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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 19 44 it is the complementary color RGB 181 236 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 19 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 19 44: RGB 79 19 39, RGB 96 37 58, RGB 113 55 77, RGB 130 73 96 and RGB 147 91 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 19 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 19 44: RGB 74 19 44, RGB 57 1 25, RGB 40 0 6, RGB 23 0 0 and RGB 6 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

Complementary color

CMYK 23 / 0 / 11 / 7

HEX #B5ECD3

RGB 181 236 211

HSL 152.73, 0.59%, 0.82%

LAB 89.17, -22.47, 6.43

 

CMYK 0 / 76 / 51 / 69

HEX #4F1327

RGB 79 19 39

HSL 340, 0.61%, 0.19%

LAB 16.87, 29.66, 2.55

 

CMYK 0 / 61 / 40 / 62

HEX #60253A

RGB 96 37 58

HSL 338.64, 0.44%, 0.26%

LAB 24.05, 29.18, 0.07

 

CMYK 0 / 51 / 32 / 56

HEX #71374D

RGB 113 55 77

HSL 337.24, 0.35%, 0.33%

LAB 31.3, 28.3, -1.61

 

CMYK 0 / 44 / 26 / 49

HEX #824960

RGB 130 73 96

HSL 335.79, 0.28%, 0.4%

LAB 38.47, 27.36, -2.88

 

CMYK 0 / 38 / 22 / 42

HEX #935B73

RGB 147 91 115

HSL 334.29, 0.24%, 0.47%

LAB 45.53, 26.47, -3.9

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 0 / 98 / 56 / 78

HEX #390119

RGB 57 1 25

HSL 334.29, 0.97%, 0.11%

LAB 8.67, 28.74, 0.56

 

CMYK 0 / 100 / 85 / 84

HEX #280006

RGB 40 0 6

HSL 351, 1%, 0.08%

LAB 4.19, 19.05, 4.17

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 0 / 75 / 51 / 72

HEX #481223

RGB 72 18 35

HSL 341.11, 0.6%, 0.18%

LAB 15.12, 27.16, 2.76

 

CMYK 0 / 75 / 64 / 72

HEX #48121A

RGB 72 18 26

HSL 351.11, 0.6%, 0.18%

LAB 14.87, 26.26, 8.98

 

CMYK 0 / 72 / 75 / 72

HEX #481412

RGB 72 20 18

HSL 2.22, 0.6%, 0.18%

LAB 15.07, 24.65, 14.78

 

CMYK 0 / 60 / 75 / 72

HEX #481D12

RGB 72 29 18

HSL 12.22, 0.6%, 0.18%

LAB 16.99, 19.61, 17.18

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 0 / 74 / 41 / 51

HEX #7D204A

RGB 125 32 74

HSL 332.9, 0.59%, 0.31%

LAB 29.13, 43.17, -2.61

 

CMYK 0 / 74 / 40 / 31

HEX #B02D69

RGB 176 45 105

HSL 332.52, 0.59%, 0.43%

LAB 41.42, 56.66, -3.32

 

CMYK 0 / 74 / 41 / 11

HEX #E33A87

RGB 227 58 135

HSL 332.66, 0.75%, 0.56%

LAB 53.07, 69.23, -3.42

 

CMYK 0 / 74 / 39 / 91

HEX #17060E

RGB 23 6 14

HSL 331.76, 0.59%, 0.06%

LAB 3.11, 6.99, -1.16

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 0 / 19 / 75 / 72

HEX #483A12

RGB 72 58 18

HSL 44.44, 0.6%, 0.18%

LAB 25.1, 0.94, 26.3

 

CMYK 75 / 10 / 0 / 72

HEX #124148

RGB 18 65 72

HSL 187.78, 0.6%, 0.18%

LAB 24.88, -12.94, -8.87

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 39 / 0 / 75 / 72

HEX #2C4812

RGB 44 72 18

HSL 91.11, 0.6%, 0.18%

LAB 27.34, -21, 27.91

 

CMYK 75 / 39 / 0 / 72

HEX #122C48

RGB 18 44 72

HSL 211.11, 0.6%, 0.18%

LAB 17.45, 0.85, -20.38

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 0 / 19 / 75 / 72

HEX #483A12

RGB 72 58 18

HSL 44.44, 0.6%, 0.18%

LAB 25.1, 0.94, 26.3

 

CMYK 75 / 0 / 35 / 72

HEX #12482F

RGB 18 72 47

HSL 152.22, 0.6%, 0.18%

LAB 26.65, -24.41, 10.02

 

CMYK 75 / 54 / 0 / 72

HEX #122148

RGB 18 33 72

HSL 223.33, 0.6%, 0.18%

LAB 13.73, 9.02, -26.3

 

CMYK 0 / 74 / 41 / 71

HEX #4A132C

RGB 74 19 44

HSL 332.73, 0.59%, 0.18%

LAB 16.02, 28.51, -2.41

 

CMYK 1 / 0 / 75 / 72

HEX #474812

RGB 71 72 18

HSL 61.11, 0.6%, 0.18%

LAB 29.46, -8.28, 30.76

 

CMYK 75 / 0 / 35 / 72

HEX #12482F

RGB 18 72 47

HSL 152.22, 0.6%, 0.18%

LAB 26.65, -24.41, 10.02

 

CMYK 72 / 75 / 0 / 72

HEX #141248

RGB 20 18 72

HSL 242.22, 0.6%, 0.18%

LAB 9.39, 20.64, -33.35

 

Description

Color code: RGB 74 19 44 | qconv.com Color code: RGB 74 19 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 19 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 19 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 41 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 41% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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