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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 33 25 it is the complementary color RGB 180 222 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 33 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 33 25: RGB 80 33 20, RGB 97 51 39, RGB 114 69 58, RGB 131 87 77 and RGB 148 105 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 33 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 33 25: RGB 75 33 25, RGB 58 15 6, RGB 41 0 0, RGB 24 0 0 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

Complementary color

CMYK 22 / 3 / 0 / 10

HEX #B4DEE6

RGB 180 222 230

HSL 189.6, 0.5%, 0.8%

LAB 85.84, -11.88, -8.43

 

CMYK 0 / 59 / 75 / 69

HEX #502114

RGB 80 33 20

HSL 13, 0.6%, 0.2%

LAB 19.41, 20.99, 19.15

 

CMYK 0 / 47 / 60 / 62

HEX #613327

RGB 97 51 39

HSL 12.41, 0.43%, 0.27%

LAB 26.89, 19.38, 16.7

 

CMYK 0 / 39 / 49 / 55

HEX #72453A

RGB 114 69 58

HSL 11.79, 0.33%, 0.34%

LAB 34.27, 18.02, 14.79

 

CMYK 0 / 34 / 41 / 49

HEX #83574D

RGB 131 87 77

HSL 11.11, 0.26%, 0.41%

LAB 41.5, 16.9, 13.23

 

CMYK 0 / 29 / 35 / 42

HEX #946960

RGB 148 105 96

HSL 10.38, 0.21%, 0.48%

LAB 48.57, 15.97, 11.9

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 0 / 74 / 90 / 77

HEX #3A0F06

RGB 58 15 6

HSL 10.38, 0.81%, 0.13%

LAB 10.95, 20.67, 14.42

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 0 / 46 / 67 / 70

HEX #4C2919

RGB 76 41 25

HSL 18.82, 0.5%, 0.2%

LAB 20.8, 14.56, 17.41

 

CMYK 0 / 34 / 67 / 70

HEX #4C3219

RGB 76 50 25

HSL 29.41, 0.5%, 0.2%

LAB 23.3, 8.73, 20.42

 

CMYK 0 / 24 / 67 / 70

HEX #4C3A19

RGB 76 58 25

HSL 38.82, 0.5%, 0.2%

LAB 25.66, 3.54, 23.17

 

CMYK 0 / 12 / 67 / 70

HEX #4C4319

RGB 76 67 25

HSL 49.41, 0.5%, 0.2%

LAB 28.44, -2.17, 26.31

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 0 / 56 / 67 / 51

HEX #7E372A

RGB 126 55 42

HSL 9.29, 0.5%, 0.33%

LAB 32.56, 29.76, 22.92

 

CMYK 0 / 56 / 67 / 31

HEX #B14E3B

RGB 177 78 59

HSL 9.66, 0.5%, 0.46%

LAB 45.79, 39.01, 30.79

 

CMYK 0 / 56 / 67 / 11

HEX #E4644C

RGB 228 100 76

HSL 9.47, 0.74%, 0.6%

LAB 58.16, 48.22, 37.97

 

CMYK 0 / 54 / 67 / 91

HEX #180B08

RGB 24 11 8

HSL 11.25, 0.5%, 0.06%

LAB 4.07, 4.57, 2.9

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 24 / 0 / 67 / 70

HEX #3A4C19

RGB 58 76 25

HSL 81.18, 0.5%, 0.2%

LAB 29.76, -16.29, 27.32

 

CMYK 67 / 50 / 0 / 70

HEX #19264C

RGB 25 38 76

HSL 224.71, 0.5%, 0.2%

LAB 16.08, 8.39, -25.27

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 67 / 0 / 57 / 70

HEX #194C21

RGB 25 76 33

HSL 129.41, 0.5%, 0.2%

LAB 28.08, -27.53, 20.5

 

CMYK 57 / 67 / 0 / 70

HEX #21194C

RGB 33 25 76

HSL 249.41, 0.5%, 0.2%

LAB 12.86, 19.78, -30.41

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 24 / 0 / 67 / 70

HEX #3A4C19

RGB 58 76 25

HSL 81.18, 0.5%, 0.2%

LAB 29.76, -16.29, 27.32

 

CMYK 67 / 11 / 0 / 70

HEX #19444C

RGB 25 68 76

HSL 189.41, 0.5%, 0.2%

LAB 26.34, -11.94, -9.26

 

CMYK 43 / 67 / 0 / 70

HEX #2B194C

RGB 43 25 76

HSL 261.18, 0.5%, 0.2%

LAB 14.01, 22.25, -28.51

 

CMYK 0 / 56 / 67 / 71

HEX #4B2119

RGB 75 33 25

HSL 9.6, 0.5%, 0.2%

LAB 18.6, 19.1, 14.65

 

CMYK 43 / 0 / 67 / 70

HEX #2B4C19

RGB 43 76 25

HSL 98.82, 0.5%, 0.2%

LAB 28.78, -22.71, 25.96

 

CMYK 67 / 11 / 0 / 70

HEX #19444C

RGB 25 68 76

HSL 189.41, 0.5%, 0.2%

LAB 26.34, -11.94, -9.26

 

CMYK 24 / 67 / 0 / 70

HEX #3A194C

RGB 58 25 76

HSL 278.82, 0.5%, 0.2%

LAB 16.09, 26.39, -25.05

 

Description

Color code: RGB 75 33 25 | qconv.com Color code: RGB 75 33 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 33 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 33 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 67 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 67% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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