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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 113 125 it is the complementary color RGB 179 142 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 113 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 113 125: RGB 81 113 120, RGB 98 131 139, RGB 115 149 158, RGB 132 167 177 and RGB 149 185 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 113 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 113 125: RGB 76 113 125, RGB 59 95 106, RGB 42 77 87, RGB 25 59 68 and RGB 8 41 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

Complementary color

CMYK 0 / 21 / 27 / 30

HEX #B38E82

RGB 179 142 130

HSL 14.69, 0.24%, 0.61%

LAB 62.12, 12.17, 11.71

 

CMYK 33 / 6 / 0 / 53

HEX #517178

RGB 81 113 120

HSL 190.77, 0.19%, 0.39%

LAB 45.52, -9.62, -7.58

 

CMYK 29 / 6 / 0 / 45

HEX #62838B

RGB 98 131 139

HSL 191.71, 0.17%, 0.46%

LAB 52.61, -9.61, -8.1

 

CMYK 27 / 6 / 0 / 38

HEX #73959E

RGB 115 149 158

HSL 192.56, 0.18%, 0.54%

LAB 59.53, -9.59, -8.59

 

CMYK 25 / 6 / 0 / 31

HEX #84A7B1

RGB 132 167 177

HSL 193.33, 0.22%, 0.61%

LAB 66.3, -9.58, -9.08

 

CMYK 24 / 6 / 0 / 23

HEX #95B9C4

RGB 149 185 196

HSL 194.04, 0.28%, 0.68%

LAB 72.94, -9.58, -9.55

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 44 / 10 / 0 / 58

HEX #3B5F6A

RGB 59 95 106

HSL 194.04, 0.28%, 0.32%

LAB 38.12, -9.7, -10.32

 

CMYK 52 / 11 / 0 / 66

HEX #2A4D57

RGB 42 77 87

HSL 193.33, 0.35%, 0.25%

LAB 30.61, -9.54, -9.83

 

CMYK 63 / 13 / 0 / 73

HEX #193B44

RGB 25 59 68

HSL 192.56, 0.46%, 0.18%

LAB 22.83, -9.23, -9.3

 

CMYK 84 / 16 / 0 / 81

HEX #082931

RGB 8 41 49

HSL 191.71, 0.72%, 0.11%

LAB 14.73, -8.52, -8.66

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 39 / 15 / 0 / 52

HEX #4B687B

RGB 75 104 123

HSL 203.75, 0.24%, 0.39%

LAB 42.5, -5.38, -13.97

 

CMYK 39 / 22 / 0 / 52

HEX #4B607B

RGB 75 96 123

HSL 213.75, 0.24%, 0.39%

LAB 40.07, -0.55, -17.69

 

CMYK 39 / 28 / 0 / 52

HEX #4B587B

RGB 75 88 123

HSL 223.75, 0.24%, 0.39%

LAB 37.67, 4.43, -21.39

 

CMYK 39 / 35 / 0 / 52

HEX #4B507B

RGB 75 80 123

HSL 233.75, 0.24%, 0.39%

LAB 35.33, 9.54, -25.04

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 39 / 10 / 0 / 31

HEX #6B9FB0

RGB 107 159 176

HSL 194.78, 0.3%, 0.55%

LAB 62.56, -12.79, -14.28

 

CMYK 39 / 10 / 0 / 11

HEX #8ACDE3

RGB 138 205 227

HSL 194.83, 0.61%, 0.72%

LAB 78.82, -15.63, -17.58

 

CMYK 39 / 9 / 0 / 91

HEX #0E1517

RGB 14 21 23

HSL 193.33, 0.24%, 0.07%

LAB 6.25, -2.19, -2.28

 

CMYK 39 / 9 / 0 / 71

HEX #2D434A

RGB 45 67 74

HSL 194.48, 0.24%, 0.23%

LAB 26.92, -6.5, -6.98

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 22 / 39 / 0 / 52

HEX #604B7B

RGB 96 75 123

HSL 266.25, 0.24%, 0.39%

LAB 35.89, 19.39, -24.02

 

CMYK 0 / 7 / 39 / 52

HEX #7B734B

RGB 123 115 75

HSL 50, 0.24%, 0.39%

LAB 48.24, -3.3, 23.26

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 0 / 39 / 9 / 52

HEX #7B4B70

RGB 123 75 112

HSL 313.75, 0.24%, 0.39%

LAB 38.57, 26.35, -12.8

 

CMYK 9 / 0 / 39 / 52

HEX #707B4B

RGB 112 123 75

HSL 73.75, 0.24%, 0.39%

LAB 49.64, -12.52, 24.9

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 22 / 39 / 0 / 52

HEX #604B7B

RGB 96 75 123

HSL 266.25, 0.24%, 0.39%

LAB 35.89, 19.39, -24.02

 

CMYK 0 / 30 / 39 / 52

HEX #7B564B

RGB 123 86 75

HSL 13.75, 0.24%, 0.39%

LAB 40.2, 13.8, 12.52

 

CMYK 17 / 0 / 39 / 52

HEX #667B4B

RGB 102 123 75

HSL 86.25, 0.24%, 0.39%

LAB 48.88, -16.66, 23.77

 

CMYK 39 / 10 / 0 / 51

HEX #4C717D

RGB 76 113 125

HSL 194.69, 0.24%, 0.39%

LAB 45.4, -9.78, -10.79

 

CMYK 11 / 39 / 0 / 52

HEX #6E4B7B

RGB 110 75 123

HSL 283.75, 0.24%, 0.39%

LAB 37.44, 24.07, -21.49

 

CMYK 0 / 30 / 39 / 52

HEX #7B564B

RGB 123 86 75

HSL 13.75, 0.24%, 0.39%

LAB 40.2, 13.8, 12.52

 

CMYK 28 / 0 / 39 / 52

HEX #587B4B

RGB 88 123 75

HSL 103.75, 0.24%, 0.39%

LAB 47.94, -22.18, 22.36

 

Description

Color code: RGB 76 113 125 | qconv.com Color code: RGB 76 113 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 113 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 113 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 10 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 10% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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