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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 198 187 it is the complementary color RGB 177 57 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 198 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 198 187: RGB 83 198 182, RGB 100 216 201, RGB 117 234 220, RGB 134 252 239 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 198 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 198 187: RGB 78 198 187, RGB 61 180 168, RGB 44 162 149, RGB 27 144 130 and RGB 10 126 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

Complementary color

CMYK 0 / 68 / 62 / 31

HEX #B13944

RGB 177 57 68

HSL 354.5, 0.51%, 0.46%

LAB 42.29, 49.26, 21.04

 

CMYK 58 / 0 / 8 / 22

HEX #53C6B6

RGB 83 198 182

HSL 171.65, 0.5%, 0.55%

LAB 73.29, -36.29, -1.74

 

CMYK 54 / 0 / 7 / 15

HEX #64D8C9

RGB 100 216 201

HSL 172.24, 0.6%, 0.62%

LAB 79.64, -36.43, -2.6

 

CMYK 50 / 0 / 6 / 8

HEX #75EADC

RGB 117 234 220

HSL 172.82, 0.74%, 0.69%

LAB 85.9, -36.48, -3.39

 

CMYK 47 / 0 / 5 / 1

HEX #86FCEF

RGB 134 252 239

HSL 173.39, 0.95%, 0.76%

LAB 92.1, -36.49, -4.14

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 66 / 0 / 7 / 29

HEX #3DB4A8

RGB 61 180 168

HSL 173.95, 0.49%, 0.47%

LAB 66.87, -35.51, -3.57

 

CMYK 73 / 0 / 8 / 36

HEX #2CA295

RGB 44 162 149

HSL 173.39, 0.57%, 0.4%

LAB 60.38, -34.91, -2.55

 

CMYK 81 / 0 / 10 / 44

HEX #1B9082

RGB 27 144 130

HSL 172.82, 0.68%, 0.34%

LAB 53.8, -34, -1.4

 

CMYK 92 / 0 / 12 / 51

HEX #0A7E6F

RGB 10 126 111

HSL 172.24, 0.85%, 0.27%

LAB 47.15, -32.63, -0.07

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 61 / 4 / 0 / 23

HEX #4DBDC5

RGB 77 189 197

HSL 184, 0.51%, 0.54%

LAB 70.87, -29.04, -13.53

 

CMYK 61 / 14 / 0 / 23

HEX #4DA9C5

RGB 77 169 197

HSL 194, 0.51%, 0.54%

LAB 64.95, -18.92, -22.5

 

CMYK 61 / 24 / 0 / 23

HEX #4D95C5

RGB 77 149 197

HSL 204, 0.51%, 0.54%

LAB 59.07, -8.05, -31.56

 

CMYK 61 / 35 / 0 / 23

HEX #4D81C5

RGB 77 129 197

HSL 214, 0.51%, 0.54%

LAB 53.29, 3.57, -40.62

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 61 / 0 / 6 / 2

HEX #62F9EB

RGB 98 249 235

HSL 174.44, 0.93%, 0.68%

LAB 90.02, -43.1, -5.25

 

CMYK 60 / 0 / 4 / 82

HEX #122D2B

RGB 18 45 43

HSL 175.56, 0.43%, 0.12%

LAB 16.4, -10.89, -1.88

 

CMYK 60 / 0 / 5 / 62

HEX #26605B

RGB 38 96 91

HSL 174.83, 0.43%, 0.26%

LAB 36.99, -20.13, -2.83

 

CMYK 61 / 0 / 5 / 42

HEX #3A938B

RGB 58 147 139

HSL 174.61, 0.43%, 0.4%

LAB 55.72, -28.3, -3.68

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 55 / 61 / 0 / 23

HEX #594DC5

RGB 89 77 197

HSL 246, 0.51%, 0.54%

LAB 40.35, 38.01, -61.3

 

CMYK 0 / 30 / 61 / 23

HEX #C5894D

RGB 197 137 77

HSL 30, 0.51%, 0.54%

LAB 61.91, 16.7, 40.86

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 6 / 61 / 0 / 23

HEX #B94DC5

RGB 185 77 197

HSL 294, 0.51%, 0.54%

LAB 51.44, 59.79, -42.9

 

CMYK 0 / 6 / 61 / 23

HEX #C5B94D

RGB 197 185 77

HSL 54, 0.51%, 0.54%

LAB 74.26, -9.06, 54.87

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 55 / 61 / 0 / 23

HEX #594DC5

RGB 89 77 197

HSL 246, 0.51%, 0.54%

LAB 40.35, 38.01, -61.3

 

CMYK 0 / 61 / 55 / 23

HEX #C54D59

RGB 197 77 89

HSL 354, 0.51%, 0.54%

LAB 49.37, 48.85, 18.29

 

CMYK 6 / 0 / 61 / 23

HEX #B9C54D

RGB 185 197 77

HSL 66, 0.51%, 0.54%

LAB 76.55, -20.16, 57.09

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BB

RGB 78 198 187

HSL 174.5, 0.51%, 0.54%

LAB 73.28, -35.9, -4.48

 

CMYK 37 / 61 / 0 / 23

HEX #7D4DC5

RGB 125 77 197

HSL 264, 0.51%, 0.54%

LAB 43.8, 45.43, -55.55

 

CMYK 0 / 61 / 55 / 23

HEX #C54D59

RGB 197 77 89

HSL 354, 0.51%, 0.54%

LAB 49.37, 48.85, 18.29

 

CMYK 24 / 0 / 61 / 23

HEX #95C54D

RGB 149 197 77

HSL 84, 0.51%, 0.54%

LAB 74.1, -34.47, 53.71

 

Description

Color code: RGB 78 198 187 | qconv.com Color code: RGB 78 198 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 198 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 198 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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