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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 229 104 it is the complementary color RGB 179 26 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 229 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 229 104: RGB 81 229 99, RGB 98 247 118, RGB 115 255 137, RGB 132 255 156 and RGB 149 255 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 229 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 229 104: RGB 76 229 104, RGB 59 211 85, RGB 42 193 66, RGB 25 175 47 and RGB 8 157 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

Complementary color

CMYK 0 / 85 / 16 / 30

HEX #B31A97

RGB 179 26 151

HSL 310.98, 0.75%, 0.4%

LAB 42.09, 68.03, -30.58

 

CMYK 65 / 0 / 57 / 10

HEX #51E563

RGB 81 229 99

HSL 127.3, 0.74%, 0.61%

LAB 81.12, -64.86, 51.24

 

CMYK 60 / 0 / 52 / 3

HEX #62F776

RGB 98 247 118

HSL 128.05, 0.9%, 0.68%

LAB 87.21, -65.32, 49.94

 

CMYK 55 / 0 / 46 / 0

HEX #73FF89

RGB 115 255 137

HSL 129.43, 1%, 0.73%

LAB 90.31, -61.87, 44.96

 

CMYK 48 / 0 / 39 / 0

HEX #84FF9C

RGB 132 255 156

HSL 131.71, 1%, 0.76%

LAB 91.16, -54.84, 36.93

 

CMYK 42 / 0 / 31 / 0

HEX #95FFAF

RGB 149 255 175

HSL 134.72, 1%, 0.79%

LAB 92.13, -47.2, 28.87

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 72 / 0 / 60 / 17

HEX #3BD355

RGB 59 211 85

HSL 130.26, 0.63%, 0.53%

LAB 74.93, -64.34, 50.19

 

CMYK 78 / 0 / 66 / 24

HEX #2AC142

RGB 42 193 66

HSL 129.54, 0.64%, 0.46%

LAB 68.77, -63.08, 51.4

 

CMYK 86 / 0 / 73 / 31

HEX #19AF2F

RGB 25 175 47

HSL 128.8, 0.75%, 0.39%

LAB 62.57, -61.18, 52.29

 

CMYK 95 / 0 / 82 / 38

HEX #089D1C

RGB 8 157 28

HSL 128.05, 0.9%, 0.32%

LAB 56.34, -58.43, 52.5

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 67 / 0 / 45 / 10

HEX #4CE57F

RGB 76 229 127

HSL 140, 0.75%, 0.6%

LAB 81.35, -61.81, 38.21

 

CMYK 67 / 0 / 33 / 10

HEX #4CE599

RGB 76 229 153

HSL 150.2, 0.75%, 0.6%

LAB 81.77, -57.17, 25.62

 

CMYK 67 / 0 / 22 / 10

HEX #4CE5B2

RGB 76 229 178

HSL 160, 0.75%, 0.6%

LAB 82.27, -51.9, 13.3

 

CMYK 67 / 0 / 11 / 10

HEX #4CE5CC

RGB 76 229 204

HSL 170.2, 0.75%, 0.6%

LAB 82.88, -45.67, 0.48

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 68 / 0 / 56 / 90

HEX #08190B

RGB 8 25 11

HSL 130.59, 0.52%, 0.06%

LAB 6.96, -9.2, 5.73

 

CMYK 67 / 0 / 54 / 70

HEX #194C23

RGB 25 76 35

HSL 131.76, 0.5%, 0.2%

LAB 28.11, -27.18, 19.37

 

CMYK 67 / 0 / 54 / 50

HEX #2A7F3A

RGB 42 127 58

HSL 131.29, 0.5%, 0.33%

LAB 46.94, -40.84, 29.97

 

CMYK 67 / 0 / 54 / 30

HEX #3BB251

RGB 59 178 81

HSL 131.09, 0.5%, 0.46%

LAB 64.46, -53.37, 39.7

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 67 / 24 / 0 / 10

HEX #4CADE5

RGB 76 173 229

HSL 201.96, 0.75%, 0.6%

LAB 67.34, -11.14, -36.48

 

CMYK 0 / 67 / 51 / 10

HEX #E54C70

RGB 229 76 112

HSL 345.88, 0.75%, 0.6%

LAB 55.07, 61.44, 13.23

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 55 / 67 / 0 / 10

HEX #664CE5

RGB 102 76 229

HSL 250.2, 0.75%, 0.6%

LAB 43.73, 50.51, -74.11

 

CMYK 0 / 56 / 67 / 10

HEX #E5654C

RGB 229 101 76

HSL 9.8, 0.75%, 0.6%

LAB 58.5, 48.11, 38.41

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 67 / 24 / 0 / 10

HEX #4CADE5

RGB 76 173 229

HSL 201.96, 0.75%, 0.6%

LAB 67.34, -11.14, -36.48

 

CMYK 0 / 67 / 11 / 10

HEX #E54CCB

RGB 229 76 203

HSL 310.2, 0.75%, 0.6%

LAB 58.17, 71.95, -35.3

 

CMYK 0 / 42 / 67 / 10

HEX #E5844C

RGB 229 132 76

HSL 21.96, 0.75%, 0.6%

LAB 64.71, 32.55, 45.64

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 67 / 45 / 0 / 10

HEX #4C7FE5

RGB 76 127 229

HSL 220, 0.75%, 0.6%

LAB 54.42, 15.59, -56.88

 

CMYK 0 / 67 / 11 / 10

HEX #E54CCB

RGB 229 76 203

HSL 310.2, 0.75%, 0.6%

LAB 58.17, 71.95, -35.3

 

CMYK 0 / 22 / 67 / 10

HEX #E5B24C

RGB 229 178 76

HSL 40, 0.75%, 0.6%

LAB 75.46, 8.14, 57.51

 

Description

Color code: RGB 76 229 104 | qconv.com Color code: RGB 76 229 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 229 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 229 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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