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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 199 48 it is the complementary color RGB 178 56 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 199 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 77 199 48: RGB 82 199 43, RGB 99 217 62, RGB 116 235 81, RGB 133 253 100 and RGB 150 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 199 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 77 199 48: RGB 77 199 48, RGB 60 181 29, RGB 43 163 10, RGB 26 145 0 and RGB 9 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

Complementary color

CMYK 14 / 73 / 0 / 19

HEX #B238CF

RGB 178 56 207

HSL 288.48, 0.61%, 0.52%

LAB 48, 68.43, -54.19

 

CMYK 59 / 0 / 78 / 22

HEX #52C72B

RGB 82 199 43

HSL 105, 0.64%, 0.47%

LAB 71.43, -59.34, 62.77

 

CMYK 54 / 0 / 71 / 15

HEX #63D93E

RGB 99 217 62

HSL 105.68, 0.67%, 0.55%

LAB 77.65, -60.14, 62.76

 

CMYK 51 / 0 / 66 / 8

HEX #74EB51

RGB 116 235 81

HSL 106.36, 0.79%, 0.62%

LAB 83.82, -60.65, 62.22

 

CMYK 47 / 0 / 60 / 1

HEX #85FD64

RGB 133 253 100

HSL 107.06, 0.97%, 0.69%

LAB 89.93, -60.94, 61.37

 

CMYK 41 / 0 / 53 / 0

HEX #96FF77

RGB 150 255 119

HSL 106.32, 1%, 0.73%

LAB 91.39, -54.81, 54.94

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 67 / 0 / 84 / 29

HEX #3CB51D

RGB 60 181 29

HSL 107.76, 0.72%, 0.41%

LAB 65.04, -58.97, 60.52

 

CMYK 74 / 0 / 94 / 36

HEX #2BA30A

RGB 43 163 10

HSL 107.06, 0.88%, 0.34%

LAB 58.72, -57.1, 58.67

 

CMYK 82 / 0 / 100 / 43

HEX #1A9100

RGB 26 145 0

HSL 109.24, 1%, 0.28%

LAB 52.36, -54.37, 54.92

 

CMYK 93 / 0 / 100 / 50

HEX #097F00

RGB 9 127 0

HSL 115.75, 1%, 0.25%

LAB 45.96, -50.69, 49.71

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 74 / 0 / 76 / 23

HEX #34C52F

RGB 52 197 47

HSL 118, 0.61%, 0.48%

LAB 70.08, -64.54, 59.95

 

CMYK 76 / 0 / 66 / 23

HEX #2FC543

RGB 47 197 67

HSL 128, 0.61%, 0.48%

LAB 70.14, -63.57, 52.5

 

CMYK 76 / 0 / 53 / 23

HEX #2FC55C

RGB 47 197 92

HSL 138, 0.61%, 0.48%

LAB 70.39, -60.49, 41.51

 

CMYK 76 / 0 / 41 / 23

HEX #2FC575

RGB 47 197 117

HSL 148, 0.61%, 0.48%

LAB 70.75, -56.36, 29.4

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 61 / 0 / 76 / 2

HEX #61FA3C

RGB 97 250 60

HSL 108.32, 0.95%, 0.61%

LAB 87.6, -72.08, 73.26

 

CMYK 61 / 0 / 76 / 82

HEX #122E0B

RGB 18 46 11

HSL 108, 0.61%, 0.11%

LAB 16.04, -18.92, 18.28

 

CMYK 61 / 0 / 76 / 62

HEX #266117

RGB 38 97 23

HSL 107.84, 0.62%, 0.24%

LAB 36.03, -34.1, 34.61

 

CMYK 61 / 0 / 76 / 42

HEX #399424

RGB 57 148 36

HSL 108.75, 0.61%, 0.36%

LAB 54.21, -47.73, 48.1

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 0 / 76 / 30 / 23

HEX #C52F89

RGB 197 47 137

HSL 324, 0.61%, 0.48%

LAB 46.59, 65.1, -14.87

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 76 / 61 / 0 / 23

HEX #2F4DC5

RGB 47 77 197

HSL 228, 0.61%, 0.48%

LAB 37.74, 31.81, -65.66

 

CMYK 0 / 76 / 61 / 23

HEX #C52F4D

RGB 197 47 77

HSL 348, 0.61%, 0.48%

LAB 44.86, 59.67, 19.55

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 15 / 76 / 0 / 23

HEX #A72FC5

RGB 167 47 197

HSL 288, 0.61%, 0.48%

LAB 44.63, 67.47, -53.92

 

CMYK 0 / 76 / 76 / 23

HEX #C52F2F

RGB 197 47 47

HSL 0, 0.61%, 0.48%

LAB 44.39, 58.16, 36.98

 

CMYK 61 / 0 / 76 / 22

HEX #4DC730

RGB 77 199 48

HSL 108.48, 0.61%, 0.48%

LAB 71.31, -60.22, 61.02

 

CMYK 76 / 23 / 0 / 23

HEX #2F98C5

RGB 47 152 197

HSL 198, 0.61%, 0.48%

LAB 59.06, -14.33, -31.65

 

CMYK 15 / 76 / 0 / 23

HEX #A72FC5

RGB 167 47 197

HSL 288, 0.61%, 0.48%

LAB 44.63, 67.47, -53.92

 

CMYK 0 / 53 / 76 / 23

HEX #C55C2F

RGB 197 92 47

HSL 18, 0.61%, 0.48%

LAB 51.53, 39.08, 44.55

 

Description

Color code: RGB 77 199 48 | qconv.com Color code: RGB 77 199 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 199 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 199 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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