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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 111 7 it is the complementary color RGB 178 144 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 111 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 77 111 7: RGB 82 111 2, RGB 99 129 21, RGB 116 147 40, RGB 133 165 59 and RGB 150 183 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 111 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 77 111 7: RGB 77 111 7, RGB 60 93 0, RGB 43 75 0, RGB 26 57 0 and RGB 9 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

Complementary color

CMYK 28 / 42 / 0 / 3

HEX #B290F8

RGB 178 144 248

HSL 259.62, 0.88%, 0.77%

LAB 66.66, 34.18, -47.51

 

CMYK 26 / 0 / 98 / 56

HEX #526F02

RGB 82 111 2

HSL 75.96, 0.96%, 0.22%

LAB 43.01, -25.01, 47.98

 

CMYK 23 / 0 / 84 / 49

HEX #638115

RGB 99 129 21

HSL 76.67, 0.72%, 0.29%

LAB 49.99, -25.95, 49.75

 

CMYK 21 / 0 / 73 / 42

HEX #749328

RGB 116 147 40

HSL 77.38, 0.57%, 0.37%

LAB 56.81, -26.62, 50.15

 

CMYK 19 / 0 / 64 / 35

HEX #85A53B

RGB 133 165 59

HSL 78.11, 0.47%, 0.44%

LAB 63.52, -27.08, 49.67

 

CMYK 18 / 0 / 57 / 28

HEX #96B74E

RGB 150 183 78

HSL 78.86, 0.42%, 0.51%

LAB 70.11, -27.4, 48.79

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 35 / 0 / 100 / 64

HEX #3C5D00

RGB 60 93 0

HSL 81.29, 1%, 0.18%

LAB 35.58, -25.71, 42.16

 

CMYK 43 / 0 / 100 / 71

HEX #2B4B00

RGB 43 75 0

HSL 85.6, 1%, 0.15%

LAB 28.24, -24.13, 36.02

 

CMYK 54 / 0 / 100 / 78

HEX #1A3900

RGB 26 57 0

HSL 92.63, 1%, 0.11%

LAB 20.62, -22.4, 28.29

 

CMYK 77 / 0 / 100 / 85

HEX #092700

RGB 9 39 0

HSL 106.15, 1%, 0.08%

LAB 12.67, -20.26, 18.3

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 45 / 0 / 94 / 57

HEX #3C6E07

RGB 60 110 7

HSL 89.13, 0.88%, 0.23%

LAB 41.42, -33.25, 44.96

 

CMYK 61 / 0 / 94 / 57

HEX #2B6E07

RGB 43 110 7

HSL 99.03, 0.88%, 0.23%

LAB 40.7, -38.79, 44.07

 

CMYK 77 / 0 / 94 / 57

HEX #196E07

RGB 25 110 7

HSL 109.51, 0.88%, 0.23%

LAB 40.2, -43, 43.44

 

CMYK 93 / 0 / 94 / 57

HEX #086E07

RGB 8 110 7

HSL 119.42, 0.88%, 0.23%

LAB 39.95, -45.27, 43.12

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 31 / 0 / 94 / 36

HEX #70A20A

RGB 112 162 10

HSL 79.74, 0.88%, 0.34%

LAB 61.05, -36.43, 61.67

 

CMYK 31 / 0 / 94 / 16

HEX #94D50D

RGB 148 213 13

HSL 79.5, 0.88%, 0.44%

LAB 78.41, -44.91, 76.03

 

CMYK 33 / 0 / 89 / 96

HEX #060901

RGB 6 9 1

HSL 82.5, 0.8%, 0.02%

LAB 2.13, -1.9, 2.75

 

CMYK 30 / 0 / 93 / 76

HEX #2A3C04

RGB 42 60 4

HSL 79.29, 0.88%, 0.13%

LAB 22.77, -16.59, 29.26

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 94 / 0 / 45 / 57

HEX #076E3C

RGB 7 110 60

HSL 150.87, 0.88%, 0.23%

LAB 40.45, -39.06, 20.56

 

CMYK 8 / 94 / 0 / 57

HEX #65076E

RGB 101 7 110

HSL 294.76, 0.88%, 0.23%

LAB 23.82, 49.82, -34.87

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 94 / 30 / 0 / 57

HEX #074D6E

RGB 7 77 110

HSL 199.22, 0.88%, 0.23%

LAB 30.59, -6.77, -24.57

 

CMYK 0 / 94 / 30 / 57

HEX #6E074D

RGB 110 7 77

HSL 319.22, 0.88%, 0.23%

LAB 23.68, 46.67, -13.13

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 94 / 0 / 45 / 57

HEX #076E3C

RGB 7 110 60

HSL 150.87, 0.88%, 0.23%

LAB 40.45, -39.06, 20.56

 

CMYK 65 / 94 / 0 / 57

HEX #27076E

RGB 39 7 110

HSL 258.64, 0.88%, 0.23%

LAB 13.88, 41.08, -51.51

 

CMYK 0 / 94 / 49 / 57

HEX #6E0738

RGB 110 7 56

HSL 331.46, 0.88%, 0.23%

LAB 22.84, 44.36, 0

 

CMYK 31 / 0 / 94 / 56

HEX #4D6F07

RGB 77 111 7

HSL 79.62, 0.88%, 0.23%

LAB 42.71, -26.99, 46.42

 

CMYK 94 / 0 / 17 / 57

HEX #076E5B

RGB 7 110 91

HSL 168.93, 0.88%, 0.23%

LAB 41.14, -31.34, 3.15

 

CMYK 65 / 94 / 0 / 57

HEX #27076E

RGB 39 7 110

HSL 258.64, 0.88%, 0.23%

LAB 13.88, 41.08, -51.51

 

CMYK 0 / 94 / 77 / 57

HEX #6E0719

RGB 110 7 25

HSL 349.51, 0.88%, 0.23%

LAB 22.08, 42.23, 20.53

 

Description

Color code: RGB 77 111 7 | qconv.com Color code: RGB 77 111 7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 111 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 111 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 94 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 94% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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