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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 176 234 it is the complementary color RGB 180 79 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 176 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 176 234: RGB 80 176 229, RGB 97 194 248, RGB 114 212 255, RGB 131 230 255 and RGB 148 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 176 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 176 234: RGB 75 176 234, RGB 58 158 215, RGB 41 140 196, RGB 24 122 177 and RGB 7 104 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

Complementary color

CMYK 0 / 56 / 88 / 29

HEX #B44F15

RGB 180 79 21

HSL 21.89, 0.79%, 0.39%

LAB 46.11, 38.13, 50.05

 

CMYK 65 / 23 / 0 / 10

HEX #50B0E5

RGB 80 176 229

HSL 201.34, 0.74%, 0.61%

LAB 68.32, -12.13, -34.94

 

CMYK 61 / 22 / 0 / 3

HEX #61C2F8

RGB 97 194 248

HSL 201.46, 0.92%, 0.68%

LAB 74.76, -12.92, -35.21

 

CMYK 55 / 17 / 0 / 0

HEX #72D4FF

RGB 114 212 255

HSL 198.3, 1%, 0.72%

LAB 80.67, -17.06, -29.79

 

CMYK 49 / 10 / 0 / 0

HEX #83E6FF

RGB 131 230 255

HSL 192.1, 1%, 0.76%

LAB 86.32, -22.62, -21.12

 

CMYK 42 / 3 / 0 / 0

HEX #94F8FF

RGB 148 248 255

HSL 183.93, 1%, 0.79%

LAB 91.98, -27.56, -12.56

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 73 / 27 / 0 / 16

HEX #3A9ED7

RGB 58 158 215

HSL 201.78, 0.66%, 0.54%

LAB 61.88, -10.12, -37.31

 

CMYK 79 / 29 / 0 / 23

HEX #298CC4

RGB 41 140 196

HSL 201.68, 0.65%, 0.46%

LAB 55.29, -8.63, -36.98

 

CMYK 86 / 31 / 0 / 31

HEX #187AB1

RGB 24 122 177

HSL 201.57, 0.76%, 0.39%

LAB 48.62, -6.71, -36.59

 

CMYK 96 / 34 / 0 / 38

HEX #07689E

RGB 7 104 158

HSL 201.46, 0.92%, 0.32%

LAB 41.87, -4.23, -36.12

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 68 / 35 / 0 / 8

HEX #4C98EA

RGB 76 152 234

HSL 211.14, 0.79%, 0.61%

LAB 61.6, 2.37, -48.24

 

CMYK 68 / 46 / 0 / 8

HEX #4C7EEA

RGB 76 126 234

HSL 221.01, 0.79%, 0.61%

LAB 54.45, 17.95, -59.63

 

CMYK 68 / 57 / 0 / 8

HEX #4C64EA

RGB 76 100 234

HSL 230.89, 0.79%, 0.61%

LAB 47.74, 34.05, -70.47

 

CMYK 66 / 68 / 0 / 8

HEX #4F4CEA

RGB 79 76 234

HSL 241.14, 0.79%, 0.61%

LAB 42.42, 48.83, -79.16

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 67 / 23 / 0 / 88

HEX #0A171E

RGB 10 23 30

HSL 201, 0.5%, 0.08%

LAB 6.96, -2.74, -6.6

 

CMYK 68 / 25 / 0 / 68

HEX #1A3D51

RGB 26 61 81

HSL 201.82, 0.51%, 0.21%

LAB 24.17, -5.52, -15.88

 

CMYK 68 / 25 / 0 / 48

HEX #2A6384

RGB 42 99 132

HSL 202, 0.52%, 0.34%

LAB 39.72, -7.46, -23.84

 

CMYK 68 / 25 / 0 / 28

HEX #3B8AB7

RGB 59 138 183

HSL 201.77, 0.51%, 0.47%

LAB 54.58, -9.64, -30.65

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 30 / 68 / 0 / 8

HEX #A34CEA

RGB 163 76 234

HSL 273.04, 0.79%, 0.61%

LAB 50.57, 62.86, -65.53

 

CMYK 0 / 3 / 68 / 8

HEX #EAE24C

RGB 234 226 76

HSL 56.96, 0.79%, 0.61%

LAB 88.16, -14.35, 70.81

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 0 / 68 / 24 / 8

HEX #EA4CB3

RGB 234 76 179

HSL 320.89, 0.79%, 0.61%

LAB 57.96, 69.91, -21.79

 

CMYK 24 / 0 / 68 / 8

HEX #B3EA4C

RGB 179 234 76

HSL 80.89, 0.79%, 0.61%

LAB 86.48, -39.94, 67.85

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 30 / 68 / 0 / 8

HEX #A34CEA

RGB 163 76 234

HSL 273.04, 0.79%, 0.61%

LAB 50.57, 62.86, -65.53

 

CMYK 0 / 44 / 68 / 8

HEX #EA834C

RGB 234 131 76

HSL 20.89, 0.79%, 0.61%

LAB 65.16, 35.06, 46.32

 

CMYK 37 / 0 / 68 / 8

HEX #93EA4C

RGB 147 234 76

HSL 93.04, 0.79%, 0.61%

LAB 84.78, -51.26, 65.55

 

CMYK 68 / 25 / 0 / 8

HEX #4BB0EA

RGB 75 176 234

HSL 201.89, 0.79%, 0.61%

LAB 68.38, -11.29, -37.6

 

CMYK 10 / 68 / 0 / 8

HEX #D24CEA

RGB 210 76 234

HSL 290.89, 0.79%, 0.61%

LAB 56.89, 72.65, -55.03

 

CMYK 0 / 44 / 68 / 8

HEX #EA834C

RGB 234 131 76

HSL 20.89, 0.79%, 0.61%

LAB 65.16, 35.06, 46.32

 

CMYK 57 / 0 / 68 / 8

HEX #64EA4C

RGB 100 234 76

HSL 110.89, 0.79%, 0.61%

LAB 82.95, -64.82, 63.08

 

Description

Color code: RGB 75 176 234 | qconv.com Color code: RGB 75 176 234 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 176 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 176 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 25 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 25% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - ¡Es cierto! | FM Cho...
Link: http://fmcholollan.org.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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