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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 224 225 it is the complementary color RGB 181 31 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 224 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 224 225: RGB 79 224 220, RGB 96 242 239, RGB 113 255 255, RGB 130 255 255 and RGB 147 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 224 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 224 225: RGB 74 224 225, RGB 57 206 206, RGB 40 188 187, RGB 23 170 168 and RGB 6 152 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

Complementary color

CMYK 0 / 83 / 83 / 29

HEX #B51F1E

RGB 181 31 30

HSL 0.4, 0.72%, 0.41%

LAB 39.41, 57.48, 40.33

 

CMYK 65 / 0 / 2 / 12

HEX #4FE0DC

RGB 79 224 220

HSL 178.34, 0.7%, 0.59%

LAB 81.91, -38.81, -9.42

 

CMYK 60 / 0 / 1 / 5

HEX #60F2EF

RGB 96 242 239

HSL 178.77, 0.85%, 0.66%

LAB 88.08, -39.26, -10.22

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 72 / 0 / 0 / 19

HEX #39CECE

RGB 57 206 206

HSL 180, 0.6%, 0.52%

LAB 75.74, -37.4, -11.17

 

CMYK 79 / 0 / 1 / 26

HEX #28BCBB

RGB 40 188 187

HSL 179.59, 0.65%, 0.45%

LAB 69.47, -36.41, -10.22

 

CMYK 86 / 0 / 1 / 33

HEX #17AAA8

RGB 23 170 168

HSL 179.18, 0.76%, 0.38%

LAB 63.14, -35.09, -9.17

 

CMYK 96 / 0 / 2 / 40

HEX #069895

RGB 6 152 149

HSL 178.77, 0.92%, 0.31%

LAB 56.75, -33.36, -7.98

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 67 / 11 / 0 / 12

HEX #4BC8E1

RGB 75 200 225

HSL 190, 0.71%, 0.59%

LAB 74.98, -26.58, -22.55

 

CMYK 67 / 22 / 0 / 12

HEX #4BAFE1

RGB 75 175 225

HSL 200, 0.71%, 0.59%

LAB 67.72, -13.67, -33.7

 

CMYK 67 / 33 / 0 / 12

HEX #4B96E1

RGB 75 150 225

HSL 210, 0.71%, 0.59%

LAB 60.56, 0.31, -44.9

 

CMYK 67 / 44 / 0 / 12

HEX #4B7DE1

RGB 75 125 225

HSL 220, 0.71%, 0.59%

LAB 53.6, 15.27, -55.96

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 67 / 0 / 0 / 92

HEX #071515

RGB 7 21 21

HSL 180, 0.5%, 0.05%

LAB 5.74, -4.63, -1.63

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 67 / 1 / 0 / 52

HEX #287A7B

RGB 40 122 123

HSL 180.72, 0.51%, 0.32%

LAB 46.71, -23.66, -7.77

 

CMYK 67 / 1 / 0 / 32

HEX #39ADAE

RGB 57 173 174

HSL 180.51, 0.51%, 0.45%

LAB 64.81, -31.12, -9.96

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 53 / 67 / 0 / 12

HEX #694BE1

RGB 105 75 225

HSL 252, 0.71%, 0.59%

LAB 43.47, 50.36, -72.26

 

CMYK 0 / 27 / 67 / 12

HEX #E1A54B

RGB 225 165 75

HSL 36, 0.71%, 0.59%

LAB 71.84, 13.29, 53.93

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 0 / 67 / 0 / 12

HEX #E14BE1

RGB 225 75 225

HSL 300, 0.71%, 0.59%

LAB 58.49, 74.77, -47.31

 

CMYK 0 / 0 / 67 / 12

HEX #E1E14B

RGB 225 225 75

HSL 60, 0.71%, 0.59%

LAB 87.18, -17.61, 69.95

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 53 / 67 / 0 / 12

HEX #694BE1

RGB 105 75 225

HSL 252, 0.71%, 0.59%

LAB 43.47, 50.36, -72.26

 

CMYK 0 / 67 / 67 / 12

HEX #E14B4B

RGB 225 75 75

HSL 0, 0.71%, 0.59%

LAB 53.54, 58.07, 32.85

 

CMYK 13 / 0 / 67 / 12

HEX #C3E14B

RGB 195 225 75

HSL 72, 0.71%, 0.59%

LAB 84.98, -29.74, 67.01

 

CMYK 67 / 0 / 0 / 12

HEX #4AE0E1

RGB 74 224 225

HSL 180.4, 0.72%, 0.59%

LAB 81.95, -38.15, -12.03

 

CMYK 33 / 67 / 0 / 12

HEX #964BE1

RGB 150 75 225

HSL 270, 0.71%, 0.59%

LAB 48.2, 58.66, -64.35

 

CMYK 0 / 67 / 67 / 12

HEX #E14B4B

RGB 225 75 75

HSL 0, 0.71%, 0.59%

LAB 53.54, 58.07, 32.85

 

CMYK 33 / 0 / 67 / 12

HEX #96E14B

RGB 150 225 75

HSL 90, 0.71%, 0.59%

LAB 82.29, -46.59, 63.38

 

Description

Color code: RGB 74 224 225 | qconv.com Color code: RGB 74 224 225 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 224 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 224 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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