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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 185 207 it is the complementary color RGB 180 70 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 185 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 185 207: RGB 80 185 202, RGB 97 203 221, RGB 114 221 240, RGB 131 239 255 and RGB 148 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 185 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 185 207: RGB 75 185 207, RGB 58 167 188, RGB 41 149 169, RGB 24 131 150 and RGB 7 113 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

Complementary color

CMYK 0 / 61 / 73 / 29

HEX #B44630

RGB 180 70 48

HSL 10, 0.58%, 0.45%

LAB 44.66, 43.42, 35.84

 

CMYK 60 / 8 / 0 / 21

HEX #50B9CA

RGB 80 185 202

HSL 188.36, 0.54%, 0.55%

LAB 69.94, -25.1, -17.66

 

CMYK 56 / 8 / 0 / 13

HEX #61CBDD

RGB 97 203 221

HSL 188.71, 0.65%, 0.62%

LAB 76.36, -25.49, -18.23

 

CMYK 53 / 8 / 0 / 6

HEX #72DDF0

RGB 114 221 240

HSL 189.05, 0.81%, 0.69%

LAB 82.69, -25.77, -18.76

 

CMYK 49 / 6 / 0 / 0

HEX #83EFFF

RGB 131 239 255

HSL 187.74, 1%, 0.76%

LAB 88.82, -27.03, -17.36

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 69 / 11 / 0 / 26

HEX #3AA7BC

RGB 58 167 188

HSL 189.69, 0.53%, 0.48%

LAB 63.48, -23.77, -19.78

 

CMYK 76 / 12 / 0 / 34

HEX #2995A9

RGB 41 149 169

HSL 189.38, 0.61%, 0.41%

LAB 56.91, -22.82, -19.11

 

CMYK 84 / 13 / 0 / 41

HEX #188396

RGB 24 131 150

HSL 189.05, 0.72%, 0.34%

LAB 50.25, -21.51, -18.35

 

CMYK 95 / 14 / 0 / 49

HEX #077183

RGB 7 113 131

HSL 188.71, 0.9%, 0.27%

LAB 43.5, -19.71, -17.46

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 65 / 21 / 0 / 19

HEX #49A2CE

RGB 73 162 206

HSL 199.85, 0.58%, 0.55%

LAB 63.11, -13.07, -30.36

 

CMYK 65 / 32 / 0 / 19

HEX #498CCE

RGB 73 140 206

HSL 209.77, 0.58%, 0.55%

LAB 56.71, -0.64, -40.33

 

CMYK 65 / 43 / 0 / 19

HEX #4976CE

RGB 73 118 206

HSL 219.7, 0.58%, 0.55%

LAB 50.49, 12.62, -50.2

 

CMYK 65 / 54 / 0 / 19

HEX #495FCE

RGB 73 95 206

HSL 230.08, 0.58%, 0.55%

LAB 44.31, 27.05, -60.12

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 67 / 0 / 0 / 99

HEX #010303

RGB 1 3 3

HSL 180, 0.5%, 0.01%

LAB 0.71, -0.52, -0.18

 

CMYK 63 / 11 / 0 / 79

HEX #143036

RGB 20 48 54

HSL 190.59, 0.46%, 0.15%

LAB 18.05, -8.47, -7.06

 

CMYK 64 / 10 / 0 / 59

HEX #265E69

RGB 38 94 105

HSL 189.85, 0.47%, 0.28%

LAB 36.81, -14.61, -11.77

 

CMYK 63 / 11 / 0 / 39

HEX #398B9C

RGB 57 139 156

HSL 190.3, 0.46%, 0.42%

LAB 53.75, -19.35, -16.43

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 41 / 65 / 0 / 19

HEX #7A49CE

RGB 122 73 206

HSL 262.11, 0.58%, 0.55%

LAB 43.3, 49.28, -61.58

 

CMYK 0 / 15 / 65 / 19

HEX #CEAF49

RGB 206 175 73

HSL 46.02, 0.58%, 0.55%

LAB 72.4, -0.25, 54.87

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 0 / 65 / 11 / 19

HEX #CE49B8

RGB 206 73 184

HSL 309.92, 0.58%, 0.55%

LAB 53.33, 64.56, -32.2

 

CMYK 11 / 0 / 65 / 19

HEX #B8CE49

RGB 184 206 73

HSL 69.92, 0.58%, 0.55%

LAB 78.93, -25.24, 61.28

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 41 / 65 / 0 / 19

HEX #7A49CE

RGB 122 73 206

HSL 262.11, 0.58%, 0.55%

LAB 43.3, 49.28, -61.58

 

CMYK 0 / 54 / 65 / 19

HEX #CE5F49

RGB 206 95 73

HSL 9.92, 0.58%, 0.55%

LAB 53.8, 42.38, 33.59

 

CMYK 24 / 0 / 65 / 19

HEX #9DCE49

RGB 157 206 73

HSL 82.11, 0.58%, 0.55%

LAB 77.16, -35.87, 58.86

 

CMYK 64 / 11 / 0 / 19

HEX #4BB9CF

RGB 75 185 207

HSL 190, 0.58%, 0.55%

LAB 69.96, -24.47, -20.38

 

CMYK 21 / 65 / 0 / 19

HEX #A249CE

RGB 162 73 206

HSL 280.15, 0.58%, 0.55%

LAB 48.14, 57.91, -53.53

 

CMYK 0 / 54 / 65 / 19

HEX #CE5F49

RGB 206 95 73

HSL 9.92, 0.58%, 0.55%

LAB 53.8, 42.38, 33.59

 

CMYK 43 / 0 / 65 / 19

HEX #76CE49

RGB 118 206 73

HSL 99.7, 0.58%, 0.55%

LAB 75.12, -49.55, 56.07

 

Description

Color code: RGB 75 185 207 | qconv.com Color code: RGB 75 185 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 185 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 185 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 11 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 11% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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