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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 109 125 it is the complementary color RGB 181 146 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 109 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 109 125: RGB 79 109 120, RGB 96 127 139, RGB 113 145 158, RGB 130 163 177 and RGB 147 181 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 109 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 109 125: RGB 74 109 125, RGB 57 91 106, RGB 40 73 87, RGB 23 55 68 and RGB 6 37 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

Complementary color

CMYK 0 / 19 / 28 / 29

HEX #B59282

RGB 181 146 130

HSL 18.82, 0.26%, 0.61%

LAB 63.34, 10.74, 13.45

 

CMYK 34 / 9 / 0 / 53

HEX #4F6D78

RGB 79 109 120

HSL 196.1, 0.21%, 0.39%

LAB 44.17, -7.94, -9.62

 

CMYK 31 / 9 / 0 / 45

HEX #607F8B

RGB 96 127 139

HSL 196.74, 0.18%, 0.46%

LAB 51.3, -7.97, -10.07

 

CMYK 28 / 8 / 0 / 38

HEX #71919E

RGB 113 145 158

HSL 197.33, 0.19%, 0.53%

LAB 58.25, -8, -10.52

 

CMYK 27 / 8 / 0 / 31

HEX #82A3B1

RGB 130 163 177

HSL 197.87, 0.23%, 0.6%

LAB 65.05, -8.03, -10.96

 

CMYK 25 / 8 / 0 / 23

HEX #93B5C4

RGB 147 181 196

HSL 198.37, 0.29%, 0.67%

LAB 71.72, -8.07, -11.39

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 46 / 14 / 0 / 58

HEX #395B6A

RGB 57 91 106

HSL 198.37, 0.3%, 0.32%

LAB 36.73, -7.89, -12.44

 

CMYK 54 / 16 / 0 / 66

HEX #284957

RGB 40 73 87

HSL 197.87, 0.37%, 0.25%

LAB 29.17, -7.63, -12.04

 

CMYK 66 / 19 / 0 / 73

HEX #173744

RGB 23 55 68

HSL 197.33, 0.49%, 0.18%

LAB 21.33, -7.15, -11.61

 

CMYK 88 / 24 / 0 / 81

HEX #062531

RGB 6 37 49

HSL 196.74, 0.78%, 0.11%

LAB 13.13, -6.26, -11.13

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 42 / 19 / 0 / 51

HEX #49657D

RGB 73 101 125

HSL 207.69, 0.26%, 0.39%

LAB 41.54, -3.59, -16.66

 

CMYK 42 / 26 / 0 / 51

HEX #495C7D

RGB 73 92 125

HSL 218.08, 0.26%, 0.39%

LAB 38.81, 1.93, -20.86

 

CMYK 42 / 34 / 0 / 51

HEX #49537D

RGB 73 83 125

HSL 228.46, 0.26%, 0.39%

LAB 36.14, 7.63, -25.01

 

CMYK 42 / 40 / 0 / 51

HEX #494B7D

RGB 73 75 125

HSL 237.69, 0.26%, 0.39%

LAB 33.84, 12.8, -28.63

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 41 / 13 / 0 / 31

HEX #6899B0

RGB 104 153 176

HSL 199.17, 0.31%, 0.55%

LAB 60.66, -10.33, -17.17

 

CMYK 41 / 13 / 0 / 11

HEX #86C6E3

RGB 134 198 227

HSL 198.71, 0.62%, 0.71%

LAB 76.68, -13.02, -20.83

 

CMYK 39 / 13 / 0 / 91

HEX #0E1417

RGB 14 20 23

HSL 200, 0.24%, 0.07%

LAB 5.92, -1.52, -2.75

 

CMYK 41 / 12 / 0 / 71

HEX #2C414A

RGB 44 65 74

HSL 198, 0.25%, 0.23%

LAB 26.19, -5.57, -8.09

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 21 / 42 / 0 / 51

HEX #63497D

RGB 99 73 125

HSL 270, 0.26%, 0.39%

LAB 35.79, 22.12, -25.39

 

CMYK 0 / 4 / 42 / 51

HEX #7D7849

RGB 125 120 73

HSL 54.23, 0.26%, 0.39%

LAB 49.83, -5.51, 26.48

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 0 / 42 / 13 / 51

HEX #7D496D

RGB 125 73 109

HSL 318.46, 0.26%, 0.39%

LAB 38.25, 27.68, -11.4

 

CMYK 13 / 0 / 42 / 51

HEX #6D7D49

RGB 109 125 73

HSL 78.46, 0.26%, 0.39%

LAB 49.98, -15.13, 26.4

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 21 / 42 / 0 / 51

HEX #63497D

RGB 99 73 125

HSL 270, 0.26%, 0.39%

LAB 35.79, 22.12, -25.39

 

CMYK 0 / 29 / 42 / 51

HEX #7D5949

RGB 125 89 73

HSL 18.46, 0.26%, 0.39%

LAB 41.19, 12.62, 15.12

 

CMYK 21 / 0 / 42 / 51

HEX #637D49

RGB 99 125 73

HSL 90, 0.26%, 0.39%

LAB 49.25, -19.22, 25.33

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 9 / 42 / 0 / 51

HEX #72497D

RGB 114 73 125

HSL 287.31, 0.26%, 0.39%

LAB 37.52, 27.07, -22.56

 

CMYK 0 / 29 / 42 / 51

HEX #7D5949

RGB 125 89 73

HSL 18.46, 0.26%, 0.39%

LAB 41.19, 12.62, 15.12

 

CMYK 34 / 0 / 42 / 51

HEX #537D49

RGB 83 125 73

HSL 108.46, 0.26%, 0.39%

LAB 48.24, -25.36, 23.82

 

Description

Color code: RGB 74 109 125 | qconv.com Color code: RGB 74 109 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 109 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 109 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 13 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 13% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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