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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 178 56 it is the complementary color RGB 177 77 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 178 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 178 56: RGB 83 178 51, RGB 100 196 70, RGB 117 214 89, RGB 134 232 108 and RGB 151 250 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 178 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 178 56: RGB 78 178 56, RGB 61 160 37, RGB 44 142 18, RGB 27 124 0 and RGB 10 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

Complementary color

CMYK 11 / 61 / 0 / 22

HEX #B14DC7

RGB 177 77 199

HSL 289.18, 0.52%, 0.54%

LAB 50.43, 58.2, -45.73

 

CMYK 53 / 0 / 71 / 30

HEX #53B233

RGB 83 178 51

HSL 104.88, 0.55%, 0.45%

LAB 64.9, -50.88, 53.6

 

CMYK 49 / 0 / 64 / 23

HEX #64C446

RGB 100 196 70

HSL 105.71, 0.52%, 0.52%

LAB 71.3, -51.32, 52.94

 

CMYK 45 / 0 / 58 / 16

HEX #75D659

RGB 117 214 89

HSL 106.56, 0.6%, 0.59%

LAB 77.64, -51.52, 51.97

 

CMYK 42 / 0 / 53 / 9

HEX #86E86C

RGB 134 232 108

HSL 107.42, 0.73%, 0.67%

LAB 83.9, -51.58, 50.86

 

CMYK 40 / 0 / 49 / 2

HEX #97FA7F

RGB 151 250 127

HSL 108.29, 0.92%, 0.74%

LAB 90.08, -51.54, 49.7

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 62 / 0 / 77 / 37

HEX #3DA025

RGB 61 160 37

HSL 108.29, 0.62%, 0.39%

LAB 58.29, -51.04, 51.81

 

CMYK 69 / 0 / 87 / 44

HEX #2C8E12

RGB 44 142 18

HSL 107.42, 0.78%, 0.31%

LAB 51.75, -49.7, 51.18

 

CMYK 78 / 0 / 100 / 51

HEX #1B7C00

RGB 27 124 0

HSL 106.94, 1%, 0.24%

LAB 45.15, -47.6, 49.17

 

CMYK 91 / 0 / 100 / 58

HEX #0A6A00

RGB 10 106 0

HSL 114.34, 1%, 0.21%

LAB 38.5, -44.16, 43.75

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 67 / 0 / 69 / 30

HEX #3AB238

RGB 58 178 56

HSL 119.02, 0.52%, 0.46%

LAB 64.18, -56.48, 50.65

 

CMYK 69 / 0 / 58 / 30

HEX #38B24A

RGB 56 178 74

HSL 128.85, 0.52%, 0.46%

LAB 64.3, -54.88, 42.85

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 0 / 35 / 30

HEX #38B273

RGB 56 178 115

HSL 149.02, 0.52%, 0.46%

LAB 64.9, -48.14, 22.7

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 56 / 0 / 69 / 10

HEX #64E548

RGB 100 229 72

HSL 109.3, 0.75%, 0.59%

LAB 81.41, -63.39, 62.97

 

CMYK 56 / 0 / 68 / 90

HEX #0B1908

RGB 11 25 8

HSL 109.41, 0.52%, 0.06%

LAB 7.08, -8.83, 7.16

 

CMYK 57 / 0 / 68 / 70

HEX #214C18

RGB 33 76 24

HSL 109.62, 0.52%, 0.2%

LAB 28.27, -26.45, 25.77

 

CMYK 56 / 0 / 69 / 50

HEX #387F28

RGB 56 127 40

HSL 108.97, 0.52%, 0.33%

LAB 47.2, -39.54, 39.19

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 69 / 1 / 0 / 30

HEX #38B0B2

RGB 56 176 178

HSL 180.98, 0.52%, 0.46%

LAB 65.83, -31.54, -10.67

 

CMYK 0 / 69 / 29 / 30

HEX #B2387F

RGB 178 56 127

HSL 325.08, 0.52%, 0.46%

LAB 43.98, 55.74, -13.05

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 69 / 56 / 0 / 30

HEX #384EB2

RGB 56 78 178

HSL 229.18, 0.52%, 0.46%

LAB 36.94, 25.35, -55.81

 

CMYK 0 / 69 / 56 / 30

HEX #B2384E

RGB 178 56 78

HSL 349.18, 0.52%, 0.46%

LAB 42.53, 50.72, 15.19

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 69 / 1 / 0 / 30

HEX #38B0B2

RGB 56 176 178

HSL 180.98, 0.52%, 0.46%

LAB 65.83, -31.54, -10.67

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 67 / 69 / 30

HEX #B23A38

RGB 178 58 56

HSL 0.98, 0.52%, 0.46%

LAB 42.42, 48.45, 28.53

 

CMYK 56 / 0 / 69 / 30

HEX #4EB238

RGB 78 178 56

HSL 109.18, 0.52%, 0.46%

LAB 64.76, -51.82, 51.44

 

CMYK 69 / 22 / 0 / 30

HEX #388BB2

RGB 56 139 178

HSL 199.18, 0.52%, 0.46%

LAB 54.57, -12.37, -27.81

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 47 / 69 / 30

HEX #B25E38

RGB 178 94 56

HSL 18.69, 0.52%, 0.46%

LAB 49.2, 30.89, 36.51

 

Description

Color code: RGB 78 178 56 | qconv.com Color code: RGB 78 178 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 178 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 178 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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