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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 120 201 it is the complementary color RGB 181 135 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 120 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 120 201: RGB 79 120 196, RGB 96 138 215, RGB 113 156 234, RGB 130 174 253 and RGB 147 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 120 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 120 201: RGB 74 120 201, RGB 57 102 182, RGB 40 84 163, RGB 23 66 144 and RGB 6 48 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

Complementary color

CMYK 0 / 25 / 70 / 29

HEX #B58736

RGB 181 135 54

HSL 38.27, 0.54%, 0.46%

LAB 59.36, 9.39, 48.73

 

CMYK 60 / 39 / 0 / 23

HEX #4F78C4

RGB 79 120 196

HSL 218.97, 0.5%, 0.54%

LAB 50.78, 9.07, -44

 

CMYK 55 / 36 / 0 / 16

HEX #608AD7

RGB 96 138 215

HSL 218.82, 0.6%, 0.61%

LAB 57.63, 7.96, -43.88

 

CMYK 52 / 33 / 0 / 8

HEX #719CEA

RGB 113 156 234

HSL 218.68, 0.74%, 0.68%

LAB 64.35, 7.05, -43.8

 

CMYK 49 / 31 / 0 / 1

HEX #82AEFD

RGB 130 174 253

HSL 218.54, 0.97%, 0.75%

LAB 70.95, 6.28, -43.74

 

CMYK 42 / 25 / 0 / 0

HEX #93C0FF

RGB 147 192 255

HSL 215, 1%, 0.79%

LAB 76.75, 0.94, -35.71

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 69 / 44 / 0 / 29

HEX #3966B6

RGB 57 102 182

HSL 218.4, 0.52%, 0.47%

LAB 43.87, 11.42, -46.98

 

CMYK 75 / 48 / 0 / 36

HEX #2854A3

RGB 40 84 163

HSL 218.54, 0.61%, 0.4%

LAB 36.81, 13.46, -47.13

 

CMYK 84 / 54 / 0 / 44

HEX #174290

RGB 23 66 144

HSL 218.68, 0.72%, 0.33%

LAB 29.64, 16.14, -47.22

 

CMYK 95 / 62 / 0 / 51

HEX #06307D

RGB 6 48 125

HSL 218.82, 0.91%, 0.26%

LAB 22.42, 19.64, -47.16

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 63 / 51 / 0 / 21

HEX #4A63C9

RGB 74 99 201

HSL 228.19, 0.54%, 0.54%

LAB 45.08, 22.96, -56.01

 

CMYK 63 / 61 / 0 / 21

HEX #4A4EC9

RGB 74 78 201

HSL 238.11, 0.54%, 0.54%

LAB 39.78, 36.15, -64.59

 

CMYK 55 / 63 / 0 / 21

HEX #5B4AC9

RGB 91 74 201

HSL 248.03, 0.54%, 0.54%

LAB 40.15, 41.39, -63.95

 

CMYK 44 / 63 / 0 / 21

HEX #704AC9

RGB 112 74 201

HSL 257.95, 0.54%, 0.54%

LAB 42.09, 45.37, -60.7

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 63 / 40 / 0 / 1

HEX #5D96FC

RGB 93 150 252

HSL 218.49, 0.96%, 0.68%

LAB 62.65, 12.38, -56.42

 

CMYK 63 / 40 / 0 / 81

HEX #121D30

RGB 18 29 48

HSL 218, 0.45%, 0.13%

LAB 10.71, 2.02, -14.14

 

CMYK 64 / 40 / 0 / 61

HEX #243B63

RGB 36 59 99

HSL 218.1, 0.47%, 0.26%

LAB 24.96, 4.9, -26.35

 

CMYK 63 / 40 / 0 / 41

HEX #375A96

RGB 55 90 150

HSL 217.89, 0.46%, 0.4%

LAB 38.42, 7.12, -36.72

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 11 / 63 / 0 / 21

HEX #B34AC9

RGB 179 74 201

HSL 289.61, 0.54%, 0.54%

LAB 50.33, 60.4, -47.01

 

CMYK 15 / 0 / 63 / 21

HEX #ABC94A

RGB 171 201 74

HSL 74.17, 0.54%, 0.54%

LAB 76.63, -28, 58.15

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 0 / 63 / 40 / 21

HEX #C94A78

RGB 201 74 120

HSL 338.27, 0.54%, 0.54%

LAB 50.3, 54.38, 1.01

 

CMYK 40 / 0 / 63 / 21

HEX #78C94A

RGB 120 201 74

HSL 98.27, 0.54%, 0.54%

LAB 73.71, -46.77, 54.14

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 11 / 63 / 0 / 21

HEX #B34AC9

RGB 179 74 201

HSL 289.61, 0.54%, 0.54%

LAB 50.33, 60.4, -47.01

 

CMYK 0 / 23 / 63 / 21

HEX #C99A4A

RGB 201 154 74

HSL 37.8, 0.54%, 0.54%

LAB 66.54, 8.92, 47.8

 

CMYK 53 / 0 / 63 / 21

HEX #5FC94A

RGB 95 201 74

HSL 110.08, 0.54%, 0.54%

LAB 72.69, -54.26, 52.72

 

CMYK 63 / 40 / 0 / 21

HEX #4A78C9

RGB 74 120 201

HSL 218.27, 0.54%, 0.54%

LAB 50.81, 9.83, -46.83

 

CMYK 0 / 63 / 8 / 21

HEX #C94AB8

RGB 201 74 184

HSL 308.03, 0.54%, 0.54%

LAB 52.7, 62.89, -33.23

 

CMYK 0 / 23 / 63 / 21

HEX #C99A4A

RGB 201 154 74

HSL 37.8, 0.54%, 0.54%

LAB 66.54, 8.92, 47.8

 

CMYK 63 / 0 / 55 / 21

HEX #4AC95B

RGB 74 201 91

HSL 128.03, 0.54%, 0.54%

LAB 72.22, -57.35, 44.33

 

Description

Color code: RGB 74 120 201 | qconv.com Color code: RGB 74 120 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 120 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 120 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 40 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 40% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - UL
Link: http://www.ul.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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