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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 159 65 it is the complementary color RGB 181 96 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 159 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 159 65: RGB 79 159 60, RGB 96 177 79, RGB 113 195 98, RGB 130 213 117 and RGB 147 231 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 159 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 159 65: RGB 74 159 65, RGB 57 141 46, RGB 40 123 27, RGB 23 105 8 and RGB 6 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

Complementary color

CMYK 5 / 49 / 0 / 25

HEX #B560BE

RGB 181 96 190

HSL 294.26, 0.42%, 0.56%

LAB 53.93, 48.34, -34.99

 

CMYK 50 / 0 / 62 / 38

HEX #4F9F3C

RGB 79 159 60

HSL 108.48, 0.45%, 0.43%

LAB 58.77, -43.73, 43.18

 

CMYK 46 / 0 / 55 / 31

HEX #60B14F

RGB 96 177 79

HSL 109.59, 0.39%, 0.5%

LAB 65.35, -43.87, 42.04

 

CMYK 42 / 0 / 50 / 24

HEX #71C362

RGB 113 195 98

HSL 110.72, 0.45%, 0.57%

LAB 71.84, -43.85, 40.81

 

CMYK 39 / 0 / 45 / 16

HEX #82D575

RGB 130 213 117

HSL 111.88, 0.53%, 0.65%

LAB 78.24, -43.73, 39.57

 

CMYK 36 / 0 / 41 / 9

HEX #93E788

RGB 147 231 136

HSL 113.05, 0.66%, 0.72%

LAB 84.55, -43.56, 38.36

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 60 / 0 / 67 / 45

HEX #398D2E

RGB 57 141 46

HSL 113.05, 0.51%, 0.37%

LAB 51.97, -44.21, 41.72

 

CMYK 67 / 0 / 78 / 52

HEX #287B1B

RGB 40 123 27

HSL 111.88, 0.64%, 0.29%

LAB 45.22, -43.32, 42.29

 

CMYK 78 / 0 / 92 / 59

HEX #176908

RGB 23 105 8

HSL 110.72, 0.86%, 0.22%

LAB 38.38, -41.61, 41.6

 

CMYK 93 / 0 / 100 / 66

HEX #065700

RGB 6 87 0

HSL 115.86, 1%, 0.17%

LAB 31.47, -38.55, 38.11

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 59 / 0 / 55 / 38

HEX #419F47

RGB 65 159 71

HSL 123.83, 0.42%, 0.44%

LAB 58.39, -46.22, 37.36

 

CMYK 59 / 0 / 45 / 38

HEX #419F57

RGB 65 159 87

HSL 134.04, 0.42%, 0.44%

LAB 58.61, -43.81, 29.42

 

CMYK 59 / 0 / 36 / 38

HEX #419F66

RGB 65 159 102

HSL 143.62, 0.42%, 0.44%

LAB 58.86, -41.1, 21.67

 

CMYK 59 / 0 / 26 / 38

HEX #419F76

RGB 65 159 118

HSL 153.83, 0.42%, 0.44%

LAB 59.18, -37.75, 13.25

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 53 / 0 / 59 / 18

HEX #62D256

RGB 98 210 86

HSL 114.19, 0.58%, 0.58%

LAB 75.68, -55.62, 50.87

 

CMYK 50 / 0 / 67 / 98

HEX #030602

RGB 3 6 2

HSL 105, 0.5%, 0.02%

LAB 1.39, -1.34, 1.24

 

CMYK 53 / 0 / 60 / 78

HEX #1B3917

RGB 27 57 23

HSL 112.94, 0.43%, 0.16%

LAB 20.91, -19.46, 17.65

 

CMYK 54 / 0 / 59 / 58

HEX #326C2C

RGB 50 108 44

HSL 114.38, 0.42%, 0.3%

LAB 40.55, -32.85, 29.69

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 59 / 6 / 0 / 38

HEX #41959F

RGB 65 149 159

HSL 186.38, 0.42%, 0.44%

LAB 57.19, -22.19, -12.91

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 59 / 53 / 0 / 38

HEX #414A9F

RGB 65 74 159

HSL 234.26, 0.42%, 0.44%

LAB 35.05, 22.77, -47.5

 

CMYK 0 / 59 / 53 / 38

HEX #9F414A

RGB 159 65 74

HSL 354.26, 0.42%, 0.44%

LAB 40.65, 39.87, 14.58

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 59 / 6 / 0 / 38

HEX #41959F

RGB 65 149 159

HSL 186.38, 0.42%, 0.44%

LAB 57.19, -22.19, -12.91

 

CMYK 6 / 59 / 0 / 38

HEX #95419F

RGB 149 65 159

HSL 293.62, 0.42%, 0.44%

LAB 42.27, 48.91, -35.44

 

CMYK 0 / 53 / 59 / 38

HEX #9F4A41

RGB 159 74 65

HSL 5.74, 0.42%, 0.44%

LAB 42.23, 34.54, 22.19

 

CMYK 53 / 0 / 59 / 38

HEX #4A9F41

RGB 74 159 65

HSL 114.26, 0.42%, 0.44%

LAB 58.63, -44.61, 40.63

 

CMYK 59 / 24 / 0 / 38

HEX #41799F

RGB 65 121 159

HSL 204.26, 0.42%, 0.44%

LAB 48.64, -6.77, -26

 

CMYK 6 / 59 / 0 / 38

HEX #95419F

RGB 149 65 159

HSL 293.62, 0.42%, 0.44%

LAB 42.27, 48.91, -35.44

 

CMYK 0 / 36 / 59 / 38

HEX #9F6641

RGB 159 102 65

HSL 23.62, 0.42%, 0.44%

LAB 48.58, 19.05, 30.18

 

Description

Color code: RGB 74 159 65 | qconv.com Color code: RGB 74 159 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 159 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 159 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 59 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 59% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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