73, 19.86

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 74 / 1 / 0 / 22

HEX #33C4C6

RGB 51 196 198

HSL 180.82, 0.59%, 0.49%

LAB 72.4, -35.77, -11.84

 

CMYK 14 / 74 / 0 / 22

HEX #AB33C6

RGB 171 51 198

HSL 288.98, 0.59%, 0.49%

LAB 45.77, 67.1, -52.63

 

CMYK 0 / 73 / 74 / 22

HEX #C63533

RGB 198 53 51

HSL 0.82, 0.59%, 0.49%

LAB 45.35, 56.61, 35.81

 

CMYK 61 / 0 / 75 / 22

HEX #4EC833

RGB 78 200 51

HSL 109.13, 0.59%, 0.49%

LAB 71.67, -60.13, 60.38

 

CMYK 74 / 24 / 0 / 22

HEX #3397C6

RGB 51 151 198

HSL 199.18, 0.59%, 0.49%

LAB 58.89, -12.95, -32.46

 

CMYK 14 / 74 / 0 / 22

HEX #AB33C6

RGB 171 51 198

HSL 288.98, 0.59%, 0.49%

LAB 45.77, 67.1, -52.63

 

CMYK 0 / 51 / 74 / 22

HEX #C66133

RGB 198 97 51

HSL 18.78, 0.59%, 0.49%

LAB 52.72, 37.11, 43.84

 

Description

Color code: RGB 78 200 51 | qconv.com Color code: RGB 78 200 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 200 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 200 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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