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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 187 82 it is the complementary color RGB 180 68 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 187 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 187 82: RGB 80 187 77, RGB 97 205 96, RGB 114 223 115, RGB 131 241 134 and RGB 148 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 187 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 187 82: RGB 75 187 82, RGB 58 169 63, RGB 41 151 44, RGB 24 133 25 and RGB 7 115 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

Complementary color

CMYK 0 / 62 / 4 / 29

HEX #B444AD

RGB 180 68 173

HSL 303.75, 0.45%, 0.49%

LAB 48.08, 58.2, -34.29

 

CMYK 57 / 0 / 59 / 27

HEX #50BB4D

RGB 80 187 77

HSL 118.36, 0.45%, 0.52%

LAB 67.86, -52.54, 45.77

 

CMYK 53 / 0 / 53 / 20

HEX #61CD60

RGB 97 205 96

HSL 119.45, 0.52%, 0.59%

LAB 74.22, -52.77, 44.53

 

CMYK 49 / 0 / 48 / 13

HEX #72DF73

RGB 114 223 115

HSL 120.55, 0.63%, 0.66%

LAB 80.51, -52.82, 43.25

 

CMYK 46 / 0 / 44 / 5

HEX #83F186

RGB 131 241 134

HSL 121.64, 0.8%, 0.73%

LAB 86.73, -52.76, 41.99

 

CMYK 42 / 0 / 40 / 0

HEX #94FF99

RGB 148 255 153

HSL 122.8, 1%, 0.79%

LAB 91.74, -50.98, 39.28

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 66 / 0 / 63 / 34

HEX #3AA93F

RGB 58 169 63

HSL 122.7, 0.49%, 0.45%

LAB 61.34, -52.58, 44.52

 

CMYK 73 / 0 / 71 / 41

HEX #29972C

RGB 41 151 44

HSL 121.64, 0.57%, 0.38%

LAB 54.85, -51.56, 45.52

 

CMYK 82 / 0 / 81 / 48

HEX #188519

RGB 24 133 25

HSL 120.55, 0.69%, 0.31%

LAB 48.31, -49.81, 45.88

 

CMYK 94 / 0 / 95 / 55

HEX #077306

RGB 7 115 6

HSL 119.45, 0.9%, 0.24%

LAB 41.72, -46.97, 44.87

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 61 / 0 / 47 / 27

HEX #49BA62

RGB 73 186 98

HSL 133.27, 0.45%, 0.51%

LAB 67.59, -50.94, 35.19

 

CMYK 61 / 0 / 38 / 27

HEX #49BA74

RGB 73 186 116

HSL 142.83, 0.45%, 0.51%

LAB 67.87, -47.87, 26.22

 

CMYK 61 / 0 / 27 / 27

HEX #49BA87

RGB 73 186 135

HSL 152.92, 0.45%, 0.51%

LAB 68.23, -44.07, 16.53

 

CMYK 61 / 0 / 17 / 27

HEX #49BA9A

RGB 73 186 154

HSL 163.01, 0.45%, 0.51%

LAB 68.66, -39.74, 6.77

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 60 / 0 / 56 / 7

HEX #5FEE68

RGB 95 238 104

HSL 123.78, 0.81%, 0.65%

LAB 84.27, -64.52, 52.79

 

CMYK 59 / 0 / 56 / 87

HEX #0E220F

RGB 14 34 15

HSL 123, 0.42%, 0.09%

LAB 11.08, -13.36, 9.76

 

CMYK 60 / 0 / 56 / 67

HEX #225525

RGB 34 85 37

HSL 123.53, 0.43%, 0.23%

LAB 31.74, -28.42, 22.77

 

CMYK 60 / 0 / 56 / 47

HEX #37883C

RGB 55 136 60

HSL 123.7, 0.42%, 0.37%

LAB 50.39, -41.07, 33.2

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 61 / 15 / 0 / 27

HEX #499EBA

RGB 73 158 186

HSL 194.87, 0.45%, 0.51%

LAB 61.15, -17.21, -22.18

 

CMYK 0 / 61 / 39 / 27

HEX #BA4971

RGB 186 73 113

HSL 338.76, 0.45%, 0.51%

LAB 47.49, 49.29, 0.86

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 58 / 61 / 0 / 27

HEX #4F49BA

RGB 79 73 186

HSL 243.19, 0.45%, 0.51%

LAB 37.79, 35.11, -59.06

 

CMYK 0 / 58 / 61 / 27

HEX #BA4F49

RGB 186 79 73

HSL 3.19, 0.45%, 0.51%

LAB 47.64, 42.81, 25.22

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 61 / 15 / 0 / 27

HEX #499EBA

RGB 73 158 186

HSL 194.87, 0.45%, 0.51%

LAB 61.15, -17.21, -22.18

 

CMYK 0 / 61 / 3 / 27

HEX #BA49B4

RGB 186 73 180

HSL 303.19, 0.45%, 0.51%

LAB 50.1, 58.8, -35.15

 

CMYK 0 / 46 / 61 / 27

HEX #BA6549

RGB 186 101 73

HSL 14.87, 0.45%, 0.51%

LAB 52.09, 31.51, 30.83

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB52

RGB 75 187 82

HSL 123.75, 0.45%, 0.51%

LAB 67.76, -53.13, 43.28

 

CMYK 61 / 33 / 0 / 27

HEX #497CBA

RGB 73 124 186

HSL 212.92, 0.45%, 0.51%

LAB 51.13, 2.08, -37.74

 

CMYK 0 / 61 / 3 / 27

HEX #BA49B4

RGB 186 73 180

HSL 303.19, 0.45%, 0.51%

LAB 50.1, 58.8, -35.15

 

CMYK 0 / 27 / 61 / 27

HEX #BA8749

RGB 186 135 73

HSL 32.92, 0.45%, 0.51%

LAB 60.11, 12.8, 40.49

 

Description

Color code: RGB 75 187 82 | qconv.com Color code: RGB 75 187 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 187 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 187 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 56 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 56% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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