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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B5C7B it is the complementary color #C4A384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B5C7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B5C7B shade: #405C76, #516E89, #62809C, #7392AF and #84A4C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B5C7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B5C7B shade: #3B5C7B, #2A4A68, #193855, #082642 and #00142F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B5C7B shade: #3C5D7C, #3C4B7C, #3D3C7C, #4F3C7C and #603C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B5C7B shade: #3C5D7C, #3C4B7C and #3C3C7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B5C7B shade matches the following richer shades: #3C5D7C, #2D5D8B, #1E5E9A, #0F5EA8 and #005FB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B5C7B shade: #3C5D7C, #4B5C6D, #595C5E, #685B4F and #775B41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B5C7B shade: #3C7C79, #3C6E7C, #3C5D7C, #3C4C7C and #3D3C7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B5C7B shade: #213344, #2E4860, #3C5D7C, #497298 and #5A86B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B5C7B shade: #3B5C7B, #683C7C and #777C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B5C7B shade: #3B5C7B, #7C3C5D and #5D7C3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B5C7B shade: #3B5C7B, #683C7C, #7C5B3C and #507C3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B5C7B shade: #3B5C7B, #7B3C7C, #7C5B3C and #3D7C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

Complementary color

CMYK 0 / 17 / 33 / 23

HEX #C4A384

RGB 196 163 132

HSL 29.06, 0.35%, 0.64%

LAB 69.18, 7.62, 20.65

 

CMYK 46 / 22 / 0 / 54

HEX #405C76

RGB 64 92 118

HSL 208.89, 0.3%, 0.36%

LAB 37.94, -2.82, -17.97

 

CMYK 41 / 20 / 0 / 46

HEX #516E89

RGB 81 110 137

HSL 208.93, 0.26%, 0.43%

LAB 45.23, -3.15, -18.18

 

CMYK 37 / 18 / 0 / 39

HEX #62809C

RGB 98 128 156

HSL 208.97, 0.23%, 0.5%

LAB 52.33, -3.41, -18.42

 

CMYK 34 / 17 / 0 / 31

HEX #7392AF

RGB 115 146 175

HSL 209, 0.27%, 0.57%

LAB 59.25, -3.62, -18.69

 

CMYK 32 / 15 / 0 / 24

HEX #84A4C2

RGB 132 164 194

HSL 209.03, 0.34%, 0.64%

LAB 66.02, -3.8, -18.97

 

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

CMYK 60 / 29 / 0 / 59

HEX #2A4A68

RGB 42 74 104

HSL 209.03, 0.42%, 0.29%

LAB 30.37, -1.89, -21.04

 

CMYK 71 / 34 / 0 / 67

HEX #193855

RGB 25 56 85

HSL 209, 0.55%, 0.22%

LAB 22.62, -0.85, -20.93

 

CMYK 88 / 42 / 0 / 74

HEX #082642

RGB 8 38 66

HSL 208.97, 0.78%, 0.15%

LAB 14.58, 0.91, -20.83

 

CMYK 100 / 57 / 0 / 82

HEX #00142F

RGB 0 20 47

HSL 214.47, 1%, 0.09%

LAB 6.37, 3.8, -20.36

 

CMYK 52 / 25 / 0 / 51

HEX #3C5D7C

RGB 60 93 124

HSL 209.06, 0.35%, 0.36%

LAB 38.28, -2.6, -21.14

 

CMYK 52 / 40 / 0 / 51

HEX #3C4B7C

RGB 60 75 124

HSL 225.94, 0.35%, 0.36%

LAB 32.81, 8.91, -29.7

 

CMYK 51 / 52 / 0 / 51

HEX #3D3C7C

RGB 61 60 124

HSL 240.94, 0.35%, 0.36%

LAB 28.59, 19.16, -36.41

 

CMYK 36 / 52 / 0 / 51

HEX #4F3C7C

RGB 79 60 124

HSL 257.81, 0.35%, 0.36%

LAB 30.28, 23.94, -33.61

 

CMYK 23 / 52 / 0 / 51

HEX #603C7C

RGB 96 60 124

HSL 273.75, 0.35%, 0.36%

LAB 32.2, 28.9, -30.44

 

CMYK 52 / 25 / 0 / 51

HEX #3C5D7C

RGB 60 93 124

HSL 209.06, 0.35%, 0.36%

LAB 38.28, -2.6, -21.14

 

CMYK 52 / 40 / 0 / 51

HEX #3C4B7C

RGB 60 75 124

HSL 225.94, 0.35%, 0.36%

LAB 32.81, 8.91, -29.7

 

CMYK 52 / 52 / 0 / 51

HEX #3C3C7C

RGB 60 60 124

HSL 240, 0.35%, 0.36%

LAB 28.51, 18.91, -36.54

 

CMYK 52 / 25 / 0 / 51

HEX #3C5D7C

RGB 60 93 124

HSL 209.06, 0.35%, 0.36%

LAB 38.28, -2.6, -21.14

 

CMYK 68 / 33 / 0 / 45

HEX #2D5D8B

RGB 45 93 139

HSL 209.36, 0.51%, 0.36%

LAB 38.29, -0.69, -30.31

 

CMYK 81 / 39 / 0 / 40

HEX #1E5E9A

RGB 30 94 154

HSL 209.03, 0.67%, 0.36%

LAB 38.92, 2.19, -38.38

 

CMYK 91 / 44 / 0 / 34

HEX #0F5EA8

RGB 15 94 168

HSL 209.02, 0.84%, 0.36%

LAB 39.47, 6.53, -45.87

 

CMYK 100 / 48 / 0 / 28

HEX #005FB7

RGB 0 95 183

HSL 208.85, 1%, 0.36%

LAB 40.58, 11.34, -52.93

 

CMYK 52 / 25 / 0 / 51

HEX #3C5D7C

RGB 60 93 124

HSL 209.06, 0.35%, 0.36%

LAB 38.28, -2.6, -21.14

 

CMYK 31 / 16 / 0 / 57

HEX #4B5C6D

RGB 75 92 109

HSL 210, 0.18%, 0.36%

LAB 38.29, -2.08, -11.81

 

CMYK 5 / 2 / 0 / 63

HEX #595C5E

RGB 89 92 94

HSL 204, 0.03%, 0.36%

LAB 38.87, -0.74, -1.56

 

CMYK 0 / 13 / 24 / 59

HEX #685B4F

RGB 104 91 79

HSL 28.8, 0.14%, 0.36%

LAB 39.56, 3.14, 8.85

 

CMYK 0 / 24 / 45 / 53

HEX #775B41

RGB 119 91 65

HSL 28.89, 0.29%, 0.36%

LAB 40.87, 7.78, 19.38

 

CMYK 52 / 0 / 2 / 51

HEX #3C7C79

RGB 60 124 121

HSL 177.19, 0.35%, 0.36%

LAB 47.95, -21.23, -4.67

 

CMYK 52 / 11 / 0 / 51

HEX #3C6E7C

RGB 60 110 124

HSL 193.13, 0.35%, 0.36%

LAB 43.61, -12.69, -12.97

 

CMYK 52 / 25 / 0 / 51

HEX #3C5D7C

RGB 60 93 124

HSL 209.06, 0.35%, 0.36%

LAB 38.28, -2.6, -21.14

 

CMYK 52 / 39 / 0 / 51

HEX #3C4C7C

RGB 60 76 124

HSL 225, 0.35%, 0.36%

LAB 33.1, 8.26, -29.23

 

CMYK 51 / 52 / 0 / 51

HEX #3D3C7C

RGB 61 60 124

HSL 240.94, 0.35%, 0.36%

LAB 28.59, 19.16, -36.41

 

CMYK 51 / 25 / 0 / 73

HEX #213344

RGB 33 51 68

HSL 209.14, 0.35%, 0.2%

LAB 20.47, -1.79, -12.88

 

CMYK 52 / 25 / 0 / 62

HEX #2E4860

RGB 46 72 96

HSL 208.8, 0.35%, 0.28%

LAB 29.56, -2.35, -17.18

 

CMYK 52 / 25 / 0 / 51

HEX #3C5D7C

RGB 60 93 124

HSL 209.06, 0.35%, 0.36%

LAB 38.28, -2.6, -21.14

 

CMYK 52 / 25 / 0 / 40

HEX #497298

RGB 73 114 152

HSL 208.86, 0.35%, 0.44%

LAB 46.6, -3.09, -25.01

 

CMYK 49 / 24 / 0 / 31

HEX #5A86B0

RGB 90 134 176

HSL 209.3, 0.35%, 0.52%

LAB 54.41, -3.24, -26.82

 

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

CMYK 16 / 52 / 0 / 51

HEX #683C7C

RGB 104 60 124

HSL 281.25, 0.35%, 0.36%

LAB 33.2, 31.32, -28.79

 

CMYK 4 / 0 / 52 / 51

HEX #777C3C

RGB 119 124 60

HSL 64.69, 0.35%, 0.36%

LAB 50.29, -11.8, 33.97

 

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

CMYK 0 / 52 / 25 / 51

HEX #7C3C5D

RGB 124 60 93

HSL 329.06, 0.35%, 0.36%

LAB 34.61, 31.99, -6.81

 

CMYK 25 / 0 / 52 / 51

HEX #5D7C3C

RGB 93 124 60

HSL 89.06, 0.35%, 0.36%

LAB 48.35, -22.83, 31.17

 

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

CMYK 16 / 52 / 0 / 51

HEX #683C7C

RGB 104 60 124

HSL 281.25, 0.35%, 0.36%

LAB 33.2, 31.32, -28.79

 

CMYK 0 / 27 / 52 / 51

HEX #7C5B3C

RGB 124 91 60

HSL 29.06, 0.35%, 0.36%

LAB 41.36, 9.49, 23.09

 

CMYK 35 / 0 / 52 / 51

HEX #507C3C

RGB 80 124 60

HSL 101.25, 0.35%, 0.36%

LAB 47.56, -27.86, 30.03

 

CMYK 52 / 25 / 0 / 52

HEX #3B5C7B

RGB 59 92 123

HSL 209.06, 0.35%, 0.36%

LAB 37.87, -2.57, -21.17

 

CMYK 1 / 52 / 0 / 51

HEX #7B3C7C

RGB 123 60 124

HSL 299.06, 0.35%, 0.36%

LAB 35.79, 37.16, -24.55

 

CMYK 0 / 27 / 52 / 51

HEX #7C5B3C

RGB 124 91 60

HSL 29.06, 0.35%, 0.36%

LAB 41.36, 9.49, 23.09

 

CMYK 51 / 0 / 52 / 51

HEX #3D7C3C

RGB 61 124 60

HSL 119.06, 0.35%, 0.36%

LAB 46.62, -34.3, 28.67

 

Description

Color code: HEX #3B5C7B | qconv.com Color code: HEX #3B5C7B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 92 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 92 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 25 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 25% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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