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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 110 142 it is the complementary color RGB 179 145 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 110 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 110 142 shade: RGB 81 110 137, RGB 98 128 156, RGB 115 146 175, RGB 132 164 194 and RGB 149 182 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 110 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 110 142 shade: RGB 76 110 142, RGB 59 92 123, RGB 42 74 104, RGB 25 56 85 and RGB 8 38 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 110 142 shade: RGB 77 111 143, RGB 77 93 143, RGB 78 77 143, RGB 96 77 143 and RGB 114 77 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 110 142 shade: RGB 77 111 143, RGB 77 93 143 and RGB 77 77 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 110 142 shade matches the following richer shades: RGB 77 111 143, RGB 59 111 160, RGB 41 112 178, RGB 24 112 196 and RGB 6 113 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 110 142 shade: RGB 77 111 143, RGB 94 110 125, RGB 112 110 107, RGB 130 109 89 and RGB 148 108 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 110 142 shade: RGB 77 143 139, RGB 77 128 143, RGB 77 111 143, RGB 77 93 143 and RGB 78 77 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 110 142 shade: RGB 48 69 89, RGB 62 90 116, RGB 77 111 143, RGB 93 131 168 and RGB 120 152 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 110 142 shade: RGB 76 110 142, RGB 122 77 143 and RGB 137 143 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 110 142 shade: RGB 76 110 142, RGB 143 77 111 and RGB 111 143 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 110 142 shade: RGB 76 110 142, RGB 122 77 143, RGB 143 109 77 and RGB 98 143 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 110 142 shade: RGB 76 110 142, RGB 141 77 143, RGB 143 109 77 and RGB 78 143 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 23 / 0 / 44

HEX #4C6E8E

RGB 76 110 142

HSL 209.09, 0.3%, 0.43%

LAB 45.14, -3.05, -21.33

 

Complementary color

CMYK 0 / 19 / 37 / 30

HEX #B39171

RGB 179 145 113

HSL 29.09, 0.3%, 0.57%

LAB 62.53, 8.24, 21.82

 

CMYK 41 / 20 / 0 / 46

HEX #516E89

RGB 81 110 137

HSL 208.93, 0.26%, 0.43%

LAB 45.23, -3.15, -18.18

 

CMYK 37 / 18 / 0 / 39

HEX #62809C

RGB 98 128 156

HSL 208.97, 0.23%, 0.5%

LAB 52.33, -3.41, -18.42

 

CMYK 34 / 17 / 0 / 31

HEX #7392AF

RGB 115 146 175

HSL 209, 0.27%, 0.57%

LAB 59.25, -3.62, -18.69

 

CMYK 32 / 15 / 0 / 24

HEX #84A4C2

RGB 132 164 194

HSL 209.03, 0.34%, 0.64%

LAB 66.02, -3.8, -18.97

 

CMYK 30 / 15 / 0 / 16

HEX #95B6D5

RGB 149 182 213

HSL 209.06, 0.43%, 0.71%

LAB 72.66, -3.96, -19.26

 

CMYK 46 / 23 / 0 / 44

HEX #4C6E8E

RGB 76 110 142

HSL 209.09, 0.3%, 0.43%

LAB 45.14, -3.05, -21.33

 

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

CMYK 60 / 29 / 0 / 59

HEX #2A4A68

RGB 42 74 104

HSL 209.03, 0.42%, 0.29%

LAB 30.37, -1.89, -21.04

 

CMYK 71 / 34 / 0 / 67

HEX #193855

RGB 25 56 85

HSL 209, 0.55%, 0.22%

LAB 22.62, -0.85, -20.93

 

CMYK 88 / 42 / 0 / 74

HEX #082642

RGB 8 38 66

HSL 208.97, 0.78%, 0.15%

LAB 14.58, 0.91, -20.83

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8F

RGB 77 111 143

HSL 209.09, 0.3%, 0.43%

LAB 45.54, -3.07, -21.3

 

CMYK 46 / 35 / 0 / 44

HEX #4D5D8F

RGB 77 93 143

HSL 225.45, 0.3%, 0.43%

LAB 40.23, 8, -29.56

 

CMYK 45 / 46 / 0 / 44

HEX #4E4D8F

RGB 78 77 143

HSL 240.91, 0.3%, 0.43%

LAB 35.81, 18.5, -36.54

 

CMYK 33 / 46 / 0 / 44

HEX #604D8F

RGB 96 77 143

HSL 257.27, 0.3%, 0.43%

LAB 37.44, 23.49, -33.85

 

CMYK 20 / 46 / 0 / 44

HEX #724D8F

RGB 114 77 143

HSL 273.64, 0.3%, 0.43%

LAB 39.36, 28.87, -30.7

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8F

RGB 77 111 143

HSL 209.09, 0.3%, 0.43%

LAB 45.54, -3.07, -21.3

 

CMYK 46 / 35 / 0 / 44

HEX #4D5D8F

RGB 77 93 143

HSL 225.45, 0.3%, 0.43%

LAB 40.23, 8, -29.56

 

CMYK 46 / 46 / 0 / 44

HEX #4D4D8F

RGB 77 77 143

HSL 240, 0.3%, 0.43%

LAB 35.73, 18.24, -36.67

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8F

RGB 77 111 143

HSL 209.09, 0.3%, 0.43%

LAB 45.54, -3.07, -21.3

 

CMYK 63 / 31 / 0 / 37

HEX #3B6FA0

RGB 59 111 160

HSL 209.11, 0.46%, 0.43%

LAB 45.41, -1.69, -31.63

 

CMYK 77 / 37 / 0 / 30

HEX #2970B2

RGB 41 112 178

HSL 208.91, 0.63%, 0.43%

LAB 46.01, 1.39, -41.28

 

CMYK 88 / 43 / 0 / 23

HEX #1870C4

RGB 24 112 196

HSL 209.3, 0.78%, 0.43%

LAB 46.67, 6.73, -50.67

 

CMYK 97 / 47 / 0 / 16

HEX #0671D6

RGB 6 113 214

HSL 209.13, 0.95%, 0.43%

LAB 47.88, 12.39, -59.02

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8F

RGB 77 111 143

HSL 209.09, 0.3%, 0.43%

LAB 45.54, -3.07, -21.3

 

CMYK 25 / 12 / 0 / 51

HEX #5E6E7D

RGB 94 110 125

HSL 209.03, 0.14%, 0.43%

LAB 45.65, -2.35, -10.29

 

CMYK 0 / 2 / 4 / 56

HEX #706E6B

RGB 112 110 107

HSL 36, 0.02%, 0.43%

LAB 46.52, 0.18, 1.94

 

CMYK 0 / 16 / 32 / 49

HEX #826D59

RGB 130 109 89

HSL 29.27, 0.19%, 0.43%

LAB 47.5, 5.09, 14.27

 

CMYK 0 / 27 / 51 / 42

HEX #946C48

RGB 148 108 72

HSL 28.42, 0.35%, 0.43%

LAB 48.87, 11.43, 26.31

 

CMYK 46 / 0 / 3 / 44

HEX #4D8F8B

RGB 77 143 139

HSL 176.36, 0.3%, 0.43%

LAB 55.16, -22.05, -4.43

 

CMYK 46 / 10 / 0 / 44

HEX #4D808F

RGB 77 128 143

HSL 193.64, 0.3%, 0.43%

LAB 50.69, -12.88, -13.44

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8F

RGB 77 111 143

HSL 209.09, 0.3%, 0.43%

LAB 45.54, -3.07, -21.3

 

CMYK 46 / 35 / 0 / 44

HEX #4D5D8F

RGB 77 93 143

HSL 225.45, 0.3%, 0.43%

LAB 40.23, 8, -29.56

 

CMYK 45 / 46 / 0 / 44

HEX #4E4D8F

RGB 78 77 143

HSL 240.91, 0.3%, 0.43%

LAB 35.81, 18.5, -36.54

 

CMYK 46 / 22 / 0 / 65

HEX #304559

RGB 48 69 89

HSL 209.27, 0.3%, 0.27%

LAB 28.4, -2.16, -14.47

 

CMYK 47 / 22 / 0 / 55

HEX #3E5A74

RGB 62 90 116

HSL 208.89, 0.3%, 0.35%

LAB 37.11, -2.77, -18.02

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8F

RGB 77 111 143

HSL 209.09, 0.3%, 0.43%

LAB 45.54, -3.07, -21.3

 

CMYK 45 / 22 / 0 / 34

HEX #5D83A8

RGB 93 131 168

HSL 209.6, 0.3%, 0.51%

LAB 53.37, -3.12, -23.8

 

CMYK 34 / 16 / 0 / 29

HEX #7898B6

RGB 120 152 182

HSL 209.03, 0.3%, 0.59%

LAB 61.5, -3.7, -19.18

 

CMYK 46 / 23 / 0 / 44

HEX #4C6E8E

RGB 76 110 142

HSL 209.09, 0.3%, 0.43%

LAB 45.14, -3.05, -21.33

 

CMYK 15 / 46 / 0 / 44

HEX #7A4D8F

RGB 122 77 143

HSL 280.91, 0.3%, 0.43%

LAB 40.29, 31.34, -29.16

 

CMYK 4 / 0 / 46 / 44

HEX #898F4D

RGB 137 143 77

HSL 65.45, 0.3%, 0.43%

LAB 57.56, -12.51, 34.21

 

CMYK 46 / 23 / 0 / 44

HEX #4C6E8E

RGB 76 110 142

HSL 209.09, 0.3%, 0.43%

LAB 45.14, -3.05, -21.33

 

CMYK 0 / 46 / 22 / 44

HEX #8F4D6F

RGB 143 77 111

HSL 329.09, 0.3%, 0.43%

LAB 41.68, 32.26, -7.23

 

CMYK 22 / 0 / 46 / 44

HEX #6F8F4D

RGB 111 143 77

HSL 89.09, 0.3%, 0.43%

LAB 55.64, -23.19, 31.42

 

CMYK 46 / 23 / 0 / 44

HEX #4C6E8E

RGB 76 110 142

HSL 209.09, 0.3%, 0.43%

LAB 45.14, -3.05, -21.33

 

CMYK 15 / 46 / 0 / 44

HEX #7A4D8F

RGB 122 77 143

HSL 280.91, 0.3%, 0.43%

LAB 40.29, 31.34, -29.16

 

CMYK 0 / 24 / 46 / 44

HEX #8F6D4D

RGB 143 109 77

HSL 29.09, 0.3%, 0.43%

LAB 48.65, 9.18, 23.05

 

CMYK 31 / 0 / 46 / 44

HEX #628F4D

RGB 98 143 77

HSL 100.91, 0.3%, 0.43%

LAB 54.84, -28.14, 30.24

 

CMYK 46 / 23 / 0 / 44

HEX #4C6E8E

RGB 76 110 142

HSL 209.09, 0.3%, 0.43%

LAB 45.14, -3.05, -21.33

 

CMYK 1 / 46 / 0 / 44

HEX #8D4D8F

RGB 141 77 143

HSL 298.18, 0.3%, 0.43%

LAB 42.69, 37.28, -25.24

 

CMYK 0 / 24 / 46 / 44

HEX #8F6D4D

RGB 143 109 77

HSL 29.09, 0.3%, 0.43%

LAB 48.65, 9.18, 23.05

 

CMYK 45 / 0 / 46 / 44

HEX #4E8F4D

RGB 78 143 77

HSL 119.09, 0.3%, 0.43%

LAB 53.81, -34.97, 28.73

 

Description

Color code: RGB 76 110 142 | qconv.com Color code: RGB 76 110 142 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 110 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 110 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 23 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 23% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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