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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 141 138 it is the complementary color RGB 181 114 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 141 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 141 138: RGB 79 141 133, RGB 96 159 152, RGB 113 177 171, RGB 130 195 190 and RGB 147 213 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 141 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 141 138: RGB 74 141 138, RGB 57 123 119, RGB 40 105 100, RGB 23 87 81 and RGB 6 69 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

Complementary color

CMYK 0 / 37 / 35 / 29

HEX #B57275

RGB 181 114 117

HSL 357.31, 0.31%, 0.58%

LAB 55.22, 26.84, 9.47

 

CMYK 44 / 0 / 6 / 45

HEX #4F8D85

RGB 79 141 133

HSL 172.26, 0.28%, 0.43%

LAB 54.45, -22.06, -2

 

CMYK 40 / 0 / 4 / 38

HEX #609F98

RGB 96 159 152

HSL 173.33, 0.25%, 0.5%

LAB 61.26, -21.96, -2.74

 

CMYK 36 / 0 / 3 / 31

HEX #71B1AB

RGB 113 177 171

HSL 174.38, 0.29%, 0.57%

LAB 67.94, -21.84, -3.43

 

CMYK 33 / 0 / 3 / 24

HEX #82C3BE

RGB 130 195 190

HSL 175.38, 0.35%, 0.64%

LAB 74.5, -21.71, -4.08

 

CMYK 31 / 0 / 2 / 16

HEX #93D5D1

RGB 147 213 209

HSL 176.36, 0.44%, 0.71%

LAB 80.96, -21.6, -4.7

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 54 / 0 / 3 / 52

HEX #397B77

RGB 57 123 119

HSL 176.36, 0.37%, 0.35%

LAB 47.45, -21.98, -4.24

 

CMYK 62 / 0 / 5 / 59

HEX #286964

RGB 40 105 100

HSL 175.38, 0.45%, 0.28%

LAB 40.37, -21.79, -3.37

 

CMYK 74 / 0 / 7 / 66

HEX #175751

RGB 23 87 81

HSL 174.38, 0.58%, 0.22%

LAB 33.12, -21.34, -2.35

 

CMYK 91 / 0 / 10 / 73

HEX #06453E

RGB 6 69 62

HSL 173.33, 0.84%, 0.15%

LAB 25.69, -20.42, -1.1

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 48 / 6 / 0 / 45

HEX #49848C

RGB 73 132 140

HSL 187.16, 0.31%, 0.42%

LAB 51.62, -16.95, -10.29

 

CMYK 48 / 14 / 0 / 45

HEX #49798C

RGB 73 121 140

HSL 197.01, 0.31%, 0.42%

LAB 48.24, -10.85, -15.41

 

CMYK 48 / 21 / 0 / 45

HEX #496E8C

RGB 73 110 140

HSL 206.87, 0.31%, 0.42%

LAB 44.89, -4.46, -20.54

 

CMYK 48 / 29 / 0 / 45

HEX #49638C

RGB 73 99 140

HSL 216.72, 0.31%, 0.42%

LAB 41.59, 2.22, -25.65

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 47 / 0 / 2 / 25

HEX #65C0BC

RGB 101 192 188

HSL 177.36, 0.42%, 0.57%

LAB 72.29, -28.11, -6.41

 

CMYK 47 / 0 / 2 / 5

HEX #80F3EE

RGB 128 243 238

HSL 177.39, 0.83%, 0.73%

LAB 89.33, -33.88, -7.73

 

CMYK 49 / 0 / 3 / 85

HEX #142726

RGB 20 39 38

HSL 176.84, 0.32%, 0.12%

LAB 14.06, -8.06, -1.79

 

CMYK 48 / 0 / 2 / 65

HEX #2F5A58

RGB 47 90 88

HSL 177.21, 0.31%, 0.27%

LAB 35.24, -15.47, -3.51

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 41 / 48 / 0 / 45

HEX #53498C

RGB 83 73 140

HSL 248.96, 0.31%, 0.42%

LAB 35, 21.48, -35.97

 

CMYK 0 / 21 / 48 / 45

HEX #8C6E49

RGB 140 110 73

HSL 33.13, 0.31%, 0.42%

LAB 48.52, 6.85, 25.11

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 3 / 48 / 0 / 45

HEX #88498C

RGB 136 73 140

HSL 296.42, 0.31%, 0.42%

LAB 41.05, 37.31, -26.04

 

CMYK 0 / 3 / 48 / 45

HEX #8C8849

RGB 140 136 73

HSL 56.42, 0.31%, 0.42%

LAB 55.75, -7.86, 34.16

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 41 / 48 / 0 / 45

HEX #53498C

RGB 83 73 140

HSL 248.96, 0.31%, 0.42%

LAB 35, 21.48, -35.97

 

CMYK 0 / 48 / 45 / 45

HEX #8C494D

RGB 140 73 77

HSL 356.42, 0.31%, 0.42%

LAB 39.37, 28.72, 10.48

 

CMYK 7 / 0 / 48 / 45

HEX #828C49

RGB 130 140 73

HSL 68.96, 0.31%, 0.42%

LAB 56.07, -14.32, 34.36

 

CMYK 48 / 0 / 2 / 45

HEX #4A8D8A

RGB 74 141 138

HSL 177.31, 0.31%, 0.42%

LAB 54.39, -22.03, -5.01

 

CMYK 26 / 48 / 0 / 45

HEX #67498C

RGB 103 73 140

HSL 266.87, 0.31%, 0.42%

LAB 37.01, 27.2, -32.66

 

CMYK 0 / 48 / 45 / 45

HEX #8C494D

RGB 140 73 77

HSL 356.42, 0.31%, 0.42%

LAB 39.37, 28.72, 10.48

 

CMYK 21 / 0 / 48 / 45

HEX #6E8C49

RGB 110 140 73

HSL 86.87, 0.31%, 0.42%

LAB 54.61, -22.57, 32.23

 

Description

Color code: RGB 74 141 138 | qconv.com Color code: RGB 74 141 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 141 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 141 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 2 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 2% 45% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - CloudFile
Link: http://on247.me

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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