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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 184 202 it is the complementary color RGB 180 71 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 184 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 184 202: RGB 80 184 197, RGB 97 202 216, RGB 114 220 235, RGB 131 238 254 and RGB 148 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 184 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 184 202: RGB 75 184 202, RGB 58 166 183, RGB 41 148 164, RGB 24 130 145 and RGB 7 112 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

Complementary color

CMYK 0 / 61 / 71 / 29

HEX #B44735

RGB 180 71 53

HSL 8.5, 0.55%, 0.46%

LAB 44.9, 43.2, 33.3

 

CMYK 59 / 7 / 0 / 23

HEX #50B8C5

RGB 80 184 197

HSL 186.67, 0.5%, 0.54%

LAB 69.48, -26.04, -15.61

 

CMYK 55 / 6 / 0 / 15

HEX #61CAD8

RGB 97 202 216

HSL 187.06, 0.6%, 0.61%

LAB 75.91, -26.39, -16.21

 

CMYK 51 / 6 / 0 / 8

HEX #72DCEB

RGB 114 220 235

HSL 187.44, 0.75%, 0.68%

LAB 82.25, -26.63, -16.77

 

CMYK 48 / 6 / 0 / 0

HEX #83EEFE

RGB 131 238 254

HSL 187.8, 0.98%, 0.75%

LAB 88.51, -26.8, -17.3

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 68 / 9 / 0 / 28

HEX #3AA6B7

RGB 58 166 183

HSL 188.16, 0.52%, 0.47%

LAB 63, -24.82, -17.71

 

CMYK 75 / 10 / 0 / 36

HEX #2994A4

RGB 41 148 164

HSL 187.8, 0.6%, 0.4%

LAB 56.42, -23.93, -17.01

 

CMYK 83 / 10 / 0 / 43

HEX #188291

RGB 24 130 145

HSL 187.44, 0.72%, 0.33%

LAB 49.74, -22.69, -16.2

 

CMYK 94 / 11 / 0 / 51

HEX #07707E

RGB 7 112 126

HSL 187.06, 0.89%, 0.26%

LAB 42.97, -20.96, -15.26

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 64 / 19 / 0 / 21

HEX #49A3CA

RGB 73 163 202

HSL 198.14, 0.55%, 0.54%

LAB 63.24, -14.88, -27.92

 

CMYK 64 / 30 / 0 / 21

HEX #498ECA

RGB 73 142 202

HSL 207.91, 0.55%, 0.54%

LAB 57.1, -3.15, -37.47

 

CMYK 64 / 41 / 0 / 21

HEX #4978CA

RGB 73 120 202

HSL 218.14, 0.55%, 0.54%

LAB 50.82, 10, -47.39

 

CMYK 64 / 51 / 0 / 21

HEX #4962CA

RGB 73 98 202

HSL 228.37, 0.55%, 0.54%

LAB 44.82, 23.76, -57

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 63 / 9 / 0 / 1

HEX #5EE6FD

RGB 94 230 253

HSL 188.68, 0.98%, 0.68%

LAB 85.03, -30.12, -22.15

 

CMYK 63 / 8 / 0 / 81

HEX #122D31

RGB 18 45 49

HSL 187.74, 0.46%, 0.13%

LAB 16.64, -8.84, -5.73

 

CMYK 63 / 9 / 0 / 61

HEX #255B64

RGB 37 91 100

HSL 188.57, 0.46%, 0.27%

LAB 35.59, -14.75, -10.53

 

CMYK 63 / 9 / 0 / 41

HEX #388A97

RGB 56 138 151

HSL 188.21, 0.46%, 0.41%

LAB 53.22, -20.56, -14.34

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 43 / 64 / 0 / 21

HEX #7449CA

RGB 116 73 202

HSL 260, 0.55%, 0.54%

LAB 42.37, 47, -60.8

 

CMYK 0 / 17 / 64 / 21

HEX #CAA749

RGB 202 167 73

HSL 43.72, 0.55%, 0.54%

LAB 69.95, 2.28, 52.09

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 0 / 64 / 8 / 21

HEX #CA49B9

RGB 202 73 185

HSL 307.91, 0.55%, 0.54%

LAB 52.76, 63.7, -33.72

 

CMYK 8 / 0 / 64 / 21

HEX #B9CA49

RGB 185 202 73

HSL 67.91, 0.55%, 0.54%

LAB 77.9, -22.89, 60.21

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 43 / 64 / 0 / 21

HEX #7449CA

RGB 116 73 202

HSL 260, 0.55%, 0.54%

LAB 42.37, 47, -60.8

 

CMYK 0 / 55 / 64 / 21

HEX #CA5A49

RGB 202 90 73

HSL 7.91, 0.55%, 0.54%

LAB 52.23, 43.34, 31.52

 

CMYK 21 / 0 / 64 / 21

HEX #9FCA49

RGB 159 202 73

HSL 80, 0.55%, 0.54%

LAB 76.13, -33.26, 57.79

 

CMYK 63 / 9 / 0 / 21

HEX #4BB8CA

RGB 75 184 202

HSL 188.5, 0.55%, 0.54%

LAB 69.5, -25.46, -18.35

 

CMYK 24 / 64 / 0 / 21

HEX #9A49CA

RGB 154 73 202

HSL 277.67, 0.55%, 0.54%

LAB 46.84, 55.23, -53.36

 

CMYK 0 / 55 / 64 / 21

HEX #CA5A49

RGB 202 90 73

HSL 7.91, 0.55%, 0.54%

LAB 52.23, 43.34, 31.52

 

CMYK 41 / 0 / 64 / 21

HEX #78CA49

RGB 120 202 73

HSL 98.14, 0.55%, 0.54%

LAB 74.01, -47.27, 54.88

 

Description

Color code: RGB 75 184 202 | qconv.com Color code: RGB 75 184 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 184 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 184 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 9 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 9% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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