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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 89 122 it is the complementary color RGB 179 166 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 89 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 89 122: RGB 81 89 117, RGB 98 107 136, RGB 115 125 155, RGB 132 143 174 and RGB 149 161 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 89 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 89 122: RGB 76 89 122, RGB 59 71 103, RGB 42 53 84, RGB 25 35 65 and RGB 8 17 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

Complementary color

CMYK 0 / 7 / 26 / 30

HEX #B3A685

RGB 179 166 133

HSL 43.04, 0.23%, 0.61%

LAB 68.42, -0.6, 18.82

 

CMYK 31 / 24 / 0 / 54

HEX #515975

RGB 81 89 117

HSL 226.67, 0.18%, 0.39%

LAB 38.16, 3.97, -16.91

 

CMYK 28 / 21 / 0 / 47

HEX #626B88

RGB 98 107 136

HSL 225.79, 0.16%, 0.46%

LAB 45.48, 3.61, -17.1

 

CMYK 26 / 19 / 0 / 39

HEX #737D9B

RGB 115 125 155

HSL 225, 0.17%, 0.53%

LAB 52.6, 3.3, -17.33

 

CMYK 24 / 18 / 0 / 32

HEX #848FAE

RGB 132 143 174

HSL 224.29, 0.21%, 0.6%

LAB 59.53, 3.03, -17.58

 

CMYK 23 / 17 / 0 / 24

HEX #95A1C1

RGB 149 161 193

HSL 223.64, 0.26%, 0.67%

LAB 66.31, 2.78, -17.86

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 43 / 31 / 0 / 60

HEX #3B4767

RGB 59 71 103

HSL 223.64, 0.27%, 0.32%

LAB 30.44, 4.36, -20.22

 

CMYK 50 / 37 / 0 / 67

HEX #2A3554

RGB 42 53 84

HSL 224.29, 0.33%, 0.25%

LAB 22.58, 5.1, -20.27

 

CMYK 62 / 46 / 0 / 75

HEX #192341

RGB 25 35 65

HSL 225, 0.44%, 0.18%

LAB 14.35, 6.22, -20.44

 

CMYK 83 / 63 / 0 / 82

HEX #08112E

RGB 8 17 46

HSL 225.79, 0.7%, 0.11%

LAB 5.87, 7.22, -20.39

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 38 / 34 / 0 / 52

HEX #4C517A

RGB 76 81 122

HSL 233.48, 0.23%, 0.39%

LAB 35.65, 8.9, -23.91

 

CMYK 36 / 38 / 0 / 52

HEX #4E4C7A

RGB 78 76 122

HSL 242.61, 0.23%, 0.39%

LAB 34.38, 12.73, -25.88

 

CMYK 30 / 38 / 0 / 52

HEX #564C7A

RGB 86 76 122

HSL 253.04, 0.23%, 0.39%

LAB 35.11, 15.24, -24.69

 

CMYK 23 / 38 / 0 / 52

HEX #5E4C7A

RGB 94 76 122

HSL 263.48, 0.23%, 0.39%

LAB 35.9, 17.84, -23.41

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 38 / 27 / 0 / 32

HEX #6C7EAD

RGB 108 126 173

HSL 223.38, 0.28%, 0.55%

LAB 53.09, 5.38, -27.04

 

CMYK 38 / 27 / 0 / 12

HEX #8CA3E0

RGB 140 163 224

HSL 223.57, 0.58%, 0.71%

LAB 67.39, 6.84, -33.42

 

CMYK 40 / 25 / 0 / 92

HEX #0C0F14

RGB 12 15 20

HSL 217.5, 0.25%, 0.06%

LAB 4.25, 0.07, -3.1

 

CMYK 38 / 27 / 0 / 72

HEX #2C3447

RGB 44 52 71

HSL 222.22, 0.23%, 0.23%

LAB 21.75, 2.1, -12.87

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 3 / 38 / 0 / 52

HEX #764C7A

RGB 118 76 122

HSL 294.78, 0.23%, 0.39%

LAB 38.6, 25.99, -19.01

 

CMYK 12 / 0 / 38 / 52

HEX #6B7A4C

RGB 107 122 76

HSL 79.57, 0.23%, 0.39%

LAB 48.97, -13.93, 23.39

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 0 / 38 / 27 / 52

HEX #7A4C59

RGB 122 76 89

HSL 343.04, 0.23%, 0.39%

LAB 37.89, 21.39, 0.53

 

CMYK 27 / 0 / 38 / 52

HEX #597A4C

RGB 89 122 76

HSL 103.04, 0.23%, 0.39%

LAB 47.71, -21.12, 21.5

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 3 / 38 / 0 / 52

HEX #764C7A

RGB 118 76 122

HSL 294.78, 0.23%, 0.39%

LAB 38.6, 25.99, -19.01

 

CMYK 0 / 11 / 38 / 52

HEX #7A6D4C

RGB 122 109 76

HSL 43.04, 0.23%, 0.39%

LAB 46.44, -0.15, 20.32

 

CMYK 34 / 0 / 38 / 52

HEX #507A4C

RGB 80 122 76

HSL 114.78, 0.23%, 0.39%

LAB 47.17, -24.45, 20.69

 

CMYK 38 / 27 / 0 / 52

HEX #4C597A

RGB 76 89 122

HSL 223.04, 0.23%, 0.39%

LAB 38, 3.81, -20.27

 

CMYK 0 / 38 / 8 / 52

HEX #7A4C70

RGB 122 76 112

HSL 313.04, 0.23%, 0.39%

LAB 38.68, 25.4, -12.64

 

CMYK 0 / 11 / 38 / 52

HEX #7A6D4C

RGB 122 109 76

HSL 43.04, 0.23%, 0.39%

LAB 46.44, -0.15, 20.32

 

CMYK 38 / 0 / 30 / 52

HEX #4C7A56

RGB 76 122 86

HSL 133.04, 0.23%, 0.39%

LAB 47.14, -24.01, 14.86

 

Description

Color code: RGB 76 89 122 | qconv.com Color code: RGB 76 89 122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 89 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 89 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 27 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 27% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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