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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 201 182 it is the complementary color RGB 179 54 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 201 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 201 182: RGB 81 201 177, RGB 98 219 196, RGB 115 237 215, RGB 132 255 234 and RGB 149 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 201 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 201 182: RGB 76 201 182, RGB 59 183 163, RGB 42 165 144, RGB 25 147 125 and RGB 8 129 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

Complementary color

CMYK 0 / 70 / 59 / 30

HEX #B33649

RGB 179 54 73

HSL 350.88, 0.54%, 0.46%

LAB 42.31, 51.46, 18.04

 

CMYK 60 / 0 / 12 / 21

HEX #51C9B1

RGB 81 201 177

HSL 168, 0.53%, 0.55%

LAB 74, -39.3, 1.99

 

CMYK 55 / 0 / 11 / 14

HEX #62DBC4

RGB 98 219 196

HSL 168.6, 0.63%, 0.62%

LAB 80.32, -39.43, 1.06

 

CMYK 51 / 0 / 9 / 7

HEX #73EDD7

RGB 115 237 215

HSL 169.18, 0.77%, 0.69%

LAB 86.56, -39.48, 0.19

 

CMYK 48 / 0 / 8 / 0

HEX #84FFEA

RGB 132 255 234

HSL 169.76, 1%, 0.76%

LAB 92.74, -39.47, -0.62

 

CMYK 42 / 0 / 1 / 0

HEX #95FFFD

RGB 149 255 253

HSL 178.87, 1%, 0.79%

LAB 93.88, -31.13, -8.68

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 68 / 0 / 11 / 28

HEX #3BB7A3

RGB 59 183 163

HSL 170.32, 0.51%, 0.47%

LAB 67.61, -38.53, 0.27

 

CMYK 75 / 0 / 13 / 35

HEX #2AA590

RGB 42 165 144

HSL 169.76, 0.59%, 0.41%

LAB 61.15, -37.92, 1.39

 

CMYK 83 / 0 / 15 / 42

HEX #19937D

RGB 25 147 125

HSL 169.18, 0.71%, 0.34%

LAB 54.61, -36.97, 2.65

 

CMYK 94 / 0 / 18 / 49

HEX #08816A

RGB 8 129 106

HSL 168.6, 0.88%, 0.27%

LAB 48, -35.55, 4.1

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 63 / 0 / 0 / 21

HEX #4AC9C9

RGB 74 201 201

HSL 180, 0.54%, 0.54%

LAB 74.47, -34.16, -10.32

 

CMYK 63 / 11 / 0 / 21

HEX #4AB3C9

RGB 74 179 201

HSL 190.39, 0.54%, 0.54%

LAB 67.96, -23.4, -20.14

 

CMYK 63 / 21 / 0 / 21

HEX #4A9EC9

RGB 74 158 201

HSL 200.31, 0.54%, 0.54%

LAB 61.76, -12.31, -29.64

 

CMYK 63 / 32 / 0 / 21

HEX #4A89C9

RGB 74 137 201

HSL 210.24, 0.54%, 0.54%

LAB 55.65, -0.39, -39.18

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 62 / 0 / 10 / 1

HEX #5FFCE4

RGB 95 252 228

HSL 170.83, 0.96%, 0.68%

LAB 90.62, -46.66, -0.73

 

CMYK 63 / 0 / 10 / 81

HEX #12302B

RGB 18 48 43

HSL 170, 0.45%, 0.13%

LAB 17.54, -12.72, -0.21

 

CMYK 63 / 0 / 9 / 61

HEX #25635A

RGB 37 99 90

HSL 171.29, 0.46%, 0.27%

LAB 37.94, -22.22, -0.82

 

CMYK 62 / 0 / 9 / 41

HEX #399688

RGB 57 150 136

HSL 170.97, 0.45%, 0.41%

LAB 56.55, -30.78, -0.75

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 61 / 63 / 0 / 21

HEX #4E4AC9

RGB 78 74 201

HSL 241.89, 0.54%, 0.54%

LAB 39.13, 39.22, -65.65

 

CMYK 0 / 36 / 63 / 21

HEX #C9814A

RGB 201 129 74

HSL 25.98, 0.54%, 0.54%

LAB 60.44, 22.56, 40.8

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 11 / 63 / 0 / 21

HEX #B34AC9

RGB 179 74 201

HSL 289.61, 0.54%, 0.54%

LAB 50.33, 60.4, -47.01

 

CMYK 0 / 11 / 63 / 21

HEX #C9B34A

RGB 201 179 74

HSL 49.61, 0.54%, 0.54%

LAB 72.99, -4.44, 54.93

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 61 / 63 / 0 / 21

HEX #4E4AC9

RGB 78 74 201

HSL 241.89, 0.54%, 0.54%

LAB 39.13, 39.22, -65.65

 

CMYK 0 / 63 / 53 / 21

HEX #C94A5F

RGB 201 74 95

HSL 350.08, 0.54%, 0.54%

LAB 49.67, 52.01, 15.19

 

CMYK 2 / 0 / 63 / 21

HEX #C4C94A

RGB 196 201 74

HSL 62.36, 0.54%, 0.54%

LAB 78.46, -17.8, 60.65

 

CMYK 62 / 0 / 9 / 21

HEX #4CC9B6

RGB 76 201 182

HSL 170.88, 0.54%, 0.54%

LAB 73.99, -38.93, -0.74

 

CMYK 42 / 63 / 0 / 21

HEX #744AC9

RGB 116 74 201

HSL 259.84, 0.54%, 0.54%

LAB 42.5, 46.19, -60.01

 

CMYK 0 / 63 / 53 / 21

HEX #C94A5F

RGB 201 74 95

HSL 350.08, 0.54%, 0.54%

LAB 49.67, 52.01, 15.19

 

CMYK 21 / 0 / 63 / 21

HEX #9EC94A

RGB 158 201 74

HSL 80.31, 0.54%, 0.54%

LAB 75.78, -33.11, 56.99

 

Description

Color code: RGB 76 201 182 | qconv.com Color code: RGB 76 201 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 201 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 201 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 9 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 9% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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