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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 96 97 it is the complementary color RGB 180 159 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 96 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 96 97: RGB 80 96 92, RGB 97 114 111, RGB 114 132 130, RGB 131 150 149 and RGB 148 168 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 96 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 96 97: RGB 75 96 97, RGB 58 78 78, RGB 41 60 59, RGB 24 42 40 and RGB 7 24 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

Complementary color

CMYK 0 / 12 / 12 / 29

HEX #B49F9E

RGB 180 159 158

HSL 2.73, 0.13%, 0.66%

LAB 67.25, 7.52, 3.33

 

CMYK 17 / 0 / 4 / 62

HEX #50605C

RGB 80 96 92

HSL 165, 0.09%, 0.35%

LAB 39.32, -7.02, 0.23

 

CMYK 15 / 0 / 3 / 55

HEX #61726F

RGB 97 114 111

HSL 169.41, 0.08%, 0.41%

LAB 46.61, -6.97, -0.47

 

CMYK 14 / 0 / 2 / 48

HEX #728482

RGB 114 132 130

HSL 173.33, 0.07%, 0.48%

LAB 53.7, -6.95, -1.13

 

CMYK 13 / 0 / 1 / 41

HEX #839695

RGB 131 150 149

HSL 176.84, 0.08%, 0.55%

LAB 60.61, -6.94, -1.76

 

CMYK 12 / 0 / 0 / 34

HEX #94A8A8

RGB 148 168 168

HSL 180, 0.1%, 0.62%

LAB 67.37, -6.94, -2.37

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 26 / 0 / 0 / 69

HEX #3A4E4E

RGB 58 78 78

HSL 180, 0.15%, 0.27%

LAB 31.57, -7.71, -2.54

 

CMYK 32 / 0 / 2 / 76

HEX #293C3B

RGB 41 60 59

HSL 176.84, 0.19%, 0.2%

LAB 23.73, -7.83, -1.84

 

CMYK 43 / 0 / 5 / 84

HEX #182A28

RGB 24 42 40

HSL 173.33, 0.27%, 0.13%

LAB 15.5, -7.98, -1.05

 

CMYK 71 / 0 / 13 / 91

HEX #071815

RGB 7 24 21

HSL 169.41, 0.55%, 0.06%

LAB 6.8, -6.79, -0.09

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 23 / 4 / 0 / 62

HEX #4B5D61

RGB 75 93 97

HSL 190.91, 0.13%, 0.34%

LAB 38.18, -5.85, -4.57

 

CMYK 23 / 8 / 0 / 62

HEX #4B5961

RGB 75 89 97

HSL 201.82, 0.13%, 0.34%

LAB 36.94, -3.43, -6.42

 

CMYK 23 / 12 / 0 / 62

HEX #4B5561

RGB 75 85 97

HSL 212.73, 0.13%, 0.34%

LAB 35.71, -0.97, -8.26

 

CMYK 23 / 15 / 0 / 62

HEX #4B5261

RGB 75 82 97

HSL 220.91, 0.13%, 0.34%

LAB 34.79, 0.9, -9.64

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 23 / 1 / 0 / 42

HEX #729294

RGB 114 146 148

HSL 183.53, 0.14%, 0.51%

LAB 58.3, -10.64, -4.74

 

CMYK 23 / 1 / 0 / 22

HEX #9AC5C7

RGB 154 197 199

HSL 182.67, 0.29%, 0.69%

LAB 76.63, -13.67, -5.67

 

CMYK 23 / 1 / 0 / 2

HEX #C1F7FA

RGB 193 247 250

HSL 183.16, 0.85%, 0.87%

LAB 93.78, -16.33, -7.04

 

CMYK 22 / 0 / 0 / 82

HEX #242E2E

RGB 36 46 46

HSL 180, 0.12%, 0.16%

LAB 18.04, -4.27, -1.43

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 18 / 23 / 0 / 62

HEX #504B61

RGB 80 75 97

HSL 253.64, 0.13%, 0.34%

LAB 33.14, 7.16, -12.11

 

CMYK 0 / 8 / 23 / 62

HEX #61594B

RGB 97 89 75

HSL 38.18, 0.13%, 0.34%

LAB 38.19, 0.66, 9.28

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 0 / 23 / 0 / 62

HEX #614B61

RGB 97 75 97

HSL 300, 0.13%, 0.34%

LAB 34.88, 13.59, -9.31

 

CMYK 0 / 0 / 23 / 62

HEX #61614B

RGB 97 97 75

HSL 60, 0.13%, 0.34%

LAB 40.57, -4.12, 12.59

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 18 / 23 / 0 / 62

HEX #504B61

RGB 80 75 97

HSL 253.64, 0.13%, 0.34%

LAB 33.14, 7.16, -12.11

 

CMYK 0 / 22 / 23 / 62

HEX #614C4B

RGB 97 76 75

HSL 2.73, 0.13%, 0.34%

LAB 34.43, 8.68, 3.96

 

CMYK 5 / 0 / 23 / 62

HEX #5C614B

RGB 92 97 75

HSL 73.64, 0.13%, 0.34%

LAB 40.14, -6.25, 11.92

 

CMYK 23 / 1 / 0 / 62

HEX #4B6061

RGB 75 96 97

HSL 182.73, 0.13%, 0.34%

LAB 39.11, -7.63, -3.19

 

CMYK 10 / 23 / 0 / 62

HEX #574B61

RGB 87 75 97

HSL 272.73, 0.13%, 0.34%

LAB 33.82, 9.77, -11.01

 

CMYK 0 / 22 / 23 / 62

HEX #614C4B

RGB 97 76 75

HSL 2.73, 0.13%, 0.34%

LAB 34.43, 8.68, 3.96

 

CMYK 12 / 0 / 23 / 62

HEX #55614B

RGB 85 97 75

HSL 92.73, 0.13%, 0.34%

LAB 39.56, -9.16, 11.04

 

Description

Color code: RGB 75 96 97 | qconv.com Color code: RGB 75 96 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 96 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 96 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 1 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 1% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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